Dass eine gute Strecke, würde Ich mag mich @ Sarah Zieht, ein glücklicher Tag folgen

Richter/Vivaldi

ISRC code: DEUM71201995
Composer: Richter/Vivaldi
Album: Recomposed by Max Richter (Vivaldi Four Seasons) 
Track: Spring 1

Artist: Max Richter
Violin: Daniel Hope
Orchestra: Konzerthaus Kammerorchester Berlin
Conductor: André de Ridder

If you want more information about this track please e-mail sync@decca.com 
Please quote DEUM71201995 in the subject line.


Richter: Recomposed by Max Richter (Vivaldi Four Seasons), Spring 1

ISRC code: DEUM71201996
Composer: Richter/Vivaldi
Album: Recomposed by Max Richter (Vivaldi Four Seasons) 
Track: Spring 2
Artist: Max Richter
Violin: Daniel Hope
Orchestra: Konzerthaus Kammerorchester Berlin
Conductor: André de Ridder
If you want more information about this track please e-mail sync@decca.com 
Please quote DEUM71201996 in the subject line.


Richter: Recomposed by Max Richter (Vivaldi Four Seasons), Spring 2

ISRC code: DEUM71201997
Composer: Richter/Vivaldi
Album: Recomposed by Max Richter (Vivaldi Four Seasons) 
Track: Spring 3

Artist: Max Richter
Violin: Daniel Hope
Orchestra: Konzerthaus Kammerorchester Berlin
Conductor: André de Ridder

If you want more information about this track please e-mail sync@decca.com 
Please quote DEUM71201997 in the subject line.


Richter: Recomposed by Max Richter (Vivaldi Four Seasons), Spring 3

from 'Acoustic' [CD|LP|DIGITAL]
Denovali Records · den202
available on all formats at [http://denovali.com/theeyeoftime]

THE EYE OF TIME is the Solo-Project of French musician Marc Euvrie. Euvrie’s musical development is deeply connected with the French DIY punk and hardcore scene, though he has been classically trained as well. He used to play in several bands before he began to translate his personal reflection of our complex world into music, which initiated The Eye of Time. A self titled debut record, released in Spring 2012, evolved firstly.

For his debut Marc Euvrie’s critical writing exposed a dark look on the present, past and future: Linked to machines and samples, revealing an unnatural direction of the human being’s existence. His upcoming release ACOUSTIC is a consequent change of focus. Looking for the motor, the personal needs to survive, he found himself experimenting with only Cello and Piano. Apparently these classical instruments turned out to be a relevant strong signal to go back to the roots with something more natural and simple to start from. Though both records seem to go in opposite directions in terms of sound and concept, a strong underlying layer stays inevitable: The Eye of Time’s compositions imply a call to fight for the things we love.

ACOUSTIC might be understood as a counterbalance to The Eye of Time’s debut. Where the previous record disclosed the coldness of our time, destructing everything that is meant to be our deep nature and presenting the despair of our situation, Acoustic embarks on a little glimpse of hope: Finding some strength to keep fighting for the nature of things and their vital qualities. Marc Euvrie composed six songs for six different locations and points in time, reaching way back to ancient centuries as well as taking a glance into our near future of a yet unknown place. A very personal travel through time and space, between the beauty of nature (Cisjordania, Norway) and the need of hope, which allows humans to dream (Spain, Poland). Marc Euvries own feelings and thoughts about his life evoke mostly in the last two tracks, where he found a form to intensify what keeps him alive.

Acoustic

Preorder / Buy

The Eye of Time - Treblinka, Poland, 2 August 1943

THE 2ND UNRELEASED RECORD. "COLD BLOOM" IS AN RECORD I HAVE A LOVE HATE RELATIONSHIP WITH. I THINK THEIR ARE GOOD IDEAS DOTTED THROUGHOUT BUT I ALWAYS FELT IT HAD THE POTENTIAL TO BE BETTER. 

I WILL BE HOSTING A LISTENING PARTY ON BANDCAMP TOMORROW AT 7PM IN CELBRATION OF FINALLY BRING OUT THE RECORD. YOU ARE ALL WELCOME TO JOIN ME! 

OCT 10 - COLD BLOOM (2014)
OCT 17 - BEYOND THE PINE (2015)
OCT 21 - VVAVES (2015)
OCT 28 - WE ARE ATOM (2017)
OCT 31 - THE LONG NIGHT (2019)
NOV 2 - OUTER LANDS (2019)
NOV 8 - INNER (2021)
NOV 10 - BROKEN TAPES OF VODA (2025)

BUY - COLD BLOOM 

COLD BLOOM

Hi there,

it's me Kim and I hope, you're all fine.
I'm back again with a new little
EP called "Here Comes The Night".
Please enjoy my 6 unique retro soundtracks
with a spooky melodic atmosphere,
produced and composed with love
and from the bottom of my heart as always ♥
Hope, you like it.

Thank you so much for listening to my music.

Much love and happy Halloween,
Kim ♥

Video: https://youtu.be/ip1er_bIhzQ

Here Comes The Night

Downstairs

Bandcamp

Downstairs | Here Comes The Night

Solo Remains are previously unreleased tracks from Nils Frahm’s album Solo, which was recorded on the M370, the world’s largest piano, built by the visionary piano maker David Klavins in 1987.

Nils fell in love with the sound of this giant and joined David for the new project – building an even higher piano – the Model 450. The aim of it is to explore the not yet reached physical limits of the piano instrument and also to push forward into new musical dimensions. The M450 will be characterized by an even clearer sound with more depth and richness of overtones as well as an unrivaled frequency spectrum and intensity of sound and tone. In time for the 2nd anniversary of Piano Day, Nils decided to give four previously unreleased songs from that very session to his fans and supporters of the Klavins 450 project.

“In the end, every album production leaves you with the same tough task – making the choices for the final track selection. You leave out some tracks for various reasons: some of the tracks are wonderful by themselves, but they simple don’t fit anywhere in the album and others have to be left out because otherwise the vinyl would become too long for a cut in good quality. However, these outtakes are often as important as the final selection and I thought, they might be a great surprise for Piano Day too. I hope in this case, it’s both …”

Solo Remains is available for free download in 24-bit and mp3 format.
http://www.nilsfrahm.com/works/solo-remains/

Vice Versa

Digits

Max Richter (Vivaldi) - Summer

Miracle, Mystery and Authority

Follow http://soundcloud.com/origamibiro

Free download EP at <a href=http://badpandarecords.wordpress.com/2012/07/16/badpanda137/>Bad Panda</a>

including remixes by
http://soundcloud.com/bad-panda-records/origamibiro-plaid
http://soundcloud.com/bad-panda-records/origamibiro-isaan
http://soundcloud.com/k-conjog
http://soundcloud.com/setinsand
http://soundcloud.com/leafcutterjohn
- - - 
http://www.facebook.com/badpandarecords 
http://twitter.com/#!/badpandarecords

Origamibiro - Flicker

Max Richter - Spring 0

Max Richter - Winter 3

A-side of our 7" EP, published on january 25th 2013

Landscapes

A quick iPhone recording of one of my favorite Philip Glass compositions. Sorry for the mistakes!

Philip Glass - Opening (from Glassworks)

Legendary British record label, home to some of the greatest recording artists of all time.

Est. 1929

Max Richter - Spring 0

DeccaRecords

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