Danilenko - Something For Nothing [one002]

this carp will be released soon on another label....vinyl

Auspicious Family - Brittle Undulation
South London Ordnance - Black Acre ft. Brolin - Chris Carter Remix
Gil.Barte - Myxines 
Fresnel Lens - Tethered 
Boreal Massif - Artificial World (A Manmade Catastrophe)
Babe Rainbow - Celebrate
Pablo’s Eye - My Only Guide Is
HVAD - Unsoil
Odia - Unhaaka
Bergsonist - Rights
Scanner + Modelbau - Duricrust
Mya Gomez - Spanto
Kinlaw + Robin Stewart - Earthwork
Jak3 / Trashman + Loretta Aberdeen - Lighthouse
Mya Gomez - CCTV
Phatrax - Heroina
Young Druid - 10 Yen
33EMYBW - Blood Child
FTP Doctor - Aaaah Naja 
Potter Natalizia Zen - Too Much Traffic 
Suemori - Yasoshima Kekete
Rex Ilusivii - Forced March

OB0466 — Observer

NTS 18.11.24 — buttechno invites Observer

Something For Nothing

Danilenko - Something For Nothing (previews)

Organchrist have been making noise in the Bristol and UK underground since 2013.  Ranging from seated audio-visual psychedelic drone rituals to 6am techno live sets and short destructive noise sets at DIY crust gigs.  They have a handful of cassette releases via their own Boundary Element label and the bizarre cult French label Zamzamrec. 

This recording is an exclusive and unreleased live studio drone from 2016, designed for horizontal 5am airport layovers and headphone audio tours of your nearest central business district.  It was created in a single take using synths, tapes and effect pedals.

SHFTD Podcast #084 | Organchrist

14anger is a time traveler. A collector of techno classics, an admirer of futuristic sequencing, he weaves these together for an eternal timed prophecy rave. He started djing in 1994, spinning hardcore and drum N bass and returned to his techno roots in 2013 where his productions and sets are equally full of passion and energy. 14anger brings on a dancefloor what his tracks give to your ears: mental energy. Well-appreciated south-France DJ, 14anger proposes today bold dancefloor techno, balanced with acid synths and mesmerizing beats. His techno mixes recall how techno should always be played: 2 tracks together open the gates of a brighter immediate future. This rave ambassador knows how to shake your party, marking it with a personal before/after effect.

SHFTD Podcast #085 | 14anger

At the origin of the Nocturnal Frequencies and Last Embassy, Blurred Boy is dynamic, dreamy and driven by the ambition to carry out his cultural projects. Very young, he invested himself in a techno movement in which he evolves easily. Over time, he acquires an impressive vinyl library by the pointillism of his selections. Epicurean of everyday life, he applies this rule in his productions, always meticulously industrialized and organic. In search of the most complex sounds, he draws his inspiration from the English organic music and Berlin industrial. He already has had the chance to show is art all around France and in Germany.

SHFTD Podcast #086 | Blurred Boy

One of the creative minds behind Bristol’s Abstractions events since 2009, Vega is one of the founding members of UVB-76 Music, Ruffhouse and 4 6 2 5. His encyclopedic knowledge of the genre is second to none and can be observed through his genre-defying DJ sets. Performing much like a Techno DJ, Vega creates a dialogue between Drum & Bass across several Chronologies while making excursions into Techno and Ambient music.
Vega is the guiding A&R force behind UVB-76 Music, his vision has seen the label's achievements acknowledged by Resident Advisor, DJ Mag, Mixmag and BBC Radio 1 amongst many other international formats. As a DJ he continues to take the UVB-76 sound worldwide.

VEGA FB PAGE: https://www.facebook.com/VegaUVB76Music/?modal=admin_todo_tour

SHFTD Podcast #087 | Vega

Taken from the forthcoming 'Atomic Spawn' EP on Monolith Records
Out 31st September on Vinyl/Digital
 
 'Atomic Spawn' investigates again the Human Condition, through the combo Fire at Work; a sensational contribution for the label, where the radical journey from the millennium end of the Roman project finds exactly its own dimension. 

The sounds and visions of the two producers are coming directly from the most radical electronic counterculture's pot, the industrial dimension and the radical sound choice seem to be the best and right way to tell the story of a dystopian reality, a meaningful choice useful to criticize humans and their civilization.

The complex of the Fire At Work production represents an act of cultural resistance, therefore Monolith Records seems to be the right and naturally follow up of a long multidisciplinary journey. This release is the meeting point of two generations sharing a similar electronic counter cultural background, in the middle of the ruins of a modern world which is nothing but a ripped-off planet, a consumed scenario where the radicalization of the exclusivity leads the beings to the recurring Post Humanistic alienation.

The music journey develops through cuts deliberately violating the borders of genre and style, leaving to the dark decaying soundscapes the duty to shape coherence. The overall dimension of this work floats in a tension between the mental form of the synths and the implacability of the concrete drumming asset, that alternates straight and broken beats merged by the same obsessive character. In order to consistently remark the intention behind the production, the Remix by Hypnoskull for 'Re_Sample The Future', a tool shaped by an heavy distorted timber that brings lyrics to clarify the common denominator of the EP: a totalitarian vision of reality involving the rejection of the status quo, together with the roles and the scopes of a totally dehumanised system. The 2.0 Man is unarmed and similar to a cadaver, and his desires and senses are reconciled by a perpetual stream of information, a data replacement of reality. The one-way direction streaming can be interrupted by noise, as the element able to distort meaning the unexpected element occurring in the middle between the matrix of the message ed his audience. Given such conditions, the style choice becomes part of the concept itself, and it is far from any kind of 'induced' choice.

Fire At Work - Re-Sample The Future (Hypnoskull 'Arbeit Und Feuer' Mix)

Autumns is the solo project of Christian Donaghey, From Derry, Ireland, an outlet for electronic post-punk with a lethal pulse. After a brace of rough demos without preliminary hype, the project emerged fully formed on Karl O’Connor’s (aka Regis) illustrious label Downwards back in 2014, the youngest act in a new vanguard of artists that included the likes of Tropic of Cancer, DVA DAMAS and The KVB.

Preceding releases for Clan Destine Records, iDEAL Recordings and DKA Records have seen the project engaged in a rough trade of transgressive noise, dysfunctional metal dance and DIY punk angst, yet each of these milestones has represented a different proposition. 2016’s ‘A Product of 30 Years of Violence’ saw the project moving into vast glacial spaces after propulsive post-punk discord of 2015’s ‘Das Nichts’. 2017 presented a further progression into Autumns’ journey from his post-punk beginnings to producing some of the tautest and no bullshite electronic music around with the release of his debut album ‘Suffffocating Brothers’ on Clan Destine Records. Gaining radio play from selectors like Trevor Jackson, Regis, Debonair and Giant Swan.

Alongside progressive appearances on cult labels, the project has developed a notorious high-intensity live show, having played and toured with artists such as Silent Servant, Veronica Vasicka and Wire, performing to audiences from Los Angeles to Beirut, and Moscow to Berlin. Autumns’ has also ventured outside the typical music world by taking up projects such as performing alongside Samuel Kerridge at the 2016 edition of Paris Fashion Week for Downwards, creating a sound installation at Void Gallery, and improvising a desolate live score to David Lynch’s ‘Twin Peaks: Fire Walk With Me’. Earning Autumns a fierce reputation not only as a live act but as a multi-disciplinary artist.

Following contributions to labels such as Amok Tapes, Touch Sensitive, Veyl (Maenad Veyl) and Earwiggle (Sunil Sharpe), as well as remixes for Strange Therapy, Infidel Bodies, and Clan Destine Records. 2019 see’s Autumns’ experimentation in the studio go much deeper, with the release of his sophomore album ‘Shortly After Nothing’ on Oliver Ho’s (aka Broken English Club) illustrious ‘Death & Leisure’ label, alongside a heavy touring schedule, a collaboration with post-punk legend Eric Random, the launch of his radio show ‘Dyslexia Tracks’ on Dublin Digital Radio and more upcoming releases to surface throughout the year.

SHFTD Podcast #088 | Autumns

COAL EP

Instruments Of Discipline - Coal -  Insect Human

Taken from the forthcoming 'Theatre of Tragedy' LP on Clan Destine Records
Out April 23rd on Cassette/Digital

Exploring sonic pathways within depths of a noisy, industrial realm of black ambience & techno-horror, Dionysian Rituals presents his debut album ‘Theatre of Tragedy’. 

In the deep, dark forests and in the lush green valleys, worshippers of Dionysus celebrated the eternal cycles of death and rebirth, symbolised in the sacred mask of the wild god. Drunk and intoxicated, wearing the mask of Dionysus, the actor is at once the shaman and the priest. Channeling the presence of the fearsome divinity, he drinks the sacred wine and eats the raw flesh of his prey. In this eternal moment, he becomes one with the god and the beast residing inside of him. Within Ancient Greek culture, the sacred rites of Dionysus have been appropriated and transformed into theatre performances. The shaman became the actor, the participants became the audience, the sacred altar became the stage. From myth as a ritual performance emerged the theatre of tragedy, in which the undying spirit of Dionysus, majestic and terrifying, speaks to us even today.

https://soundcloud.com/dionysian_rituals
https://soundcloud.com/carl-clan-d

Danilenko - Something For Nothing (previews)

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