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Center Of Gravity

TL Premiere #960 (2022.06.13) : Kalcagni - Retox [Distrito 91]

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For this 158th Premiere of 2022, we have a track by UK Producer Kalcagni titled ‘Retox’ from his forthcoming EP "Manners" on the Electro label based in Madrid, Spain : Distrito 91.

▶︎ The EP will be available from June 20, 2022 in Limited 12" Vinyl (300 copies) + Digital on Bancamp : https://distrito91.bandcamp.com/album/manners

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Release Info :

Kalcagni - Manners EP [Distrito 91 // D91005]

This debut EP from Manchester producer Kalcagni brings us 4 slices of deep, vibey electro. Kicking off with EP title track ‘Manners’ which provides 303 acid lines laced with infectious chord stabs and beefy 808 drums. Next up ‘Retox’ takes proceedings even deeper with a soulful, slightly melancholic touch. On the flip side ‘Wrong Fix’ jacks up the BPMs for a wonky electro affair, before EP closer ‘It Knows Me Bad’ rounds things off with oscillator sync bass stylings interspersed with minor chords, modular percussion and punchy drums.

Tracklist :
1. Manners
2. Retox
3. Wrong Fix
4. It Knows Me Bad

releases June 20, 2022

Written and produced by Jonny Strinati in Manchester.
Mastered by Ruben Montesco at SoundClipStudio.
Distributed by Subwax www.subwax.es

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Follow Kalcagni :
Instagram : www.instagram.com/kalcagni
SoundCloud : www.soundcloud.com/kalcagni

Follow Distrito 91 :
Bandcamp : www.distrito91.bandcamp.com
Instagram : www.instagram.com/distrito__91
SoundCloud : www.soundcloud.com/distrito91

Manners

Retox

TL PREMIERE : Kalcagni - Retox [Distrito 91]

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Airborne Ashes

Airborne Ashes (Eartheater & Aleksandir Remix)

Untitled 01

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Astral travel with Cybotron into the meta-narrative of the Parallel Shift, a new sonic fiction that raises many questions about military science of the near-future and the possibility of other worlds. 

Descending backward through the rhythms of time, the Skynet module retracts from the hyper-structural society of 2100, edging toward the mid-century modern age teetering on the brink of what was then the frontier of “the future”. The system boots the Infiniti process, morphing into a cosmotechnic vessel coursing the superhighway of burgeoning general intelligence, seeking data from just before “the overshoot and collapse.” 

R&D methods, rhythmanalytically applied, dissect the aftermath of an industrial society that burst through the ecological capacity of Spaceship Earth. Fractal visions of war and innovation spike and recede from and into the surfaces of reality being bent and guiding the eyes, ears, touch towards a laboratory in the year 1961. A nuclear expert, Don Lewis, receives orders to decrypt the mysterious black dodecagonal disc known as Fortec and the extraterrestrial biology unearthed in Roswell. He joins a team disassembling Fortec and studying the recurrent dodecahedral patterns linked to the human nervous system. 

Through dismantling and probing, the team cycles through a saecular search devoid of finite conclusions, limited by Earth’s intellectual and technological prowess. One 1960s night, Lewis, while meddling with Fortec’s cyborganic innards, accidentally electrifies himself. His cyclotron and missile experience guides him to circuit-bend Fortec, stirring the entity from a mechanical slumber. Lewis and Fortec communicate in resonances, until it drifts back into a tranquil stasis. 

The US Defense and contractors, unbeknownst to them, observe this breakthrough. They later permit Lewis to exit military service as the Air Force forms the Foreign Technology Division. Concurrently, MJ12 evolves into CY12, delving into second-order cybernetics. Lewis clandestinely keeps working on Fortec fragments, transitioning from military engineer to musician, pioneering the LEO module, a fusion of Fortec’s essence and audio engineering. 

He shares his insights with Roland founder Ikutaro Kakehashi, aiding the creation of the iconic TR-808. Meanwhile, Fortec branches out, coining “Cyberspace” – a collective illusion of liberty unshackled by physical, political, or spiritual bounds, anchored in the equitable distribution of The Golden Ratio across realities. Yet “Cyberspace” morphs into a chaotic truth reservoir, spilling over into deception. 

The Parallel Shift manifests in the perpetual “Now,” a collapsed event horizon where past and future are ensnared in a relentless present, unfurling along a dissolving timeline, overseen by a monolithic simulation under ceaseless watch… 

— The Rhythmanalyst aka DeForrest Brown, Jr.

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