mobile

Buy on iTunes: http://smarturl.it/MiddleFingerPt2
But on Beatport: http://www.beatport.com/release/middle-finger-pt-2/1159440

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Middle Finger Pt. 2

Middle Finger, Pt. 2 (EP Version)

@soldal guest mix for our monthly @threadsradio show, broadcasted June 1, 2021

Int'l Winners w/Soldal

From the upcoming album 'This Is All Yours' and available as an instant download with all iTunes pre-orders: smarturl.it/TIAYitunes

Also available to pre-order on Double Vinyl: smarturl.it/TIAYvinyl

Forthcoming live dates: http://showsnear.by/alt-J

Hunger Of The Pine

Hunger of the Pine

Pre-order here

How did I get here???kak ya suda popal(((

VISION

letter to sachi

exclusive edits I did (for rozkosz podcast series)inspired by Renick's Bell algorave music, futuristic ghetto tek produced by Tchan, Raster-Noton, AGF's sound design, drum & bass experiments and Chicago Footwork.

Jana Rush + Renick Bell

Available on OWSLA 11/22/11

OWSLA: http://owsla.com/releases/kill-the-noise-kill-kill-kill/
Beatport: http://beatport.com/release/kill-kill-kill/833512
iTunes: http://itunes.apple.com/us/album/kill-kill-kill/id480272430
Spotify: http://open.spotify.com/album/3FIC2jEXBHTSEb0ZdoLvpJ

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More on OWSLA: http://OWSLA.com

Kill Kill Kill EP

Kill The Noise - Kill The Noise (Part 1)

Shiny Zero is an annual report compiling works from collaborators and allied facilities. It is both a reflection of our current state and an indicator for prospective projects. 

To ensure maximum accessibility, Shiny Zero will be available free of charge.

Broshuda - Hundertfuesser Ringt Maus Nieder

In Theory

Isomov - Ensemble

You Should You Must

* Announcing CANVAS007 *

Lugh - Re Munus (LP)

Format: Digital/Vinyl
Cat.No: CANVAS007
Release Date: 23rd of October 2020

Vinyl and Digital pre-order:
canvas-index.bandcamp.com/album/re-munus

‘
There is grief, exultation and relief inherent in belonging to community. Re Munus reflects on the tone of deep gravity with which the re munisation of the de munised is unravelling. The generations which dismantled their social contract, achieved immunity, revoked solidarity.

Severe circumstances foment collectivity, suffering and empathy, interrupting the ethereal dream of social weightlessness. Re Munus sketches sensations and observations during a time of reorientation, rediscovery of lived sensibility on a relational scale. An encounter with sensations which we had said defined us—the tangibility of which we had forgotten, believed to be confined to the past. There is tension between the physical withdrawal and lived intensity which permeates these works.
’ Lugh

Personal drift. There is a multitude of presences guiding you through this record as a listener, not without their own doubts as to where they are leading you. A murky social space. Time-compressed club experiences within layered acoustic dimensions; consolidated, captured and played back into the same space. I am sitting in several rooms simultaneously. Death metal screams in an Animal Crossing world modelled on our own.

The choral rush of ‘Million Dollar Cowboy’ from Lugh’s Hélico EP (2018) re-appears again in ‘Braises’ and ‘Free Fall’, deeper and re-figured. Sometimes the record also haunts itself—each element heard having been through a process so long and many-staged, it’s as though it has already lived.

These compositions hold within them a flawed attempt to communicate on every level. The desire of language as expressed through music—towards shared meaning. Paradoxically voiced and voiceless, it denies textual, verbal description, instead crying out through the cracks in forming its own liquid tongue. Clone choirs simultaneously rehearse in an open space below. A slow walk through this spectacle. It’s an anguished record as much as it is at times tranquil. The movement between voices detached and embodied becomes playful—often warping them far beyond recognisability.

Beautiful artefacts. Stomach churns in the face of a burnt-out horizon. Cantering & sneezing. Air is driven into the corners and creases of a gold-plated, reverberant structure. The neural network claps to keep itself in time. Gutter Synthesis organ lament; tears of the duffing oscillators. There are moments on this release when tensely divergent fragments are barely held together. The prominent human voice mixing with the heavily re-sampled voice—it’s an incredible lift. Superimposed night and day. Sonic creatures living within the material, sharing time and space. Tenderness and together-ness.

Michael Speers and Olan Monk

Music by Lugh O'Neill

Vocals on ‘Vertiginous Leap’ and 'Free Fall' performed by Marie Requa Gailey

Artwork, graphic and product designed by Zuzana Pabisova

Mastered by Ali Najafi

Underwater recordings from Zuzana Pabisova's underwater sports camera feature on 'El Rocio'

The ‘Gutter Synth’ designed by Tom Mudd features on 'Americans', 'Irony, Chastity, Obedience' and 'Index Veri'

@lu_gh

www.c-a-n-v-a-s.com

Re Munus

Buy DL/LP

Lugh - Irony, Chastity, Obedience

live improvisation with failed units all-stars

Electronic Improvisation with Failed Units @ COMMON

fmvee - who do u love? (QUEESTE006)
queeste.bandcamp.com/album/who-do-u-love

@f_m_v

01 the way you see yourself
02 everythingUneverKnewUwanted
03 thewayothersseeyou
04 Seed Perfuming (LoLo v665)
05 sobbing

fmvee joins Queeste with who do u love?, an EP of fractious songs recorded over a tumultuous four-month period in Los Angeles. Having debuted in 2018 with a set of club contortions touching on jungle and 2-step, the US artist returns with a work of intense self-reflection. Lived experiences are transmuted into an amorphous bricolage of pummelling kicks, synthetic textures, and diaristic details, what they describe as an act of “remembrance.”

Working and living in LA, the “grind” alongside “aspirational partying,” and the confrontation of depression during an intense relationship, informs the EP on levels both sonic and thematic. The slippery rhythm and melodic stabs of ‘the way you see yourself’ embodies a state of flux, also recalling the early experiments of the LA beat scene. Distant jazz drumming fills its peaceful coda before ‘everythingUneverKnewUwanted’ introduces an echo lifted directly from the artist’s life: a trickling courtyard fountain. This first phase of the release finds resolution with ‘thewayothersseeyou,’ a conceptual mirror to its start, and one which carries a notable shift in tone; gleaming percussion has given way to ominous synths.

Despite the EP’s personal nature, collaboration is crucial. ‘Seed Perfuming (LoLo v665)’ is an fmvee original transformed into a cascading breakbeat by New York producer and engineer Loric Sih AKA LoLo, an ecstatic yet familiar form nestled amidst otherwise bruising encounters. ‘sobbing’ follows, a digital-age ballad of original lyrics exploring dependency: emotional, physical, and otherwise. It’s a poignant conclusion to an appropriately hallucinogenic collection, an intoxicating chemistry of love and loneliness conjured through a fine balance of bass, percussion, discord, and harmony.

On behalf of fmvee, a percentage of all profits will be donated to Baltimore Harm Reduction Coalition, a community-based organisation that mobilises community members for the health, dignity, and safety of people targeted by the war on drugs and anti sex-worker policies.

who do u love?

fmvee - thewayothersseeyou

Music to move people. Run by @airmax97 since 2015.

Please don't DM here. Email: info at decisionsrecords dot net

Isomov - Ensemble

DECISIONS

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