By Diego Saenz Mateo (perc.) and Alejandro Fenollosa Beltran (sax)
Composition: Heleen Van Haegenborgh
Adaptation of the compulsory pieces for melodic instruments, 
MA Competition 2021

Lamento di Nadima 7

Live performance recording

Asia premiered by Mariel Roberts on November 4th at Music Forum, Taipei, Taiwan.
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- Program Note -

Dedicated to Felix Fan

I, We is inspired by the Polynesians and the Pueblo. I always thought we all looked alike, but only until speaking with several Pueblos and hearing the stories passed down generations about how they were, at one point, Asian from a thousand years ago. 

On the other side of the earth, Polynesians occupy most of the islands in the Pacific Ocean: Easter Island, Hawaii, New Zealand, and everything inside this big triangle. The scholar has just discovered that – the indigenous people on these islands originated in Taiwan 5,000 years ago. 

They travel with horses and boats, and I travel in the air. Despite the difference in the vehicle, our migration never seems to settle. We travel to lands at different times and become another group of people. We are alike until we don’t remember.

I, We for cello solo

Studio Recording of 'Okho' by Iannis Xenakis

Percussion: Triatu: Tom De Cock, Frank Van Eycken, Björn denys
Sound Engineer: Philip Krause

Iannis Xenakis: 'Okho'

Studio Recording of 'Rebonds B' by Iannis Xenakis

Percussion: Tom De Cock
Sound Engineer: Philip Krause

Iannis Xenakis: 'Rebonds B'

Studio Recording of 'Rebonds A' by Iannis Xenakis

Percussion: Tom De Cock
Sound Engineer: Philip Krause

Iannis Xenakis: 'Rebonds A'

Studio Recording of 'Scratch Data' by Raphael Cendo

Percussion: Tom De Cock
Sound Engineer: Philip Krause

Raphaël Cendo: 'Scratch Data'

Studio Recording of 'Chaostika' by Yann Robin

Percussion: Tom De Cock
Sound Engineer: Philip Krause

Yann Robin: 'Chaostika'

First impro-session on the new hybrid micro-percussion setup together with Benjamin Van Esser!

Impro with BVE

MicrO Tryptich for Hybrid Micro-Percussion setup and live electronics by Tom De Cock and Benjamin Van Esser

Instrument developed with the financial support of FRArt: « avec le soutien du FRArt »

Iannis Xenakis: 'Rebonds A'

Tom De Cock

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