Ryan and Todd conduct a thorough exploration of Freud's 1920 text Beyond the Pleasure Principle, beginning with the claim that this represents Freud at his most radical and original point. They look at the notion of death drive that Freud develops and trace how he comes to abandon the idea of the primacy of the pleasure principle.

Beyond the Pleasure Principle

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Text: https://www.marxists.org/reference/archive/stalin/works/1913/03a.htm

Timestamps:
0:00 S4A Intro & Front Matter
0:35 Introduction by Stalin
7:29 I. THE NATION
23:36 II. THE NATIONAL MOVEMENT
38:27 III. PRESENTATION OF THE QUESTION
51:50 IV. CULTURAL-NATIONAL AUTONOMY
1:12:31 V. THE BUND, ITS NATIONALISM, ITS SEPARATISM
1:35:49 VI. THE CAUCASIANS, THE CONFERENCE OF THE LIQUIDATORS
2:02:58 VII. THE NATIONAL QUESTION IN RUSSIA
2:16:15 S4A Closing Comments & Credits

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"Marxism and the National Question" (1913) by Stalin. Marxist/Socialist #Audiobook + Discussion.

Dimitri and Khalid talk to ex-Moonie @Alisa_Mahjoub about the Unification Church of Reverend Sun Myung Moon, including: growing up as a Second Generation Blessed Child in Indiana and realizing the Moon Organization was nefarious, the Moonie-adjacent assassination of Shinzo Abe, John Gorenfeld’s ill-fated 2004 book “Bad Moon Rising” and conspiracy shitcoating in the publishing industry, Moon’s early days in (future) North Korea and Japan, running a spy ring/sex cult in Pyongyang, Colonel Bo Hi Pak, buying influence in Washington, possible interlocks with MK-ULTRA, manufacturing a Manchurian Messiah, Moral Re-Armament hitting ‘em high and Scientology hitting ‘em low, Belgian noble suslord Arnaud de Borchgrave running the Washington Times, Qanon synchronicities with the Shincheonji Church of Jesus and Falun Gong, Moon bankrolling the American Right throughout the 70s and 80s, and more. Part 1 of 2.

Follow Deprogramming Imperialism on Twitter and Instagram: @no_more_cults

How Well Do You Know Your Moon blog: https://howwelldoyouknowyourmoon.tumblr.com

For access to full-length premium episodes and the SJ Grotto of Truth Discord, subscribe to the Al-Wara’ Frequency at patreon.com/subliminaljihad.

#130 - BAD MOON RHIZOME, Part One: Tracing the Moonie Octopus (with @Alisa_Mahjoub)

Each track uses recordings of nature sounds collected in different parts of the United States. There are sounds from all five of nature's primary elements here: ether (voices of birds and sea lions), air (wind noise), fire (crackling of a fire in a chimney), water (noise of the surf, rain, creak, fountains), earth (sounds of the night swamp).

This is an amazing world of natural sounds that we usually fail to notice around us.

Dionisaf (USA)
https://dionisaf.bandcamp.com

Dionisaf, aka Dionis Afonichev, is an American composer, ambient producer, multi-instrumentalist, and sound hunter. In his music, Dionisaf combines modular and granular synthesizers, electric guitar, field recordings and non-musical sounds and noises, which take on the quality of musicality in combination with other elements of the composition.

Mastering by Dionis Afonichev (Dionisaf)
Photo by Dionis Afonichev (Dionisaf)
Artwork and cover design by Dionis Afonichev (Dionisaf)

https://www.chitrarecords.com

Dreamland

Dionisaf - These Birds Spend The Winter Here

[Due to illness, we are unlocking this classic episode — which has only become more relevant as the news coverage and regulatory response to PFAS forever chemicals has only increased since our recording.]

We take a deeper look at the political ecology of the “forever chemicals” that are integral to the existing microchip manufacturing process, the very serious damage they are wreaking on human health and the environment, the industrial interests that are aggressively pushing back against any attempt to regulate these chemicals, and the CEO of Chemours who has come forth as an ardent defender of the polymers in our blood.

Stuff we reference
••• The crackdown on risky chemicals that could derail the chip industry https://www.ft.com/content/76979768-59c0-436f-b731-40ba329a7544
••• EU ban on forever chemicals would hit bloc’s green transition, warns top industry boss https://www.ft.com/content/197ca0c8-0a4d-4794-bc46-796139821f3d
••• The dystopian lake filled by the world’s tech lust https://www.bbc.com/future/article/20150402-the-worst-place-on-earth
••• Mark E. Newman https://www.chemours.com/en/about-chemours/leadership/mark-e-newman-leadership-bio 

Subscribe to hear more analysis and commentary in our premium episodes every week! https://www.patreon.com/thismachinekills   

Hosted by Jathan Sadowski (www.twitter.com/jathansadowski) and Edward Ongweso Jr. (www.twitter.com/bigblackjacobin). Production / Music by Jereme Brown (www.twitter.com/braunestahl)

*Unlocked* – 259. The Forever Polymers in Our Blood

Here's the first half of our special Halloween episode for you broke bitches who cant subscribe to our Patreon.

Reporting from the most haunted city in the United States, Jacques and I are here to give you a tour of some of the most fucked up things that have happened to the people of New Orleans and of course, to Jacques himself. 

Join us on this journey as we tell tale of an axe wielding sociopath who killed a bunch Italians for not playing Jazz, how Jacques came to in a Taco Bell ditch, pray for the Gay Guys who died in a bath house fire, try to eat pickled beef tips, and finally harass city employees on the phone...in a graveyard.

SD 264 - Tour Du Trauma

Girl God is back to face down an interview conducted by the one Mx. Jacques Gonsoulin, we talk about the most embarrassing moment of everyones life, planning for a live show, Caitlyn Jenner's saying "retarted," and finally Hesse quizzes everyone on SEX.

Find tickets for Girl Gods show here: https://girlgodlive.com/

SD 268 - Wet Dreams in Jail w/ Girl God

This interview with J. Sakai was conducted June 17, 2003 on KPFT Pacifica Radio. Sakai is author of "Settlers: Mythology of the White Proletariat" as well as many articles on race, class and radical politics. The transcript of this audio became the pamphlet, "Stolen At Gunpoint: Interview with J. Sakai On the Chicano-Mexicano National Question," but the audio is being offered for those interested to hear Sakai in his own words.

J. Sakai (author, Settlers) Interview

live recording, first performance

Mariel Roberts, cello
Eric Wubbels, piano

St. Peter's Church, Chelsea
New York, NY
December 13th, 2016

gretchen am spinnrade [2016] (live, premiere)

Originally released Nov 7 2019

In the third and final installment of our BCCI series we trace the ill fated BCCI foray into the American market, the decline and fall of the bank, Henry Kissinger's role, and explore a few of the lingering questions that remain even today. We also discuss some of Whitney Webb's reporting on possible Jeffrey Epstein links to BCCI and really go off the deep end with some stuff about the Finder's Cult and the Franklin Credit Scandal. Future episodes on other BCCI linked billionaires to come so feel free to hit us up if there's stuff that we missed.

Patreon Unlocked Episode 112: Bank of Credit and Commerce International (Part 3)

Thirteen alto saxophones, performed by the 13 members of the student-collective Kug-Sax-Sippia in Graz, Austria, occupy the entire field of “Odd Music,” the first track on Julien Malaussena’s album Articulated Sound Energy. They operate like a single instrument—or organism—delivering serial, droning noir. The Paris-based composer has engaged deeply with the continental academic scene, studying composition and orchestration with various eminent teachers, including composer Jean Luc Hervé; but this album illustrates those ideas being worked on by a new generation of classical composers. Influenced by the organic sensuality of Chaya Czernowin and the unique points of musical departure explored by composer Pierluigi Billone, Malaussena’s scores proceed from the artist’s concept behind the title: the event of a physical, non-musical sound, which then gets articulated, or elaborated upon. This album contains recordings of three concerts, three distinct paths that this approach can take. On “Concerning articulated sound energy,” the kinetic philosophy results in an almost incomprehensible din far from standard chamber fare: sounds of stretched out balloons, lips puckering, and great, big wobblings. Indeed, rather than strict instrumentation, Malaussena’s compositions allow for chance, following in the footsteps of modern epistemes such as the Darmstadt School, while breaking new ground.


Release Date:
March 26, 2021

Format:
Vinyl LP; covers are printed with water-based ink on recycled paper; strictly limited to 100 copies worldwide.

Buy link: https://enmossed.bandcamp.com/album/articulated-sound-energy 

Audio/Artwork Credits:
Mastering: Jack Callahan
Lacquer cut: Amy Dragon
Photo: Florent Carron Darras
Design and layout: Sam Lubicz
Liner notes: Max Erwin
Silkscreening: Mark Rice

“Odd Music” performed by Kug-Sax-Sippia
"Concerning Articulated Sound Energy" performed by ECCE Ensemble
"A View on Michelle Agnes Ritual" performed by Ensemble l'imaginaire

Artist Bio:
Julien Malaussena considers his compositional prism to be sound energy–not timbre nor time; not dynamics, pitch, nor the sound space, but rather this element straddling all of these, one less palpable, less quantifiable. By setting up a range of entities embodying different stages of such energy, he focuses on the direction–or absence of direction– inherent in each entity. With this conception of directionality, he articulates these entities and the relations amongst them in a musical form, in which entities interact either in a dialectical structure of tension and release, or in a system generated by subtle gradations of tension. His recent work has been an inquiry into the relationship between form (this dialectic) and material (the articulated sound entities).

He was already played by ensembles like Ensemble Nikel, Ensemble 2E2M, Court-Circuit, Xasax, les Cris de Paris, Ensemble l'imaginaire, Ensemble Fractales, le Moscow Contemporary Music Ensemble, Kug-sax-sippia, Ecce ensemble, Les solistes du Balcon, ensemble interface, ensemble Surplus, Duo XAMP (microtonal accordions),20 degrés dans le noir, Schallfeld, Barcelona Modern Ensemble, Wet ink, Ensemble Nemø, Tak ensemble, Ensemble S201 performed in France, Israel, Switzerland, Belgium, Germany, Russia, Austria, Brazil, USA, Turkey, mexico, Italie, Japan and Spain.

He was also involved in the founding of an ensemble dedicated to contemporary music: soundinitiative.

J. Sakai (author, Settlers) Interview

decolo

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