Hello! Ayokpaci!  its with great pleasure I share this mix of some my favorite native made electronic and hip hop music.  
 Navajo Joe soundtrack- A silhouette of doom
Aztlan Underground- Sacred Circle
SkooKum Sound System-Nawala
A Tribe Called Red- Burn
Javier Estrada- IxChel
A Tribe Called Red-Look At This
SkooKum Sound System- Skookum Bounce
Javier Estrada-Prehispanic Moombahton gods
theme of Billy Jack
Wab Kinew- John Wayne
Skookum Sound System-Evening bounce
Javier Estrada- Jungle Estelar
Stoney Creek at Jazz Fest when the power went out at
A Tribe Called Red- Tantos Revenge
Savage Family- Way of the Drum
Caballo & TMFK- Pow Wow Bounce
Javier Estrada- Acordeon Prehispanico
Blackfire- Aim Song
Thank you. Yakoke.

Round Dance In The Discotech. Part one

!100% Og. Vinyl British and Jamaican pressing!!!! bap.bap.bap………..
Special thanks to the DOMINO SOUND FAMILY!!!!!!!!!!!! 
In New Orleans we work hard and play harder!!!!!!!
SIDE ONE
  Ellis and Busters Group- True Love
The Blue Beats - Don't go
  Keith & Enid- Worried over you
Laurel Aitken- Yea, Yea. Baby
  Derrick Morgon- Golden Rule
Stranger Cole & Patsy- Call my name.
  Derek Morgon- Isabella
Derrek Morgon- Coconut tree
  Bobby Kingdom- Spanish town twist
Bobby Aitken- Never, Never
  Derik Morgon- You should be ashamed
Prince Buster- Run man run
  Keith & Enid- Everything will be alright
Prince Buster- They got to come

Tune into the sound of Jamaican R&b, Ska & Rocksteady Side one

This mix is from 2003 I think. 2 turntables, a mixer and a 4-track recorder and a large stack of 80's electro funk records and a few other special movie records.

Side 1

The lost art of the 4-track mix tape. 2003. Classic electro funk  megamix style.

Side 2

“A raspy-voiced and diminutive queer rapper in throwback-eighties-chic screams overtly sexual call-and-response commands. A special-ed teacher with the authoritative demeanor of an army TAC officer instructs you to “Walk it like a dog” and “Do the Jubilee All”, a middle-aged mother yells fighting words at a rival. All of this over frantic, break-neck beats sampled from a small smattering of funk and hip-hop oldies. This is the sound of New Orleans Bounce.  From darkened clubs to tricked-out cars, high school dances to neighborhood bars, family reunions, barbecues and birthday parties, New Orleans locals of all ages have been bouncing to “Dat Beat” since the early nineties, incorporating the rhythms and vocal styling of second-line street parades, undulating Caribbean and African dance moves, and stolen hooks ranging from Beyonce to Bill Haley. It’s the sound on the street in the City that Care Forgot,, the booty-shaking cousin to Miami Bass, Detroit Ghettotech, Baltimore Club, but with the chaos and audacity of punk, a spirit that reflects the chaos and audacity of the Crescent City that birthed Bounce music

A native Dirty Southerner and long-time New Orleans resident, Deejay Karo offers up this mix as a taste of Bounce from the last several years. These tracks were recorded off of burnt cd’s, traded back and forth by local dj’s, producers and performers and  bought out of car trunks beneath the live oaks of uptown or in beauty supply store parking lots. Because of this, making a track listing would be next to impossible, but here are the names of some of the performers and producers in the mix:
Blaq N Mild, Peacachoo, J Rock, Showbiz CJ, Big Freedia, Sissy Nobby,Magnolia Shorty, 10thWard Buck, Gotti Boi Chris, Katey Red, Smitty Out Da City, Monsta wit da Fade… Respect and Love to everyone featured and deepest apologies those we didn’t rep in this list” dj beeskness 

DisasterProne Side 1

The Search for the Perfect Beat

A dirty south native (Monacan, Saponi, Lenni Lenape), DJ Karo got hooked on spinning vinyl in 1994 when he was a pirate radio deejay on Free Radio Asheville 89.4, bringing the listeners eight hours a week of punk, new wave and hip hop. Back in those days, hip hop scratching was pouring from the liberated air waves of San Francisco, and DJ Karo followed the echoes.

DJ Karo’s turntable talents grew, led on by the music itself. After time in the San Francisco Bay Area, his crate-digging exodus led him in 2000 to New Orleans, music’s Mecca. There he played in clubs, smoky seedy bars, block parties in the streets, alley-ways on many-a-Mardi Gras–even backing up a Circus cabaret with his scratching–all the while sharpening his skills into a well-rounded DJ.

Karo also spent time in Manchester, U.K. during this period, where he was exposed to northern soul, Factory Records and jungle sound systems.

Returning to his roots in the south, and New Orleans, Karo continued the funky break studies, and toured on both the east and west coasts of the US. For two years he DJ-ed a weekly Jamaican music night in New Orleans with the Domino Sound System.

When Hurricane Katrina hit New Orleans in 2005, DJ Karo lost 1,000 records of his rare collection to the toxic flood waters, cleaning and salvaging what he could. But this is a small loss compared to the scale of tragedy and suffering which the city faced, and continues to struggle with now, 3 years later.

The hurricane’s winds blew him all the way to far-off shores, cut/scratch/mixing his way across Europe. Since early 2007, DJ Karo has been a resident DJ at Le Truc Mush in Paris’ 11th arrondisement. From the rues of New Orleans to the rues of Paris, the search for the perfect beat continues!

DJ Karo mixes old school breaks, electro, booty-bangin’ dirty south beats, and club music, with a heavy dose of Jamaica riddim. The result is a dance-floor-friendly fusion which defies a label, and gets the party jumpin’!

deejaykaro

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