Followed Laura's music from her early acoustic stuff... lovely original voice.

Taken from new EP "Dreamzone", coming December 2nd 2013. For more info: 

http://www.weirdworldrecordco.com/2013/10/jaakko-eino-kalevi-signs-to-weird-world-dreamzone-ep-coming-december-2nd-2013/ 

Cover photography by Harley Weir.

Dreamzone

No End

Jaakko Eino Kalevi - No End

"MG 333" by Richard Swift from 'Walt Wolfman'. Originally released 10/18/11 on Secretly Canadian

About a year ago, Richard Swift horrifically fractured his left ring finger. For a moment his nimble guitar and piano work flashed before his eyes. Doctors were saying things like "movement and feeling could eventually return," etc, etc. Certainly, not even a little blip on the sadness radar of humanity, but a massive bummer for a fellow who has carved out a niche as one of independent music's sought after session players and producers -- and especially in relation to the astounding Richard Swift solo output we all know and love.
So, it's with a great, collective sigh of relief that he's back to churning out new material like "Whitman." It's chugging, chiming and triumphant, featuring Swift's always-endearing falsetto and casual call-and-response lyricism. "I've got my own Whitman...Farewell, farewell/I hope it did you good/To say the things/My father never could," Swift pines. The song is a cryptic salute to Walt Whitman, whose American lineage of primal, urgent art can be traced to include Kerouac and Dylan, Bo Diddley and Beefheart -- right on through to modern outsider-pop wunderkinds like Swift. And according to Swift, "Whitman" is a nice taste of what we can expect from his next longform recording.
The same can be said for the remainder of the Walt Wolfman EP. Conceived in the same spirit that gave us 2008's cult favorite Ground Trouble Jaw EP, these blown-out, basement R&B rippers are not for the faint of heart. They require movement and sweat, dancing with a cocktail glass in your grip until your shoes are soaked in booze. Highlight of the set, "MG 333," is a raw and ghostly trance, a blast of kinetic energy and jazz cigarette smoke. Meanwhile, the neu-vintage jive of "Drakula (Hey Man)" and "Zombie Boogie" pack a timelessness that transcends their seasonal titles. And yeah, that's Swift himself on rapid-fire drums across the whole damn set. Shit, he might have been fine without that measly finger after all.

"MG 333" by Richard Swift from 'Walt Wolfman'. Originally released 10/18/11 on Secretly Canadian

Walt Wolfman

MG 333

Richard Swift - "MG 333"

Forever In My Funk

Taken from Laura's 'Committed Language' EP

Buy: https://deekrecordings.bandcamp.com/album/committed-language-ep


Laura Groves - Dream Story

"Gender Studies," the title track from the new full-length album, now available from Hidalgo Records: http://goo.gl/LWlhjB
Written and produced by Kent Odessa and Rob Arbelo. Additional production by Hays Holladay and Robert Lux. Mastered by Jeremy Cox. Backing vocals by Taylor Stapleton.

Gender Studies

Taken from the forthcoming album 'Totem' - out Jan 27th via Tambourhinoceros.

Album 2

Esca

Fake French

US/ROW: geographic-north.com/vinyl/lifetime-of-love
UK/EU: soniccathedral.co.uk/moondiagrams
Digital: geographicnorth.bandcamp.com/album/lifetime-of-love
Catalog #: GN41 & SCR125
Mastered by Heba Kadry at Timeless Mastering

'Lifetime of Love' is the debut album by Moon Diagrams, the solo recording project of Deerhunter co-founder and drummer Moses John Archuleta. Recorded in Georgia (Atlanta and Athens) and Manhattan (East Village) over a 10-year period, 'Lifetime of Love' finds Archuleta processing various stages of love, loss, and regeneration via forlorn outsider pop, minimal techno, and warm, weightless experimentation.
 
Archuleta follows sudden fits of inspiration or moments of chance, letting the unknown happen naturally while still confining himself to a specific set of boundaries. Samples were often taken from thrift store-sourced LPs, removed from their sleeves and chosen at random to find loops and textures. Elsewhere, Archuleta would anonymize digital songs and sound files, erasing track names, and re-recording new versions of the randomized mixes.

'Lifetime of Love' is the result of three extended fugue states, each marked by specific moments of catharsis. In 2007, between the release of Deerhunter’s breakout LP Cryptograms and 2008 LP Microcastle, Archuleta began his earliest solo experiments. The nascent exploration was enough to free himself and create sounds without inhibition. “Bodymaker” and “Nightmoves” are products of Archuleta’s earliest solo recordings, capturing his willingness to venture outside of the taut, mesmerizing drone rock of his main band. The chilling, ambient techno of “Nightmoves” perfectly foils and compliments the broodingly sullen but sincerely beautiful shuffle into the dark.
 
Between 2012 and 2015, Archuleta experienced a reset of sorts, including the collapse of his marriage (a 10-year long relationship), touring support for Ariel Pink and James Ferraro, and a rekindled interest in his solo material. He began actively cutting himself off from a number of personal relationships and experimented with various drugs to begin recording again. Locking himself in his practice space, Archuleta would use only the spare instruments he found laying around in recording sessions. This period yielded a disparate mix of sonic sketches, from eerily bucolic choir recordings (“Playground”), dusty art-pop (“Moon Diagrams”), and infectiously jubilant dance pop (“End of Heartache”).
 
For the final period, Archuleta found inspiration following an extended stint in Berlin, when he had flown out of the US on Christmas day, largely estranging himself from his friends and family. While holed up in the Michelberger Hotel, Archuleta fully intended to finish his debut LP. Instead, he remained in a state of relative isolation, haunting the hotel and taking in the city’s dark energy. After three weeks, Archuleta returned home in Atlanta, without having made much headway on the album. Feeling unproductive, depressed, and marred by jetlag, Archuleta resolved to finish the LP, working in a three-day fury of productivity that resulted in “Blue Ring,” “Ghost and the Host,” “Magic Killer,” and the final edits of 'Lifetime of Love.'
 
Subtly grandiose and quietly epic, the album explores a hopeful and curious beginning, a morose middle, and a bittersweet, optimistic end.

Moon Diagrams - End Of Heartache

From the album Blast Off Through the Wicker available July 14, 2017 on Western Vinyl

Bandcamp https://artfeynman.bandcamp.com/album/blast-off-through-the-wicker
iTunes http://hyperurl.co/a49jo3
WV http://westernvinyl.com/shop/wv162

ART FEYNMAN
Instagram https://www.instagram.com/artfeynman/
Facebook https://www.facebook.com/artfeynman/

Blast Off Through the Wicker documents Art Feynman looking for life in the lifeless, questioning what it means to be living.  There is a calm, disciplined pocket to be felt in everything Feynman does; krautrock slink, staccato bounce, and pentatonic bursts of Nigerian Highlife fuzz pour on the temporal canvas with unquestionable ease, never falling in the wrong place. Even more admirable is, that his “canvas” is a four-track tape recorder, and that Blast Off features no loops or drum machines despite its aesthetically faithful motorik and afrobeat underpinnings.  Nowhere is this fact more surprising than on album standout “Slow Down” which pulses along infectiously with a crunchy backbeat, and deftly arpeggiating bass lines that are so locked-in that it would be hard to fault an unknowing ear for assuming the whole thing is tediously programmed.

There are gentler sides to Blast Off that conjure the spacey tenderness of Arthur Russell inventively and respectfully, without adopting their muse’s palette wholesale. In this regard Blast Off is an endearing collection of songs that capture the ear with warm-yet-clear cassette aesthetics and spot-on musicianship, both of which form an angle that points lovingly to Feynman’s deep and varied influences. Make no mistake-- this one truly is alive.

Blast Off Through The Wicker

Art Feynman - "Feeling Good About Feeling Good"

From 'Freedom,' out now.
http://hyperurl.co/AmenDunesFreedom

https://www.facebook.com/amendunes
https://twitter.com/amendunes
https://www.instagram.com/amendunes/

Amen Dunes - Miki Dora

"DANCE GHOST

Record label run by Nathan Jenkins (Bullion). Pop, not slop!

Laura Groves - Dream Story

DEEK Recordings

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