Hello mate love your track, I'm looking for new tracks to support on my Radio show Starked Radio, I'm supported by Music By Lukas, if you have any tracks to send me you think I may support please send them to my Soundcloud dm

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قضاياكم المقدسّة لا تشّكل حصانة جماليّة

Mutant, Gqom, Deconstructed, Gabber, Unclassified

Writer, producer, performer - Nadah El Shazly
Co-producer - 3Phaz
Harp and electronics - Sarah Pagé
Percussion - Patrick Graham
Additional vocal processing by Samuel Barbier-Ficat

Recorded by Radwan Ghazi Moumneh at Hotel2Tango, Montreal, 2023
Mixed by James Rand
Additional mixing by Pierre Guerineau 
Mastered by Heba Kadry


Supported by AFAC and Canada Art Council

Ghorzetein

Writer, producer, performer - Nadah El Shazly
Co-producer - 3Phaz
Harp and electronics - Sarah Pagé
Percussion - Patrick Graham
Vocal processing by Samuel Barbier-Ficat
Double Bass - Jonah Fortune

Recorded by Radwan Ghazi Moumneh at Hotel2Tango, Montreal, 2023
Mixed by James Rand
Additional mixing by Pierre Guerineau
Mastered by Heba Kadry

Supported by AFAC and Canada Art Council

Enti Fi Neama

"This is it for me... If I die I will be alone"

Go check out the rest of the EP:
https://soundcloud.com/emberdot/sets/ryoiki-tenkai
Direct DL enabled

Follow RAIDXN:
https://soundcloud.com/raidxnofficial

CHIMERA SHADOW GARDEN

BBXT

Takhatur | تخاطُر

opaltapes.com/album/sacred-horror-in-design

Developed from a commission by CTM Festival as an audio/visual project in collaboration with Tarik Barri, and inspired by their 2017 theme of ‘Fear Anger Love’ and its relationship to his childhood following the 1979 Iranian revolution, the record reveals a dramatic blend of acoustic Persian instrumentation and contemporary electronics. Sote aims to devise an idealised fusion of the musical heritage and tradition of Iran with the forward-thinking vision which has propelled his storied career producing techno, hardcore and computer music for labels like Warp, Ge-stell, Morphine and Repitch.

Now living in Tehran, his music has frequently grappled with the strict cultural restrictions imposed in his country over the past few decades, finding a space and setting to nurture new developments in experimental sound and performance; first documented on last year’s ‘Hardcore Sounds From Tehran’ on Opal Tapes.

Working with Arash Bolouri who plays the santour (Persian hammered dulcimer), and Behrouz Pashaei on the long-necked, four-string setar, Sote frames and responds to their traditional artistry. On occasions he directly manipulates the music emanating from their ancient instruments, cultivating and thickening up a surreal and beautiful tonality plucked from their strings with a series of processing techniques, but mostly each track is a peaceful arrangement and partnership, Sote electro-acoustically augmenting their movements within his own cybernetic framework. The resulting form gives the impression of semi-improvised gesture between three skilled partners, a deft call and response that uses digital techniques to extend the intentions of the performers into a modern, shady, but ultimately optimistic narrative; creating an paradoxical amalgam of the mythic and the profane as strong as any folk music.

Across the six tracks the strange strings tend to conduct the overall experience, tuned to the unusual colour and complex microtonality found in the classical music of Iran. Blurts of noise, sour tones, and a vaguely technoid or dubwise impression expose the inner rhythm and counterpoint embedded in this strummed music, building a new understanding and doorway into unfamiliar timbres and environmental patterns which govern us. At times it finds the artist at his most compositionally delicate and measured—listen to the sense of space afforded to a beautiful solo that drifts throughout “Boghze Esfahen” and then into “Plural”—and redoubles his focus on what new insight might be gained from the emotional, mathematical and polyrhythmic principles underpinning Persian music.

The electronic parts on final track “Holy Error” are sourced from Sote’s residency at EMS Stockholm in late 2016, utilising their remarkable in-house modular Serge system and divesting from conventional Iranian tonal motifs for a spikier duel with the instruments.

Synthesis: FM 
Dastgah: Nava & Chahargah 
Instruments: Santour, Setar & Kamancheh (by Kian Farahani)

Plebeian

https://soundcloud.com/bungalovv-ii
https://soundcloud.com/aylu

As we enter into the 2018th Sequence of the modern earth time, so too does the Nostro Hood System advance forward, the system itself generating a gravitational pull marginally similar to that of the solar system nestled against it. Within the vast confines of the Nostro Hood, a vessel floats proudly – a beacon for the myriad of living spheres that surround it from every angle. The Waystation; a point of congregation for unimaginable beings who seek refuge, resources or even knowledge regarding the various species that occupy nearby worlds. 

At this time, at the beginning of a new year, the vessel lends its halls to the beings of the Nostro Hood. A celebration to the glowing star that lights the terrain for so many beings as it ages yet another lifetime. Providing the aural selections for this momentous occasion are ten artists, each hailing from their own homeworld, each offering a piece of auditory culture to represent the people of their planet. This multicultural experience truly defines the nature of the Nostro Hood – a celebration of difference both sonically and culturally.

Mastered by Cyrcular Mastering
Artwork by Azul De Monte

Waystation Compilation: Sequence I

Bungalovv & Aylu - Xens

Nyege Nyege Tapes sibling, Hakuna Kulala host the hardass debut by Don Zilla, manager of the Boutiq studio at the heart of Kampala, Uganda’s vital music scene

Following up his remixes of STILL’s ‘I’ album cuts in 2018, Don Zilla bares his teef in both parts of ‘From The Cave to the World’, first churning up a viscous groove full of shadow-boxing drums and gutter bass distortion on the cusp of dubstep rave and halfstep D&B with ‘From The Cave’, before opening up a stargate like portal in his studio with 12 minutes of plunging beatless depth and unheimlich terra forming in ‘Inside Me’, and in a way recalling early Emptyset or stare-out Prurient piece.
credits

From the Cave

Don Zilla - 01 - From The Cave

Taken from SBKT028: Zaliva-D - Calling
Release date: 12th July 2019

‘Calling’ is the new EP from Beijing based audio/visual duo Zaliva-D. 4 original tracks plus remixes from Dis Fig (PTP), Citizen Boy (Gqom Oh!) and Tayhana (Naafi).

Artwork by Jesse Osborne-Lanthier
Mastered by Raphael Valensi

Calling

Zaliva-D - Groan (Citizen Boy Remix)

Strong, Calm, Slow

Omar Faruk Tekbilek - Beledy (Siu Mata Edit) /FREE DL

Hello there,

We are back with another single from Beijing-based bass music producer Negative808.

About the track: 

Jacking swing is an improvisation using hardware synthesizer based originally on a Techno frame.  Further experimenting at a tempo of 140 bpm while adding Bass music elements to the created rhythm, such a damn swing tune came out, which brings you straight back to the old good rave time. 

About Negative808:

Negative808 is a Beijing bass producer who hails from the southern Chinese province of Fujian. He has had several singles released on the Beijing based electronic label Ran Music. Since living in the capital he has integrated various upbeat electronic dance styles into his work; such as Drum & Bass, Grime, Footwork and Juke. On many occasions he has taken part in events thrown by one of China’s most respected Bass DJ collectives, Syndicate and the S!LK Crew. 

In addition to being an avant-garde creator, Negative808 is also a behind the scenes promoter and supporter of the Chinese electronic music community. Along with fellow producer, EZZZ, he is a founding member of the online electronic music media platform, FREQ. Negative808 is well known to the young electronic musicians in China as a regular contributor to the music technology review platform Midifan. Aside from being a producer, Negative808 is also an active DJ in the Beijing underground scene. He consistently presents workshops on Ableton Live and electronic music production in conjunction with Floso x Ran Music.

Negative808 – Jacking Swing

Zardet Sidi Bagra

Deena Abdelwahed - Zardet Sidi Bagra

Insaniyti

Deena Abdelwahed - Insaniyti

Ah'na Hakkeka

Deena Abdelwahed - Ah'na Hakkeka

Sacred Lodge ❊ Un Hombre Que Camina

i aspired to be like fbi chief gordan cole. oh, and i really really like megan fox.

https://www.deenaabdelwahed.club

2nd Album "Jbal Rrsas" is out 8th of September 2023 with a Live set tour ongoing worldwide with the participation of Khalil "EPI" Hentati, Niculin Barandon on visuals and François "Pantxo" Bertin as mixing and sound engineer. 
https://deenabdelwahed.bandcamp.com/album/jbal-rrsas

"Flagranti OST" EP released on Shouka.
https://deenabdelwahed.bandcamp.com/album/flagranti-ost
"Free Radicals" in collaboration with Basile3, released on Infiné.
https://deenabdelwahed.bandcamp.com/album/free-radicals
2nd EP "Dhakar" can be streamed here https://soundcloud.com/deenaabdelwahed/sets/dhakar-ep
Find Deena's debut album "KHONNAR" here https://idol.lnk.to/Khonnar
And "KLABB" EP https://deenabdelwahed.bandcamp.com/album/klabb
Also both released on Infiné.


Producer and Tunisian DJ, Deena Abdelwahed arrives in France at the age of 26 after having made her arms on the Tunis stage and participated in the Arabstazy Collective. Her hybrid DJ sets at the forefront of subcultures, including her DJ set at Sonar in 2017 (Top 10 of the NY Times festival) reveal the young Tunisian at festivals and events requiring the demanding clubbing (Boiler Room, Concrete, Room For Resitance , Säule / Berghain ...). Only novelty and daring count for a place in Deena's playlists.

Deena Abdelwahed - Insaniyti

Deena Abdelwahed

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