Name: Live from floor VI by Deep Tears On Clamart
Duration: 1 h 1 min 47 s
Description: A bit of dreamy things in this wold of intensity

PART 2
the last four hours of my all-night set at Elysia in Basel, Oct 23-24 2021

Great club, team, booth, sound, set up, ... everything!

Part 2 - Jane Fitz all night at  Elysia, Basel, 23102021

During summer lockdown 2021, it was forbidden to have dancing at parties. And so when exemplary north-east London record shop Hidden Sounds asked me to DJ at a sitting-down event, it seemed like the perfect workaround, and a wonderful excuse to explore some deep corners of my record collection. 
Think blankets, incense, rugs, chess, cushions, fungi, tea and 50 people laying around in a cosy space for a psychedelic, horizontal, evening listening session - pure bliss!
Here is the whole thing.
Www.hiddensounds.co.uk

Shroom Sessions at Hidden Sounds August 6 2021

Serenne - Serendipity Mix

A bit of dreamy things in this wold of intensity

Live from floor VI

*Partly b2b with Boaksi and a very special guest
Thank you for this wonderful evening, vibe and music was on point ♥

AROMA 05 Closing *

Welcome to the see signals sea noise podcast, an outreach program within the framework of the long-running artistic research project Computer Signals by Hannes Rickli (with Valentina Vuksic, Birk Weiberg and Christoph Stähli). This project includes a vast archive, which results from the interest in observing form an artistic perspective how biologists conduct their climate impact research.

Dive into discussions about the project's diverse stages, the people involved and its extensive audio archive, featuring over 50,000 hours of underwater recordings –  now open for experiments!

In this episode,  we spoke with Lb Honne, the Zurich-based artist, producer and co-founder of the labels Project Indigo and St.Odes. Our conversation touched on his work with the Computer Signals Audio Archive, where he developed a personal system of accessibility in response to the vast amount of recordings. We also discussed how, throughout his work with the archive, he implemented a new approach to his artistic practice, and to his methods of sampling and sound manipulation.

Live from floor VI

Deep Tears On Clamart

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