Experimental electro

“Lost”, much like its predecessor “Into the Great Wide Yonder” (2010), serves not only as a logical continuation of his work, but also as yet another fuck-you to whatever genre you thought you had him boxed into. The Trentemøller sound is definitely left intact, yet as a whole it really doesn’t sound like anything he’s ever produced before. Few artists seem to possess that special talent of leaving the audience just as baffled as they are satisfied, but hey, that’s what’s great about Anders. He may alienate a few heads along the way, but it wouldn’t be interesting for him if he didn’t.

“People wanted something similar to the last album, but if you’re getting to the point of listening to people and what they think of your sound...Well, that's not for me.”  -Trentemøller

“Lost” boasts a dozen tracks with something of interest for anyone who’s ever been a fan of the Copenhagen based producer. You can’t really compare it to “The Last Resort”, but the club elements are there. It definitely isn’t “Into the Great Wide Yonder” either, even if it’s equally guitar driven. It’s as original as it is classic, mixing the tried and tested with all sorts of sonic surprises. And making it look easy in the process.

Differing from “Into The Great Wide Yonder”, which was a rather bold cinematic landscape, “Lost” is definitely a far more streamlined affair and way more “song structured”. It’s the kind of record one can only produce after endless months of studio isolation. Just where his creativity flourishes best.

That said Trentemøller has also found a new home – and it’s on stage with a band. “Lost” relays this epiphany in pitch perfect circumstances, finally merging the extrovert and introvert qualities the man has in his command.

Of course, none of his productions would be complete without those unique guest appearances, spanning a multitude of musical categories. They’re all given equal treatment when they’re dropped bang center into the middle of Trentemøller's very own musical universe, having to harness the potential of their talent on Trentemøller’s terms. It certainly isn’t that many folks who are capable of convincing Jonny Pierce (The Drums) or Sune Wagner (The Raveonettes) to appear on a club track and even fewer who are able to pull it off. Anders is in the top percentile of that lot. 

”I think it’s fun to take people out of their own musical comfort zone” he exclaimed to VICE earlier in the year when explaining his seemingly erratic choices. ”Actually, when I begun writing the songs, I had their voices in my mind all along. They just didn’t know it.”

Aside from Sune and Jonny, Trentemøller has managed to bring on board a whole rake of fantastic peers, personal influences and sprouting talent. Co-conspirators such as Kazu Makino (Blonde Redhead), Jana Hunter (Lower Dens), Marie Fisker, Ghost Society and none other than the legendary slow-core pioneers Low are all to be found on the record.

That trademark haunting feeling that defined both ”The Last Resort” and ”Into the Great Wide Yonder” hasn’t been neglected on “Lost”. It’s just been redefined and made way more ferocious, the signature glitchy bass being replaced by sub woofer frequencies far more pounding. Almost punk rock. Instantly conjuring up thoughts of the more droning SUICIDE tracks or even contemporaries like The Soft Moon.

”Lost” documents an artist really hitting his stride. An intricate musical tapestry woven over countless sleepless nights in his Copenhagen studio. Nights invested in instrument experimentation and trashed analog consoles.

You can without a shadow of doubt call this release a genuine study in the art of attention to detail. No matter how many times you press play on this one you’re going to find something you missed the previous time around. Something that suddenly shines a whole new light on what you’re listening to.

Lost

Trentemøller - River Of Life (feat. Ghost Society) [Clip]

he heard I'm awesome

hey boys and girls ............... decided its about time to start uploading many of my hundreds of tracks that I have made over the last many years . these tracks are live and long and probably wont find the space on my current album " DEAF SAFARI " 

Felix Laband  =   DUSTY HOUSE

https://coldcolors.bandcamp.com/album/after-dark-sinking-ep

This ep has been recorded in 2013, in Bordeaux, France.
Something a bit more techno than usual, a bit darker too.
Diving, falling into sadness, and never stop.

After Dark

Um som envolvente que mistura batidas profundas com uma vibe hipnótica.

🎶 Gênero: Deep House / Chill Out / Melodic
📌 Deixe seu comentário, curta e compartilhe se sentir a vibe.


NightShore - Loose Control (Original Remix).mp3

Buy track here: https://www.beatport.com/release/amsterdam-dance-event-2025-nastygrooves-ade-essentials-vol1/5398889

Release Date: 2025-10-10
Label: NastyGrooves Records
Catalog: NG031
Mastering: Forest People

https://linktr.ee/nastygrooves

Buy tracks here

2odd - Catch Me (Original Mix)

Jonah - All We Are (MoveCode's France 13th Odé)

Scratch Massive - Nuit De Reve 2011_Electronic

scratch massive-nuit de mes reves

Kiev’s Koloah returns to Hyperboloid after 3 years , and he comes prepared. He spent two years working in a studio, producing experimental music under various names, he created the completely new live set, that he presented on Boiler Room’s Future Shift. As an experienced sound producer he worked with many performers plus contributed to a few dance shows. All this influenced Koloah’s sound, making the forthcoming Back On Track EP more eclectic. His music borrows from bass, techno, electro and comes with stellar remixes by Hyperboloid’s Raumskaya and Cadeu.
credits
released December 2, 2016 

Label: Hyperboloid Records 
Artist: Koloah 
Album: Back On Track 
Release Date: 02/12/2016 
CAT: HYPR045 
Release type: Digital (all formats) - 12'' 
Mastering – A.Fruit

Back On Track

PRE-ORDER 12''

Koloah - True Runner

12" blue vinyl ~ bit.ly/2rZUTX3
Digital ~ smarturl.it/meswimmingRX
"Elytral" album pre order ~ smarturl.it/Elytral

Written by Mary Epworth
Remixed by https://soundcloud.com/ghostculture
Produced, engineered and mixed by Thom Monahan.
P & C 2017 Sunday Best Recordings under exclusive license to PIAS.
Published by Duchamp, Inc.

12" Vinyl

Me Swimming (Ghost Culture remix)

ვიშ რა წარმტაცად გადაშლილა  არყოფნის ველი!

Little Red Mountain (Groundwork)

ten years of the prison

fatima yamaha луна - Бабабааалааандааа

Dee Posh - Utopia

Microwave Popcorn - so long, peaches

За вертаками с 2006 года.  На сегодня ушел в андеграунд из клубов, не резидент, только эвенты. Шатунова не ставлю. Помни: опыт не пропьешь! 

Подписывайся, тут в открытом доступе электро-кухня с вкусным материалом. 

Красивая речь: 
Музыка великое оружие, которое двигает массы. Чем быстрее её ритм, тем быстрее она заставляет биться наши с Вами сердца ❤️‍🔥 

Увидимся на дэнсполе!

Dee Posh - Utopia

Dee Posh

Recent comments

Mirou

what? what

Vsesvit

/Kok Sparja/ನಾನ

Related tracks