call me crazy but...is anybody picking up a little massive attack vibe here? i dig it!

To buy: http://musicinception.bandcamp.com/track/4-the-people

Lyrics at 140BPM

Who Rocks Mics

4 the People in the Middle
Or the Alley wanna Bumpin
Everybody who just paid
and people slept up in the trunk

4 the people in the back.. and
4 the people in the front
4 the people on the side
4 the people wanna Front

Get down with yer .....

Its on your party man
We got the margarita mixed..

4 The People

Janine is such an amazing writer/melody-maker !
THE ESSENCE : janine levinsOn https://soundcloud.com/janinelevinson @janineandtheproblem 
& THE FLUFF : mOag

IT'S YOU THAT I ADORE
Pretty little plaything 
You walked into my door
Exactly like a hundred 
other playthings did before

You wanted to be noticed 
It's safe to say you were
Unlike the hundred other souls 
who for my love do burn

Of all the pretty creatures 
you're the one that I live for
There's no other way to say 
It's you that I adore

Transcendental beauty 
but made of flesh and bone
My heart is captivated 
and it’s yours and yours alone

Tell me that you feel it 
say that you’ll be mine
I’ll kneel before you on the floor
and beg a thousand times

Of all the perfect beings 
you're more perfect than the rest
There's no other way to say 
it's you that I love best

Transcendental beauty 
But made of flesh and bone
My heart is captivated 
and it’s yours and yours alone

Janine LevinsOn w/mOag - it's yOu that I adOre

Original mix. Intense sadness on uplifting S.P.irals... yeah... 
Happy Piano Day 2017! soundcloud.com/silent-zen-play/sets/silent-zen-elite-piano

Piano sound only. This will be one of a kind for me. Korg, Ableton Live 9 and IK Multimedia mastering (with hammering and atmos "mud" are intentional). I'm only consistent with in-consistency of my music, sorry about that :)   

3/4, 100bpm. I have made a sheet music PDF for it, also Guitar Pro GPX format, and midi - PM me if anything. 

Cover art is a fragment of S.P. cover for Van Gogh's Starry Night, my fav paining of all times. Acrylic on canvas, circa '00s.

Released 03-29-2017 by Sam Prock

Spirals

Cover art: Alexander Stanton aka Wou-Wou & the Wormling

Unapologetic Bottom Feeder

From the Keldari Station album "Say Goodbye to Ground Control"
available from Bandcamp, iTunes, Amazon, and just about anywhere digital music is sold. 
Produced  Russell Sinfield https://soundcloud.com/russell-sinfield
and Keldari Station
Additional voices by Lisa Littlejohn West https://soundcloud.com/faerytale
And Stone Catchereye https://soundcloud.com/stonecatcherye

DB painting by Cynthia Ceelen

"Star man
have you gone back home
or fulfilled your own
wanderlust?

Space boy
just began to learn
as your ashes turn
to Star dust.

Maybe
the Jean Genie came
and took Aladdin Sane
back outside?

Better
to ask the Buddha
In suburbia 
or inside."

Stardrop Superlative

Keep The Fear Cover "Norwegian Wood (This Bird Has Flown)" 
by the Beatles (Lennon-McCartney)
from the album - Rubber Soul

D. Cooper (drums/percussion)
P.Jeffries (bass)
DD Danahy (keys)
Stone Catcherye (vocals, guitar)

Although begun in Switzerland, Norwegian Wood was completed as a collaboration between Lennon and Paul McCartney. Talking to Rolling Stone in 1970, Lennon attributed the middle section to McCartney, although in a 1980 interview with Playboy he called it "my song completely".

I came in and he had this first stanza, which was brilliant: 'I once had a girl, or should I say, she once had me.' That was all he had, no title, no nothing. I said, 'Oh yes, well, ha, we're there.' And it wrote itself. Once you've got the great idea, they do tend to write themselves, providing you know how to write songs. So I picked it up at the second verse, it's a story. It's him trying to pull a bird, it was about an affair. John told Playboy that he hadn't the faintest idea where the title came from but I do. Peter Asher had his room done out in wood, a lot of people were decorating their places in wood. Norwegian wood. It was pine really, cheap pine. But it's not as good a title, Cheap Pine, baby...

So she makes him sleep in the bath and then finally in the last verse I had this idea to set the Norwegian wood on fire as revenge, so we did it very tongue in cheek. She led him on, then said, 'You'd better sleep in the bath'. In our world the guy had to have some sort of revenge. It could have meant I lit a fire to keep myself warm, and wasn't the decor of her house wonderful? But it didn't, it meant I burned the fucking place down as an act of revenge, and then we left it there and went into the instrumental.

Paul McCartney

"Norwegian Wood (This Bird Had Flown)

I once had a girl
Or should I say
She once had me

She showed me her room
Isn't it good
Norwegian wood

She asked me to stay
And she told me to sit anywhere
So I looked around
And I noticed there wasn't a chair

I sat on a rug
Biding my time
Drinking her wine

We talked until two
And then she said
"It's time for bed"

She told me she worked in the morning
And started to laugh
I told her I didn't
And crawled off to sleep in the bath

And when I awoke
I was alone
This bird had flown

So I lit a fire
Isn't it good
Norwegian wood

Keep The Fear Covers (The Beatles - Norwegian Wood [this bird has flown])

For me Johann Sebastian Bach has always been the Boss so here is my attempt at remaking one of his classic tunes in the Translunar style!!

The purists will hate it, but when has that ever stopped me and here is some more info about the tune:
Further information: Orchestral Suite No. 3 (Bach)
Bach's third Orchestral Suite in D major, composed in the first half of the 18th century, has an "Air" as second movement, following its French overture opening movement. The suite is composed for three trumpets, timpani, two oboes, strings (two violin parts and a viola part), and basso continuo. In the second movement of the suite however only the strings and the continuo play. This is the only movement of the suite where all other instruments are silent.

The music of the "Air" is written down on four staves, for first violins, second violins, violas, and continuo. The eerie, interweaving melody lines of the high strings contrast with a pronounced rhythmic drive in the bass.

In the late 19th century violinist August Wilhelmj arranged the second movement of Bach's third Orchestral Suite for violin and an accompaniment of strings, piano or organ (harmonium). On the score he had "auf der G-Saite" (on the G string) printed above the stave for the solo violin, which gave the arrangement its nickname.

In Wilhelmj's version the piece is transposed down from its original key (D major) to C major. Then the part of the first violins is transposed down a further octave and given to a solo violin that can play the entire melody on its lowest string, the G string. The dynamic markings added by Wilhelmj are more in line with a romantic interpretation than with the baroque original.

As a violin can't play very loud in its lowest register, all the other parts of Bach's music were firmly reduced in Wilhelmj's version: the keyboard part is to be played staccato and pianissimo, causing the effects of interweaving melodies and of drive in the bass part to go lost. In the strings accompaniment version the violins and violas play muted (con sordino), and the bass part for cellos and double basses is to be played pizzicato and sempre pianissimo, with the same change in effect compared to Bach's original.

Later, a spurious story was put about that the melody was always intended to be played on the G string alone.[1] The violin solo part of Wilhelmj's arrangement is sometimes played on the counter-tenor violoncello. As a result of the popularity of the piece, on the G string remained in the name of various arrangements whether or not a string instrument playing on its G string was involved. Most of these versions have in common that the original melody of the first violins is played in the low register of a solo instrument, accompanied by a reduction of the material of the other parts of Bach's piece, although occasionally versions that stay more in line with Bach's original can go by the same name.

JS Bach - Air or Air on a G String Translunar style

Prince Rogers Nelson (June 7, 1958 – April 21, 2016)
This cover is meant as a tribute, a show of respect. When Prince passed one year ago, the world lost one of the most prolific song writers and electrifying performers known to man. This track was originally released as a B-side to Let's Go Crazy in 1984. It is, without a doubt, one of the baddest grooves of all time! With that jOjO'Stars Subatomic SoundClash proudly present Erotic City.

Special thanks to the endlessly talented Chris Pendergraft for the stunning cover art. The cherry on top.

Johanna Fegan / @johanna-fegan - vocals
Darren Douglas Danahy / @darren-d-danahy - synths, vocals
Liam Boyle / @liamjboyle - beats, keys, synths, guitars
DMonroe / @fatpockets - beats, bass, mix

Erotic City (RIP Prince)

Electric Petals

somewhat spacey, kind of ambient, not entirely shoegazer improvisations by two Darrens.....Darren: guitar, electronics   --  Darren: Bass, electronics 

Electric Petals

DeeThreeDeeToo

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PETE SWINTON

~ºJNY HZDº~

In/The/Form/Of/

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