Snow

Sharing make a huge difference with our robot overlords. Please Repost <3

Diverse, heavy, and wildly creative, “Bent” is the new sound of ill.Gates and represents the culmination of years of work fusing hiphop sensibilities with experimental electronics. Welcome to your new obsession, let’s get Bent. 

LYRICS

ILL GATES...MAYOR APE...
IS EVERYBODY IN?...

LET ME TURN THE HANDLE FOR YOU JIM MORRISON'S
TIMOTHY LEARY- WITH THE KEY TO YOUR MIND'S DOOR,SON...
DMT- BLENT WITH HEART AND SOUL...AND SYRINGES
SOMETHING THAT YOU FEEL WITHIN THE DIRTY, PROJECT HINGES....
SPEAK- LET IT SQUEAK SO I KNOW YOUR SOUL'S ENTERED...
CENTER- PAINT IT A MAGENTA PLACENTA...
ANYONE I WAR-WON'T KICK THE DOOR IN
CITRUS WHEN I SPIT- SQUEAK AGENT ORANGE...

MY SHIT SLAMS LIKE THE DOOR TO YOUR FUTURE...PAUSE.
GRIPPIN ON MY STEEL AS I WALK THROUGH THE DOOR...
OPEN UP THE PUSH, PULL...DON'T SLEEP-
SIX FEET DEEP WHEN YOUR FRONT DOOR SQUEAK.

OPEN UP YOUR MIND BABAAAY....
IT'S LIKE...
AND THEN...

MY SHIT SLAMS LIKE THE DOOR TO YOUR FUTURE...PAUSE.
GRIPPIN ON MY STEEL AS I WALK THROUGH THE DOOR...
OPEN UP THE PUSH, PULL...DON'T SLEEP-
SIX FEET DEEP WHEN YOUR FRONT DOOR SQUEAK.

OPEN UP YOUR MIND BABAAAY....
IT'S LIKE...

SIX FEET DEEP ...
WHEN YOUR FRONT DOOR SQUEAK.


Mayor Apeshit 
SC: https://soundcloud.com/mayorapeshit
FB: https://www.facebook.com/mayorapeshitofficial
SP: https://open.spotify.com/artist/006vxZB858jX6ETI6mfDFA?si=02dUxpMzRkCGqYklO9_rlA

Bent

6 Feet Deep - ill.Gates Feat. Mayor Apeshit [Remastered]

Stream/Download

The beast from Eat Arnhem Land all up in your speaker!

Nunchucks For Numbskulls (Beat By aussieozborn Cuts by Prospeks)

Another track off Dwizofoz's upcoming 2nd LP 'Bad Grammar'

Bad Grammar drops August 5th.
Recorded and mixed by 7ravesty @ Grotbox
Mastered by Cris Stevens for Federal Audio.

D To The Dub

Remix by Clem-Lutz for tomahawks track called B.L.A.C.K.S.W.A.N.

Tomahawk - B.L.A.C.K.S.W.A.N.  (Clem-Lutz remix)

Def Men Walking - Def Penalty

‘Dirty Hercules’ is the fierce new single from Sydney based future-folk/soul artist Ngaiire (pron. Nighree). The lead offering from her highly anticipated debut album Lamentations (due out June 2013) — an album partly written in an obscure little drinking bar in the suburban outskirts of Tokyo, Japan — ‘Dirty Hercules’ is a commanding entry into the music world; Ngaiire’s peculiar vocal arrangements and rare sense of soul, reminiscent of vocal greats gone by, setting her well apart from other singers. 

The song speaks of the vast aberrations of the darkness, the sex, the lies, the money, the drugs that detract from the reality of our own core conditions. It sheds light on the towering ugliness of our ailing covetous nature, the misinterpretations of strength and the journey of acceptance that no two people can have the same story. 

Featuring friend and future-soul darling ‘Nai Palm’ of Melbourne band Hiatus Kaiyote, ‘Dirty Hercules’ sees Nai add an additional depth that charters bottomless profundities exclusively championed by Questlove, Erykah Badu and Gilles Peterson. Nai’s husky vocals lay further assault to the hard-hitting dub step-esque bridge before rolling into a harmony-thick outro — a Ngaiire trademark and one that constantly challenged even a 48 channel Pro-Tool session come mixing time. 

Co-produced by Ngaiire, Sydney bassist Tim Curnick and Japan based beat maker and pianist, Aaron Choulai, ‘Dirty Hercules’ exemplifies what is to be expected from Lamentations. Showcasing Ngaiire’s great attention to vocal detail and layering as well as her love for musical aesthetics, and Aaron’s distinctive, Japanese-influenced electronic glitch and piano work, Tim’s pop sensibilities and production mastery are at the fore as Curnick balances perfectly the live and electronic components of Ngaiire’s music. Together the three along with Ngaiire’s drummer Ross Ferraro tracked ‘Dirty Hercules’ in Tim’s parent’s beach house in Jervis Bay, mixing it (and the rest of the album) in a Tasmanian mountain studio shack with mixing virtuoso Chris Townend (Portishead, Silverchair, Violent Femmes). 

Standing on the triple j’s 2010 Next Crop list alongside Kimbra, Lanie Lane, and The Jezabels, Ngaiire was born in one of the last great frontiers of the world, Papua New Guinea, migrating to Australia at just 16. Since then she has been building a reputation for herself as one of the country’s most recognisable and dynamic vocalists and performers combined with her love for uniquely flamboyant stage attire. 

Moving to Sydney after a brief stint studying for a Jazz degree at the Central Queensland Conservatorium of Music, Ngaiire embarked on a long period of touring overseas and in Australia with roots collective Blue King Brown, mentor and electronic maestro Paul Mac and gypsy jazz outfit Monsieur Camembert lead by ostentatious front man and Camelot venue owner Yaron Hallis. 

Years later the need to focus on her own pursuits caused Ngaiire to quit the road and settle back in Sydney where she could discover and build herself as an artist. Journeying from folk soul to jazz hop to indie pop to everything in between, Ngaiire has finally settled on an eclectic sonic identity that is uniquely hers and one that can easily transcend universal territories with its electronic soul elements as well as gratify the folk sphere with her great adoration for storytelling and heartfelt laments. 

‘Dirty Hercules’ steps forth from an album bookended by challenges, from Ngaiire’s car accident a day before recording started to the death of her sister upon the album’s completion: it stakes a flag in the ground as Ngaiire’s official arrival. 

‘Ngaiire is anything but a silicone mainstreamer’
Faster Louder

“You can’t help but fall in love with her…It’s really just the beginning for Ngaiire”
Dom Alessio (Triple J)

“A vast and compelling voice”
John Shand (Sydney Morning Herald)

Seriously, if you see Ngaiire on a bill anywhere go out of your way to see her”
Timber and Steel
 
‘When I first heard Ngaiire it was one of those moments when you just go, “that has all the right bits in all the right places”. It was like a soulful massage for my eardrums. Beautiful harmonies, great songs, sass, sincerity and soul to spare.
John Butler

‘Dirty Hercules’ National Tour 
SAT 2 MAR - Nannup Festival NANNUP, WA
SUN 3 MAR – Nannup Festival NANNUP, WA
SAT 9 MAR - Bridge Hotel CASTLEMAINE, VIC
Special Guests: Ainslie Wills Trio
SUN 10 MAR - Northcote Social Club MELBOURNE, VIC
Special Guests: Hailey Cramer; Ghost Orkid
SAT 16 MAR - Blue Mountains Music Festival KATOOMBA, NSW
SUN 17 MAR - Blue Mountains Music Festival KATOOMBA, NSW
SAT 23 MAR - Republic Bar HOBART, TAS
Special Guests TBA
FRI 29 MAR - Clarendon Guesthouse KATOOMBA
Special Guests - Miss Little and Ribongia 
SAT 30 MAR - FBI Social WOOLLOOMOOLOO, NSW
Special Guests - Miss Little and Ribongia 
FRI 12 APR - The Joynt BRISBANE, QLD
Special Guests TBA
SAT 13 APR - Full Moon Party NOOSA, QLD
SUN 14 APR - Buddha Bar BYRON BAY, NSW



Ngaiire - Dirty Hercules (feat. Nai Palm)

The Difference (instrumental) - SOLD

Lead single from The Campaign featuring the inimitable Lazy Grey [produced by Stricknine] taken from the forthcoming EP The Campaign (April 19th 2013)
Preorder: http://classarecords.com/store/cd/kings-konekted-the-campaign-preorder/
Get wid us on Facebook: http://facebook.com/kingskonekted

Copyright Class A Records 2013

Kings Konekted - Repertoire Strong

recorded on a cheap arse mic in 2008 but just thought id share

Rip spits

Full version of what i uploaded the other day
beat is " Chrome (shadowz in the dark) - Black Clouds"
gonna be on jack the beats

Vexed

Def Men Walking are two guys you don't wanna meet in a dark alley... or in a park, shopping centre or train station; or in a crowded room in the middle of the day. Dudes are just awkward as fuck.

AussieOzborn - MC, production
OccaPhats - MC, prodrunkshun
for booking/general enquiries - <a href="mailto:defmenwalking@gmail.com" rel="nofollow" target="_blank">defmenwalking@gmail.com</a>

Def Men Walking - Def Penalty

Def Men Walking

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