Suzuki

First track from my upcoming EP -Honeymoon- on 16th April
on DOME OF DOOM !!!
Crap your copy:
https://muadeep.bandcamp.com/track/g-jabbar-is-dead

Honeymoon

G Jabbar Is Dead

A haunting and atmospheric ambient soundtrack.

THE JOURNEY OF DISTANT SOULS

01. FLO - Emeria
02. FLO - Find Another
03. FLO - Gluestep
04. FLO - Turn Around

Dropping digitally on March 30th 2017.

>> http://www.chordmarauders.com/releases/flo-emeria-ep <<
>> https://chordmarauders.bandcamp.com/album/flo-emeria-ep <<

Follow: https://soundcloud.com/flokapokaa
Follow us: https://www.facebook.com/ChordMarauders/

Grab our new t-shirt: bit.ly/CMerch

Emeria EP

Download

FLO - Emeria EP (Out Now)

Deft - Let's Hook Up (Asthma) Instrumental

PAINT 'Exodus' EP
Release Date: 18th August 2017
Label: 20/20 LDN
Format: 12" Vinyl // Digital
Cat No: 2020LDN007

A progressive electronic duo, formed in 2016 by seasoned beatsmith Tsuruda (Darker Than Wax, Team Supreme, Division) and experimental artist Huxley Anne (Dome of Doom/Alphapup), PAINT incorporates all aspects of both member’s creativity. The duo was inspired as the two were coming up in the LA beat scene, often adding visual elements to their live performances while writing genre-defying songs in the studio. Their style draws largely on abstract hip-hop, jazz, bass, and grime influences, but unites these elements into seamlessly painted soundscapes that stand out in the modern sea of electronic music. Their powerful rhythms, colored nuances, and expressive lead synth tones ignite in the PAINT live show, where you can often find the duo mashing custom visuals together while spinning tracks back to back.

“After years of writing together under our solo aliases, this EP has solidified a creative purpose—unifying musical production with a visual aesthetic to elevate electronic music into the realm of art. It also serves a social purpose, placing a man and a woman on equal footing within a technical environment where women are scarcely represented. Fighting against both genre and gender constructs drives our forward-thinking energy inside the musical structure.

When 20/20 LDN approached us about writing an EP, we were ecstatic. They’ve created a platform we value for both the visual aesthetic and their fearlessness in bridging genres within electronic music. For us, working with Ivy Lab on this release is directly in line with our goals of defying genre constructs in order to create art that lives beyond contemporary confines.

This EP is an intellectual apex for us, seeking to defy genres from within their technical and stylistic constructs. By combining sound design techniques from European bass music with the rebellious energy of the LA beat scene, we’ve entered a musical landscape that is not yet defined. The EP’s title, Exodus, represents our departure from genre-based music, opening up a new environment where sound design, aesthetic, synthesis, and culture have become modular tools for exploring the future of electronic production."
- Tsuruda & Huxley Anne

Tracklist:
1. Beast Mode
2. Gaiden
3. Exodus
4. Reverie

@paintofficial
paintofficial.bandcamp.com
2020ldn.com

Exodus E.P

Paint - "Reverie" [2020LDN007]

BUY : bit.ly/2020LDN013_OUTNOW

Tim Parker “Slanted” EP
Release Date: 31st August 2018
Label: 20/20 LDN
Format: Digital
Cat No: 2020LDN013

Tim Parker has maintained a secure taste-maker status at the heart of the British hip-hop and alt-electronica landscape as a club & radio DJ for almost a decade. Originally from Cambridge, Parker’s time has since been spent in London contributing to the city’s musical landscape, operating as a crucial fixer-cum-influencer for the instrumental hip-hop community.

He helped materialise the first London appearances for acts such as Lapalux, KNXWLEDGE, The Range & Obey City (as co-curator of the Streets of Beige club night); hosted his monthly ‘You’ll Soon Know’ show on NTS radio since the station’s inception 7 years back (showcasing guests including MNDSGN, Ta-Ku & Joe Kay); commanded a residency at the 20/20 LDN club night as long as the event has existed; and has recently taken on an A&R role for dBridge’s widely-acclaimed Exit Records imprint.

In the time since his inaugural release on the 20/20 LDN label (with the track “U Smart” - a collaboration with Ivy Lab), Parker has developed a distinct solo sound, tipping his cap to the dance floor whilst encapsulating the instrumentation of golden-era hip-hop and its jazz-infusions.

The “Slanted” E.P drops on 31st August featuring 3 original compositions and a guest appearance from BSN Posse with their Jungle Juke remix of the EP’s title track. Cover art comes courtesy of Steve Teeps (Flying Lotus, The Weeknd, Odesza).

Tracklist:
1. “Rules”
2. “Slanted”
3. “Warped Wing”
4. “Slanted” (BSN Posse Remix)

@timparker
facebook.com/timparkermusic
twitter.com/timparker
instagram.com/timparker
www.nts.live/shows/youll-soon-know
2020ldn.com

Contact Benjamin Smith for more information 
ben@echoempire.net

Slanted EP

Tim Parker - "Rules" [2020LDN013]

Proudly presenting 'Trouble' by Halogenix. Forthcoming on our next various artists album - EDITION 2. Out on 1st March 2019 on vinyl, digital and tee.

Pre-order ---> https://lnk.bio/pMhY

Follow Halogenix
@halogenix
www.facebook.com/halogenix
www.instagram.com/halogenix
www.twitter.com/halogenix

Follow 1985music
@1985music1985 
www.facebook.com/1985Music1985 
www.twitter.com/1985music1985 
www.instagram.com/1985music

Halogenix - Trouble (Resident Advisor Premiere)

Release Date: 5th April 2019
Label: 20/20 LDN
Format: Digital // Limited edition 8” picture disc
Cat No: 2020LDN016

‘Cracks’ is the new album by ever-evolving producer Yip Wong aka Deft, set for release on 5th April 2019 via Ivy Lab’s 20/20 LDN label.

A body of work that is setting a milestone for the beats scene, ‘Cracks’ is a cinematic and powerfully emotive record by Deft, seamlessly brought together through lo-fi, immersive atmospheres and crisp, intricate beat-scapes. Shaking off the constraints of genre; Yip listened to albums by artists such as Grouper, William Basinki, Bibio and Arthur Russell to gain a better understanding of how these musicians and artists constructed narrative in their work. The album is a personal document to dealing with loss, the process of grief, and the release that comes through music.

“Since I started writing music, I’ve always wanted to put together an LP; a body of work narratively driven with a consistent and coherent voice. As I’m a firm believer in the journey/story that music can give and create, I always tried to apply my idea of an LP to most of my previous EPs. During a large period of time whilst releasing music as Deft, my sister was fighting cancer. Listening to and creating music during that time was really important for me, as a way to cope and deal with everything that was happening. After a long fight, my sister sadly passed away nearly four years ago. I deliberated a lot about deciding whether or not to talk about all of this but ‘Cracks’, although it has gone through a variety of iterations over the past three and bit years, has been my catharsis, and it revolves around grief and all of the ways in which I’ve dealt with the loss of my sister.”

Encompassing how he was feeling at the time, the title track ‘Cracks’ was the first piece he wrote. Deciding this would set the tone of the album, Yip began to use these samples and sounds as the palette for the rest of the tracks. As he continued to write, he focused on resampling and adapting from each previous sketch. Repeated notes, drones and pulses were something he tried to maintain throughout the album, to reflect on his thought processes during this time, and the oddly comforting but often debilitating effect these cycles had when they broke.

“Writing ‘Cracks’ has reinforced my own belief in sampling, resampling, recycling and recreating something out of something else. I sample a lot in music, be it creating my own samples from samples or whatever, and the album has come through this method of thinking. I also worked with one of my good friends Alphabets Heaven on ‘On The Wire’. We worked together solidly over a few sessions to write and record the bass that he played, and that was a process I thoroughly enjoyed; working with someone you know well and trust, and also having them be a part of something that personally means a great deal.”

The ambient tracks on ‘Cracks’ will be collected, along with a new track exclusive to the vinyl, on a limited edition 8” picture disc. The need for a physical format was important to Yip: the track ‘In Passing’ features a recording of Yip’s sister’s voice at the end, one of the only voice memos he had of her on his phone.

“I wanted my sister to be on the record in some way or another. We originally weren’t going to do vinyl for this release, but decided to do this 8” picture disc. Having ‘In Passing’ on vinyl means there is something physical that exists in the world that has my sister’s voice on it.”

@deft
www.2020ldn.com

For more information contact Benjamin Smith
benjamin.smith@echoempire.net // 077 6492 6719

Cracks (2020LDN016)

Cracks

Polar Bear LP - Various Artists - Part 2

09. https://soundcloud.com/somahuk & https://soundcloud.com/joshuasurreal - Far Out
10. https://soundcloud.com/agonuma - White Magic (Feat. QQ)
11. https://soundcloud.com/k-lone93 - Limba
12. @geodedub - Cluster (Feat. https://soundcloud.com/aliciakiah)
13. https://soundcloud.com/phaeleh - Roller
14. https://soundcloud.com/congi-music - Feeling This Way About You

Out on April 11th 2019 in digital formats:

>> chordmarauders.bandcamp.com/album/polar-bear-lp <<
>> https://www.chordmarauders.com/polar-bear-lp/ <<

Polar Bear LP (Part 2)

FREE DL HERE > http://bit.ly/2020-Bootlegs

It's more of a 'DJ Edit' than a full-on remix; but we couldn't resist adding some muscle to this dreamy track from singer/actress Tessa Thomson.

Tessa Thomson - "Grip" (Ivy Lab's 20/20 Bootleg)

Bookings: yipdeft@gmail.com
Publishing: info@yipwongmusic.com

Cracks

Deft

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AMLV (All My Love)

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