Vagabondage d'un individu errant au milieu d'un monde en phase de destruction.

Vagabondage

The Year of Magical Thinking

Stole My Heart ft. Juice Ride

115 - Klangmeer's Deep Dreams - State One

CLEARLY MOMMY NEEDS TO GET OUT OF THE FACKIN HOUSE......
MADE WITH F.L. STUDIO AND MY ONE OF MY ETERNAL INSTRUMENTATION AKAI ADVANCE 49 MIDI ALL RECORDED NOTES AND 
MEHHHHH... WHAT CAN I SAY I FACKIN LIKE IT!!!! BAHAHAWW!! MUCH LOVE TO Y'ALL FROM TEXAS 

KRAE- 'WHAT THE... MINECRAFT C418' - BY ACCIDENT WHAAA BAHAA  _INSTRUMENTAL_

Lucid

WOWWWW I LET OUT SOME STEAM & I BEAT THE STUFFING OUTTA ONE MY INSTRUMENTALS Y'ALL!! I HAVE BEEN WORKING ON AND OFF AGAIN & AGAIN ON THIS FOR MONTHS AND MONTHS! I AM VERY HAPPY WITH THIS! I AM USING THE HELL OUT OF MY MIDI AKAI BABBBBBBYYYYY! THE AKAI ADVANCE 49 ~ AKA "MY HUSBAND" BECAUSE THAT AKAI AND I, WELL WE ARE GREAT TOGETHER! & I HAVE NO HUSBAND SO I SLEEP NEXT TO MY MIDI'S BAHAHAHAW !! LET'S F'ING GOOOOOOOOOOOO Y'ALL!!! LET ME KNOW WHAT Y'ALL THINK.. YOOOOO!! I AM EXCITED FOR THIS ONE HOOOORAAHHHHHH!!!!!    XOXOXO

KRAE-'OKIE DOKIE'-_INSTRUMENTAL_ 34343 45454 ***TESTING

NinetySix - Interlude (Lonely Robot)

Unchained

🧥 Oldman Steptoe’s Tape Diary: Entry #62 — “Nine Voices in the Fade” (Final Revision)
It begins with restraint. Just a kick and a pad, humming like a generator in a forgotten corridor. The pad cycles through tones like a broken carousel: A for four bars, then Gb, then F. Then it jolts upward—B for two bars, Bb for two more. It loops, but it doesn’t settle. It’s like watching a lighthouse flicker through fog, never quite guiding you home.

At bar 16, the machinery stirs. A bass line creeps in, and an arpeggiated synth begins to speak—not in melody, but in chords that feel like memories half-recalled.

First, a D major over A (D/A), warm but distant. Then a G6, reaching for something it can’t quite grasp. The sequence shifts: B major over Gb, clean but cold. Then Bmaj7 over Gb, adding a shimmer of unresolved longing.

Next comes Bb major over F, a chord that feels like dusk. Then Ebmaj7sus2, soft and suspended, like breath held in a quiet room. The final stretch begins with E major over B, solid and grounding, followed by Emaj7sus4, which opens like a door to nowhere. Then Eb major over Bb, nostalgic and slow. And finally, Abmaj7sus2, a chord that doesn’t resolve—it just lingers.

These ten chords cycle from bar 17 to 33, each one a layer of emotional architecture. Then, a single-bar drop: a MIDI synth line doubling the top notes of the arpeggios, like a ghost tracing its own outline.

From bar 35 to 65, the full arrangement blooms—bass, pads, synths, all in motion. Then it collapses again to just synth and kick, from 65 to 81, like the track is catching its breath. A hi-hat loop enters at 81, ticking like a clock in a dream. From 97 to 113, the bass returns, and a stereo-panned synth dances across the mix like light through broken blinds.

The final act begins at bar 129. The full arrangement returns, and the tempo holds steady—but the energy begins to dissolve. A slow fade begins at bar 161, not dragging the rhythm but sinking the sound. Each layer recedes like a tide pulling back from a shoreline of memory. By bar 177, it’s gone. Or maybe it’s just waiting.

This isn’t a track. It’s a ritual. A slow, deliberate descent into something vast and unknowable. And when it ends, it doesn’t feel like silence. It feels like the room is still listening.

Lucid

DJ Deja

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