Name: Tinariwen - Chet Boghassa [Irian Jaya Remix] [2007] by dejaya
Duration: 5 min 23 s
Description: 2007

ⴰⵢⵓⵣ ⵉ  ⵜⵔⴰⴱⵓⵜ ⵏ ⵜⵏⴰⵔⵉⵡⵉⵏ

Кусок пидорского мусульманского говна

Zinezgounegh de Bay Dana IMZAD Group

Buy: https://tamikrest.bandcamp.com/album/chatma

'Chatma' is the new album by Tuareg rockers Tamikrest. The album is a fully persuasive sonic document and is filled with sober reflection, moral indignation, musical experimentation, cultural celebration - and the kick of rock and roll. 'Chatma' translates as "Sisters" and the band have dedicated the album, in their own words, to "the courage of the Tuareg women, who have ensured both their children's survival and the morals of their fathers and brothers."

www.tamikrest.net/
twitter.com/Tamikrest
www.facebook.com/tamikrest
www.glitterbeat.com
twitter.com/Glitterbeat_Rec
www.facebook.com/Glitterbeat 
www.youtube.com/user/glitterbeattv

Chatma

Tisnant An Chatma

Tamikrest - Tisnant an Chatma

Tinariwen - Chet Boghassa [Irian Jaya Remix] [2007]

Tinariwen - Imidiwan Ahi Sigdim (salut.krause remix)

TERAKAFT – Alone (Ténéré)

‚Alone‘ was born out of a need to maintain sanity in times of broken dreams and lies. It might be their most rock oriented album to date but at the same time it is their most poetic. Five years ago with their album "Aratan N Azawad" and even the follow up "Kel Tamasheq", Terakaft was still full of hope, things had started to change. Today the soil that was supposed to blossom is burnt by selfishness and rivalry. 

„There are too many characters in the picture, too many chiefs and not enough people“, says Diara when asked about the political developments in the last years. He used to sing political songs back in the days in his rebel youth when he was still playing guitar with Tinariwen. Nowadays he is only watching with a new feeling growing inside him: “Ténéré”, which is the title he gave to this album, and which translates to: “Alone”. Back in the days when they were sitting in the dunes drinking tea with big hopes for the future, singing their songs into the night, his nephew Sanou was sitting next to him, still a young boy. Occasionally the uncle would hand his guitar to the nephew, so he could  play along with the others. Just before the international success story of Tinariwen started, Diara got stuck on his way to Bamako a missed flight and his place in Tinariwen was taken. Meanwhile Sanou had set up his own band Terakaft. Today Diara and Sanou are the backbone of Terakaft: the guardians of desert blues. Diara is the spirit of the band, as strong as a rock. Sanou – his nephew - is the heart of Terakaft. He brings the life to its spirit. Diara the elder, lays out heavy rhythms pulsing through his guitar. Sanou has become the natural heir to the sound of “assouf”, with his intense rock riffs and an up-lifting attitude towards life.

‚Alone‘ is the 5th album of Terakaft. It was produced by Justin Adams who is one of the musicians from Europe who has delved deep into Tuareg music in the last years. Adams is known as a musician and producer through his work with Robert Plant, Tinariwen and Juldeh Camara. He has geared up "The Caravan" to reach new shores and hit the dancefloors. In these troubled times, they have made an album together, that presents the deep Saharan rhythms as a vital contemporary heartbeat. Standing on the ruins of their peoples dreams they sing to their brothers and sisters about true friendship and tolerance.

Tafouk Tele

Imarhan "Assossamagh" from the upcoming self-titled album 'Imarhan' out on April 29th 2016 via City Slang on LP and CD.

Preorder it on Amazon: http://smarturl.it/ImarhanAmazon
or on iTunes: http://smarturl.it/ImarhaniTunes

Preorder on iTunes

Imarhan - Assossamagh

Tenere Taqquim Tossam(Tinariwen)

Badi Lalla - Idi Yani Douhna (feat Imzad)

Terakaft - Aratan N Azawad

HAMID EKAWEL / JAPONAIS et ABDALLAH TINARIWEN

Get the album here: http://glitterbeat.com/glitterbeat_store/

Tamikrest means “crossing” in the language of the Kel Tamashek, a traditionally nomadic Saharan people that are commonly referred to as the Tuaregs. It is an apt name for a band that so successfully merges the values of their timeless culture with the sounds and visions they have encountered on a headlong journey to the concert stages and ipods of the world. 

Since the band emerged onto the international scene four years ago with their debut album “Adagh”, they have been in constant motion, moving between the Sahara and Europe as though these places were next-door neighbors. All the while, during this same time period, their homeland has suffered increasingly profound and catastrophic events. Originally hailing from Kidal, in the northeast of Mali, as the result of ongoing war, persecution and political collapse most of the band now lives in exile in Algeria. 

These last years have been intensely vivid for Tamikrest, defined as they have been by both tragic sadness (families and friends turned refugees, the brutal imposition of Sharia law in their hometown) and collective growth (their musical dreams building one upon another). 

Their new album “Chatma”, their third, deftly navigates these experiences and fashions them into a fully persuasive and poetic musical document. The album is filled with sober reflection, moral indignation, musical experimentation, cultural celebration and the kick of rock and roll.

“Chatma” is also Tamikrest’s first album to be wholly written around a defined theme. In Tamashek “Chatma” means “Sisters” and the band has dedicated the album in their own words to: “the courage of the Tuareg women, who have ensured both their children's survival and the morals of their fathers and brothers.” 

The opening track “Tisnant an Chatma (The suffering of my sisters)” is a heartbreaking homage: « Who can estimate the suffering felt by the soul / of one who sees her sisters exhausted from waiting/ of one who sees her sisters exhausted from waiting between countries, in deep distress /and daily oppression? « 

Fittingly for an album so lyrically evocative, “Chatma “ also delivers Tamikrest's most wide-screen and wide-ranging sonic statement to date. The infectious, sing-along rock stylings of "Imanin bas zihoun", the acoustic seduction of “Adounia tabarat”, the Pink Floyd influenced montage "Assikal" and the lush, melancholy ambiance of the albums finale, “Timtar”, all add up to a sustained audio adventure. Echoes of dub, blues, psychedelia, funk and even art-rock are seamlessly weaved by Tamikrest into their increasingly individual take on the Tuareg musical tradition. 

And on an album where the title translates as "Sisters", it makes perfect sense that this time around we hear the full emergence of the haunting voice of female vocalist Wonou Walet Sidati in tandem with lead vocalist Ousmane Ag Mossa. A new guitarist, Paul Salvagnac has also joined the band, bringing with him fresh textures and possibilities.

Contemporary Tuareg music has produced several unforgettable albums in recent years and "Chatma" certainly deserves to be ranked with these. But one also gets the sense, when listening to “Chatma” that there is something uniquely innovative and exploratory about Tamikrest's musical quest and that at last they have stepped into a wide-open space of their own.
 
www.glitterbeat.com
www.tamikrest.net
www.facebook.com/Glitterbeat
www.facebook.com/tamikrest
www.twitter.com/Glitterbeat_Rec
www.twitter.com/Tamikrest


Tamikrest - Imanin bas zihoun

Collating our historic work as Irian Jaya and perhaps publishing some new work soon (!)

Please also see new project: https://soundcloud.com/readystatefail

Tinariwen - Chet Boghassa [Irian Jaya Remix] [2007]

dejaya

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Максим Сафонов

Максим Сафонов

Максим Сафонов

ⴰⴱⴷⵓ ⴰⵏⴰⵔ( boudouane abdou)

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