luvely stripped down drum elements & nice clubby vibe..

Fuck! This is the shit, amazing sound/track, love the washed out synths... more please.

Once again, we're back with one of our most anticipated releases of the year: Profoundness Vol. 3. This carefully curated VA showcases a deep selection of tracks that capture the essence of our distinctive sound immersive, emotive, and groove-driven. From atmospheric textures to driving rhythms, each piece reflects our ongoing commitment to quality Deep House. Dive into the journey.

Stream & Buy

DiRamos - Embue (Original Mix) [Deep Clicks]

A 2 track EP in the Soft Progressive House Genre by Johnny Deep.

Buy Direct, Save $$$, Support Johnny https://square.link/u/G52w4MCP
Buy Individual Songs: https://www.traxsource.com/title/2597101/like-the-rain

Song Information: 2 Club Length Songs: Original Version and Rework Version.

Buy Direct

Like the Rain (Rework) Promo on Sale

Inside club

In this blend, a various artists release with producers from four different countries curated into the perfect accompaniment for late nights or early mornings. 

With tracks from Moda (@aleksmoda), Raär (@11pmraar), Akasha System (@akasha-system) and James Henry (@jameshenryuk) the release combines a beautiful balance of influences from ambient, lo-fi, techno and house.

https://www.youtube.com/watch?v=pl2ZQFLQ4ZE << Music video for Thinking with your Ears via Watch The Hype

>> 12" vinyl << 28/04/2017 (Pre-Sale 20/03/2017)
https://www.redeyerecords.co.uk/vinyl/83768-mt002-mint-tea-va
https://www.deejay.de/James_Henry_Akasha_System_Moda_Raeaer_Mint_Tea_MT002_Vinyl__267269
http://www.juno.co.uk/products/james-henry-akasha-system-moda-mint-tea/646384-01/

Above The Crowds

MT002 | James Henry, Akasha System, Moda, Raär - Above The Crowds (OUT NOW 12")

Joining Tim Sweeney, Philip Lauer and Mike Simonetti, Vancouver's @khotin remixes @earthboys for Public Release, introducing tape saturated breaks and a simmering acid line.

The 'Trail Remix' EP is out January 12th on Public Release.

@eug

Trail Remix [Public Release]

Premiere: Earth Boys – Big Time (Khotin's Omega Trek Mix) [Public Release]

Available on YouTube: https://youtu.be/kjZ6rjHIuI0

Label: Short Attention Records
Artist: VA
Format: Cassette, Digital
Cat Number: S.A001
EP Title: Short Attention (Bealive)
Release Date: April 1st, 2017

Pre-order: https://shortattentionrecords.bandcamp.com/releases
Short Attention is proud to present the first Tape|Cassette. The compilation is a collaboration of 6 artist of different countries with tracks for different tastes. They have created 6 tracks that take you from the finest Break/Beat to the most Hypnotic House with a powerful vocal.

Short Attention:
https://soundcloud.com/short-attention
https://www.facebook.com/shortattentionrecords
----------------------------------------------------------------------------------------------------------------------------------------------------
Houseum:
https://www.facebook.com/houseum.yt
https://www.instagram.com/houseumrecords
houseum.yt@gmail.com

PREMIERE: Kanyalang! - Destroyer of Worlds [Short Attention Records]

After Gerry Read's opening effort for the new house music aligned Delsin series, Soul 223 aka Steve Pickton steps up. Productions under this alias are few and far between for Pickton, but the man himself has been producing melodic, Detroit inspired sounds since the mid 90s, most often as Stasis on labels like Peacefrog and Mo Wax. 

A keen sense of melodic colour also characterises the four cuts that make up this EP, with the first, 'Almost Like It Used To Be' pairing radiant pads with a lolloping house beat and plenty of melted synth sounds.  Next up, 'Arties Mood' slows to a Moodymann styled pace, layering percussive samples, keys and jazzy motifs onto of a lazy house beat to conjure a perfect sunny afternoon vibe. 

'Heartstrings' is alive with the sound of the cosmos as it rolls on through organic sounding bongos, sharper claps and plenty of neon lines.  Closing track 'Essex' has a gummy, gritty bottom end sweetened by more glistening melodies and key work, all the while chugging along at a most inviting deep house pace. 

This is mature, jazz flecked house music for the more considered moments of the day: essential!

Track "Almost Like It Used To Be" taken from release:
Soul 223 - Almost Like It Used To Be
dsr-h2

Almost Like it Used to Be

READ > http://inverted-audio.com/listen-to-dj-whipr-snipr-iok-dj-psychiatre-cuts-from-nerangs-upcoming-nrngva004

With another blazing number lined up in this burgeoning chain of sound (with tracks from Ray Kandinski, Anthony Fade, DOS...) @nerangrecordings have just announced their latest, 'NRNGVA004' - a six-track mini comp featuring NYC's finest J Albert, Cassettes For Kids, M44K, label staples @djwhiprsnipr & IOK, DJ Nerdiboy and @djpsychiatre. It's all due out late July according to the label... if the pressing plants aren't too busy minting some useless David Bowie reissue for 2019's RSD by then.

DJ Whipr Snipr & IOK - She Said [Nerang Recordings]

In Return

The American cable-television industry exploded in the 1980s, pushing broadcasts of diverse programming and emissions of low-laying cultures into homes. Community stations piggybacked on the digital developments of the time, extending their existence through telephony and broadcast affiliates. For those growing up in this time, in locations such as New York City, the localized communications beamed into their homes exposed them to an impressionable array of disparate sounds and visions. Move into the 1990s and New York was filled to the brim of emergent cultures drawing from this ebullition of communication. From Rammellzee’s shapeshifting to Frank and Karen Mendez’s Nu Groove imprint fusing reggae, poetry and house, nascent ideas emanated from the city walls, from within stores such as Sonic Groove store and on VHS releases such as Stakker’s The Evil Acid Baron Show, a legendary technicolor psychedelic trip along the wildest frontiers of acid house. As scenes expanded and identities developed, such individuals weather the events of the visceral now, expressing themselves right into an unpredictable future.

Function’s long career has seen him uncover a vast range of sonic identities, a mainstay through house, techno and industrial with collaborations with the likes of Regis, Damon Wild alongside his highly influential Infrastructure imprint. With influences deeply tied to pop art, rave and gay scenes, and early memories of block-parties emitting Kraftwerk and Strafe, he found himself seeking out the undercover illegal nights of the 90s on a quest of sexual unearthing, mixing the ever-yearning escapology mission of disco with the influential DJ sets of Jeff Mills. For his new album Existenz, he marks a clear step away from the corporeal techno of his recent releases. Pivoting around themes of religion, sexuality, trauma and healing, it is a work expansive and celebratory, a clear liberation from a deeply internalized past. Formed from a collection of recordings made in a period from late 2016 to mid 2019, Existenz takes the form of a creative outburst in reaction to a number of traumas - recent, childhood and throughout Function’s life.

Cosmic synths soar and swoop in ‘Pleasure Discipline’ through towering stacks of rhythm that stutter and creak to a halt before rebooting, a firm robotic response to human intervention. ‘Zahlensender’ reflects a spatial tetris of urban life, as digitalization set within an XYZ matrix confronts the sprawling city. Constant arpeggiated meditations echo synaptic transmissions, effecting a dissolution of boundaries. ’The Approach’ recalls the unification of the self, a state of delirium non-subjective and smooth, as all connections and functions give way to simple intensities of feeling, crossing the threshold into spirituality. ’Golden Dawn’, featuring Stefanie Parnow, marks a further elevation of dubbed-out euphoria, as once more positive rays emerge. Parnow assisted the production process in its entirety, providing inspiration and featuring vocal contributions. His ode to the effortless short-trip urban navigation 'Kurzstrecke' finds Function in motion, upfront and bold, snapshots of conversation and flickers of light. 'Ertrinken' finds metallic bass jabs swamping snipped synthetic voices, with hidden stores of emotion set as a nod to the history of vocoders as a tool for encrypted military communication. House icon Robert Owens features on 'Growth Cycle' and 'Be', entrenching a celebratory atmosphere over Function's clubwise leanings. Closing track 'Downtown 161' reflects the unmistakable filtered and squashed interjections of television, and sampled dance vocals - a sound for the curious, dreamers and dancers.

With Existenz, Function reveals an essential body of work, spread over 4LP/2CD - thought experiments on the role of identity and spirituality after a lifetime of upheaval and trauma.

Almost Like it Used to Be

Delsin Records

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Corrie Loch

ttiny sounds

machine music

𓅛𓅛𓅛

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