Donkey Tambor Conga - Aquatic Ambiance 150

cosi~cosi

Dumped

Ｂａｄ Ｔｉｐｓ🔸https://linktr.ee/badtips
𝕽𝖊𝖖𝖚𝖊𝖘𝖙𝖘 👉🏾 badtipsaudio@gmail.com


⏬𝐁𝐔𝐘 𝐘𝐎𝐔𝐑 𝐌𝐔𝐒𝐈𝐂 𝐓𝐎 𝐒𝐔𝐏𝐏𝐎𝐑𝐓 𝐀𝐑𝐓𝐈𝐒𝐓𝐒 & 𝐋𝐀𝐁𝐄𝐋𝐒⏬



Various - MANIF HITS
Dôme, 2023
𝓑𝓾𝔂 👉🏾 https://domeastropolis.bandcamp.com/album/manif-hits

🔴 𝔽𝕠𝕝𝕝𝕠𝕨 𝔸𝕣𝕥𝕚𝕤𝕥
https://soundcloud.com/rene-danger
https://www.facebook.com/renedangerrr/
https://www.instagram.com/rene_dangerrr/

🔵 𝔽𝕠𝕝𝕝𝕠𝕨 𝕃𝕒𝕓𝕖𝕝
https://domeastropolis.bandcamp.com/ 
https://soundcloud.com/domeastropolis 
https://www.instagram.com/dome.astropolis/?hl=fr 
https://www.facebook.com/dome.astropolis/

𝖕𝖗𝖊𝖒𝖎𝖊𝖗𝖊#081 📢 René Danger - Siamo Tutti [Dôme]

tt le corps est dans l'ordi

Certains cycles peuvent avoir des issues discrètes, invisibles. J’ai souvent le nez profond dans leurs rouages; difficile de s’en extirper. Sans vouloir faire une méthode d’envol, j’ai voulu partager un scénario encourageant.

Musique réalisée à partir de mes enregistrements, de sons de synthèse décrit dans SuperCollider et monté dans Reaper.

Fermement

(
SynthDef(\fordiph, {
    arg fnd = 80, amp=(-5), out=0, pan=0, f1=300, f2=750, f3=2300,f4=4600, mult=0.5, fact= 5/4, dura=3, lagTime=5, atk=0.1;
    var sig, env, dipho, f1d, f2d, f3d, f4d, vibra,formvar;

	env = EnvGen.kr(Env.perc(atk, dura, 1,[0,-4]), doneAction:2);
	vibra = SinOsc.ar(0.03).linlin(-1,1,-1.5,1.5);

    sig = Formant.ar(
		fnd.lag3(3)+vibra,[
			f1.lag3(3),
			f2.lag3(3),
			f3.lag3(3),
			f4.lag3(3)],
		fnd.lag3(3)*5, 1);

	dipho = Formant.ar(fnd.lag3(lagTime), [
        f1.lag(lagTime)*fact.lag(lagTime),
        f2.lag(lagTime)*fact.lag(lagTime),
        f3.lag(lagTime)*fact.lag(lagTime),
        f4.lag(lagTime)*fact.lag(lagTime),
    ],
    fnd.lag(lagTime)*6,
	SinOsc.ar(0.1).linlin(-1,1,0.1,0.3)+mult.lag(2));

	formvar = SinOsc.ar(25).linlin(-1,1,0.02,0.1);

	f1d = RHPF.ar(dipho, (f1*fact.lag(2)-1), 0.5, 0.5);
    f2d = Resonz.ar(dipho, f2*fact.lag(2), formvar, 0.4);
	f3d = Resonz.ar(dipho, f3*fact.lag(2), formvar, 0.3);
    f4d = Resonz.ar(dipho, f4*fact.lag(2), formvar, 0.3);
    dipho = (f1d +f2d +f3d + f4d).sum;
	dipho = FreeVerb.ar(dipho, 0.33, 0.3, 0.5);

    sig = (sig + dipho).sum;
	sig = sig + RLPF.ar(LFSaw.ar(fnd.lag(3),0.2,0.3), fnd.lag(3), 0.05, XLine.kr(1, 0.001, dura+1));
    sig = sig * env * amp.dbamp;
    sig = Pan2.ar(sig, pan);
    Out.ar(out, sig);
}).add;
~t = 3/2; //tierce
~q = 5/4; //quinte
~o = 2; //octave
~ot = 2 + (3/2);
~oq = 2 + (5/4);
)


(
f = Dictionary.new;
//i
f.add(\iF1 -> 275);
f.add(\iF2 -> 2585);
f.add(\iF3 -> 3815);
f.add(\iF4 -> 4521);
//e
f.add(\eF1 -> 405);
f.add(\eF2 -> 2553);
f.add(\eF3 -> 3346);
f.add(\eF4 -> 4325);
//a
f.add(\aF1 -> 830);
f.add(\aF2 -> 1438);
f.add(\aF3 -> 2900);
f.add(\aF4 -> 4065);
//u
f.add(\uF1 -> 291);
f.add(\uF2 -> 779);
f.add(\uF3 -> 2648);
f.add(\uF4 -> 3980);
)

(
~test = Synth(\fordiph, [
	\fact, ~o,
	\mult, 0.5,
	\dura, 6,
	\amp, -20,
	\f1, f[\iF1],
	\f2, f[\iF2],
	\f3, f[\iF3],
	\f4, f[\iF4],
	\fnd, 130]);
)

(
~x.stop;
~x = Pbind(
	\instrument, \fordiph,
	\dur, Pseq([1/64],inf),
	\amp, -30,
	\dura, 0.02,
	\f1, Pseq([f[\aF1], f[\eF1], f[\iF1], f[\uF1]],inf),
	\f2, Pseq([f[\aF2], f[\eF2], f[\iF2], f[\uF2]],inf),
	\f3, Pseq([f[\aF3], f[\eF3], f[\iF3], f[\uF3]],inf),
	\f4, Pseq([f[\aF4], f[\eF4], f[\iF4], f[\uF4]],inf),
	\mult,0.1,
	\atk, 0.01,
	\fnd, Pseq([85,130,90,90,110,80,100,130], inf),
	\fact, Prand([~ot,~oq,~o], inf),
).play
)

~x.stop;

(
~bass = Synth(\fordiph, [
	\fact,~t,
	\dura, 90,
	\amp,-25,
	\mult, 0.6,
	\atk, 3,
	\fnd, 249]);
)

~bass.set(\fnd, 0.5);
~bass.set(\fact, ~ot);


(
~r2 = Routine({
    inf.do{
		~play = Synth(\fordiph, [\fact,~q, \dura, ((5..100)/10).choose, \amp,-25, \mult, 0.3, \fnd, (1..250).choose]);
		((1..15)/10).choose.wait;
};});
~r2.play;

~r = Routine({
    inf.do{
		~play.set(\mult, ((1..10)/10).choose);
~play.set(\fact,  [~t,~q,~o,~ot,~oq].choose);
    ~play.set(\fnd, (1..100).choose);
		~play.set(\f1, (150..540).choose);
		~play.set(\f2, (550..2500).choose);
		~play.set(\f3,(2600..4500).choose);
		((1..10)/10).choose.wait;
    };
});
~r.play;
)

(
~r2.stop;
~r.stop;
)

ca devait être des formants diphoniques

Initiatives Studio Various Artists III: Achluophobia (Original Soundtrack) [double vinyl + digital] — Release date: May 22

We are proud to introduce you our next and tenth release on which we have been working for more than a year.

This release is intended to be the soundtrack to an experimental short film/ballet we are currently working on.

This 9-tracks VA is a journey through different visions of music production, but all unique, bold, passionate — the order of the tracklist is designed to follow the story of the short film.

On the vinyl side it will be a 12” 140g double disc with inner sleeves and printed outer sleeve pressed at Vinyl de Paris (100 copies limited edition).

Artwork @indaworldofisma
Models: @mlvsmood / @lustsmood & @ramssdafirst

Hålbå - Achluophobia

FLAME2

Attention

Rosalia?

aka @grosplansurlapierre
☀️ 1/2 @FRONSSONSʕ •`ᴥ•´ʔ ☀️
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| compos | Supercollider ❤️ | github SC |

GIT : https://github.com/Jules-dejardin
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Fermement

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