Joe Fujinoki is a Tokyo-based musician, synthesist.

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Tracklist

D.Å.R.F.D.H.S. - Självbedrägeri
LXV - Diodes
JD SWIFT - 0​:​00
Lifted - Cymbecko Dub
Kagami Smile - Intangible Mirror
тпсб - Matted Feathers
Klara Lewis & Peder Mannerfelt - You Need To Be Kind
Nikita Bugaev - Untitled
ju ca - Looking Through The Picture Of A Person
Yeong Die - Lowers

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Joe Fujinoki Beatless Tapes Session [30.03.22]

info: https://radio.syg.ma/episodes/guests-156-billy-gomberg
https://billygomberg.bandcamp.com
http://www.fraufraulein.com/billy
https://soundcloud.com/billygomberg

Billy Gomberg

GUESTS 156 – Billy Gomberg

Scène III with Nick Klein - 03/05/2022

STEVE FORS, it's nothing, but still, LP
Hallow Ground
Vinyl / digital, catalogue nr. HG2201
Getefold cover, obi strip, limited clear vinyl

// Single release "ground glass" 21. June 2022
// Album release "it's nothing, but still" 19. Aug. 2022

Steve Fors offers deeply physical music on his Hallow Ground debut »it's nothing, but still.« Having already established himself as a composer of visceral drone and noise pieces in various Chicago- and New York-based underground projects, Fors’s first release under his given name is even more dense and evocative than his earlier work. A concept album on the subject of breath, the Siavash Amini-produced record sees the now Swiss-based composer blend field recordings with electronic and acoustic sounds—most notably towering cello drones—to almost overwhelming effect. 

Initially taking inspiration from living with a chronic lung condition, Fors meticulously crafts pieces that transcend his personal experience and reach for something universal. »The album is a study in melancholy and transience,« he explains. »And my intention is that the sounds trigger a memory, an image, a feeling in each of us. While our specific circumstances are momentary and discrete; joy, rage, and despair remain existential to our common experience.«

At first listen, Fors describes moments in time by building on a foundation of simple field recordings—an afternoon in a cathedral, the idling of COVID-19 morgue trucks outside Brooklyn Hospital, or the fleeting sound of wind in the trees—and then progressively overlays electronic and acoustic textures. On repeated plays however, the songs unfold, revealing a complexity, depth, and presence uncommon in current ambient music.

What makes »it's nothing, but still« such a memorable album is that it doesn’t impose anything on the listener, but rather offers them something to get lost in. From the first lush drones on the opener »(good enough) for now,« to the solemn piano chords on the title track, to the glistening cello feedback on »the way to heaven,« Fors’s sentiment about the record rings true. »If we surrender ourselves, these sounds can move us out of our present condition into a distinctly different existence, if only for a moment. If we choose to listen closely, we can experience the superpositioning of both memory and imagination in real time.«
Tracklist:
1.) (good enough) for now (07:28)
2.) ground glass (05:32)
3.) it's nothing, but still (05:02)
4.) unsound structures  (06:26)
5.) lead into aether (05:58)
6.) the way to heaven (05:48)		 
		
Credits:
All songs composed, recorded, performed and mixed by Steve Fors in Zurich 
Produced by Siavash Amini in Tehran, Iran
Mastered by Rafael Anton Irissari at Black Knoll Studio, New York
Cover photography by Jens Knigge
Cover design by Steve Fors
Released by Hallow Ground in 2022

STEVE FORS - ground glass

forms of minutiae presents 'live at kwia’, a fragment of a recorded electroacoustic performance by field recordist and artist @pablodiserens

→ f-o-m.bandcamp.com/album/live-at-kwia

Amid winter, on one of the last nights of 2021, a group of people gather in the welcoming womb of a listening bar. Bordered by tiled walls and embraced by a simulated fog, cradled listeners soon forgo outer fluctuations. From a distance, dogs’ barks and bats’ calls reverberate into the space, Pablo Diserens’ concert has begun. What unfolds next is a weaving of biophonic field recordings with hums of blown and stroke glass bottles. The emerging electroacoustic ecoscape oscillates between animal stridulations and Helmholtz resonances. Wavering wind pulses and mirroring clangs intertwine with ultrasonic drones bringing the audience into oneiric realms. Ants, grasshoppers, and crickets infuse the room with vespertine warmth. Windows ooze with condensation. Winter seems far, as if morphed into a balmy summer night. A new landscape materializes, birthed by the set of frequencies at play. Buccal air gently throbs in and out of the glass vessels in glistening gestures. Pablo blows into their empty bottles one last time before handing the stage to a sizzling underwater mixture of rain drops and insectean accents. 

The recorded fragment stops here, yet, that night, the formed sonic window into this temporary landscape pursued its course. The auditory encounters that followed now only exist in the hazy memories of wintertide listeners. 

~ 

Pablo Diserens (they/she) is a field recordist, musician and artist devoted to non-human realities, attentive listening, and possible forms of interspecies coexistence. In solidarity with a wounded planet, their practice invites people to attune to the present moment in an attempt at rethinking caring strategies and our relationship with the world and its biotic communities. → www.pablodiserens.studio 

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performed live by pablo diserens for 'weich', a queer ambient event series at kwia (berlin) in december 2021. 

photograph and design by pablo diserens 
mastered by mathieu bonnafous 
duration — 34'22'' 
tape production by tapedub (berlin) 
performing photograph by Elisa Cucinelli 
published by forms of minutiae — fom04 — 2022

cassette & digital

pablo diserens — live at kwia [fom04]

A transmission both sonically and emotionally imbued with "Deep Heart". Junior Loves implores you to transgress body image and/or language via energy bonds, forged in a celestial furnace of passion. We see no horizon, and so simply ask you to grow, love and share in the caress of liquid time flowing backwards over your skin.

https://www.nts.live/shows/kestrel-explorations/episodes/kestrel-explorations-20th-september-2022

Kestrel Explorations w/ Estades 200922

Youarelistening.to mixes ambient music with police scanner radio, air-traffic control, numbers stations, spoken word & a bunch of other random things. Found footage, musique concrete, and the perfect ambience.

https://www.nts.live/shows/youarelisteningto/episodes/youarelisteningto-14th-january-2023

youarelistening.to 140123

Follow artist and host:

https://soundcloud.com/slipdrifta
https://instagram.com/sdr1ft

https://soundcloud.com/kruegersk
https://instagram.com/kruegersk

Support us:

https://gasolineradio.com/support

РЕФЛЕКТОРІЙ #14 W/ S.DRIFT 29/01/2023

Lostsoundbytes breaks the Brasserie Atlas right away ! Potars at full blast, vibrate between a broken, harsh, dubstep & noise selection. As usual in fact!

Tracklist on https://lyl.live/

Vasteshow w/ Lostsoundbytes (08/03/23)

remixes and interpretations for ooo & MA'AM - /0/

@s_olbricht @ooo_no1 @anna-makay

mastered by Roland Nagy
artwork by Zoltán Márton Nagy

original album: exiles-electronics.bandcamp.com/album/ooo-maam-0

Buy Album

ooo & MA'AM - Gamma Candies (S Olbricht interpretation)

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Email : distortdecaysustain@gmail.com
Bandcamp: https://demdikestare.bandcamp.com/
Discogs: https://www.discogs.com/artist/1551592-Demdike-Stare
DDS Label: https://www.discogs.com/label/573303-DDS
Instagram: https://www.instagram.com/demdikestare/

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Demdike Stare

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