"Machines will fail us" : those are the unsettling first
words of this much expected new episode of the Polar
Inertia odyssey. Starting with this ode to machinery, the
tale plunges suddenly in a stark apocalyptic scenario.
Along the 3:14' of the track "Kinematic Optics", this
mysterious “polar inertia” eventually begins to
materialize and reveal more its true essence.
Same might be said about this double EP, consisting of
almost 80 minutes of music. First record is a black vinyl
with the actual four pieces of the "episode". Second one
is a white vinyl with the entire recording of their live
"Can We See Well Enough To Move On", that had been
given just once, in May 2014, for the closing of their
expo in Brussels, at the project space/ gallery Abilene.
Again this illustrates Polar Inertia’s will to be seen as an unidentified entity, where many participants contribute to
the evolution of the Project : the expo in Brussels last year was indeed a collective effort, and the live you’re listening
to was given from a considerable distance, with streaming, to an audience that didn’t see the performers from where
they stood.
The four tracks of the first record convey the same feeling ; of music that seems to be composed as a soundtrack
for oblivion, and disappearance of individuals. Polar Inertia’s techno is made with a very specific intent : taking the
time to accurately tell a story, bring specific emotions, narrative noises and illustrations, integrating all elements in a
contention between darkness and light, between a tale of Earth destroyed by nuclear weapons, and the blinding
white-out of the Polar Children’s wizardry.
We’ve been asked a lot of questions lately about
Polar Inertia ; their mysterious posture has stirred
up an unusual curiosity… but if you really want to
know more about PI, well, listen closely to these
two records, for a lot of the answers lie in the
music.

RELEASE DATE …………………………………… 8th OF JUNE 2015
DISTRIBUTION ………………………………………… CLONE.NL

LABEL COPY 
Artist : Polar Inertia
Title : Kinematic Optics EP
Written by : Polar Inertia
Label : DEMENT3D Records
CAT N° : DM3D011
© ℗ 2015 DEMENT3D Records / HBT-DEMENT3D SASU
- All rights reserved

TRACKLISTING
A1 : Floating Away Fire
A2 : Hell Frozen Over
B1 : Vertical Ice
B2 : Kinematic Optics
C1 : Can We See Well Enough To Move On ? (Part One)
D1 : Can We See Well Enough To Move On ? (Part Two)

LINKS
POLAR INERTIA
http://www.3141592653589793238462.com
booking : 
alex@noshelterbooking.com 

DEMENT3D
http://www.dement3d.fr
contact@dement3d.fr facebook


dement3d.fr

Polar Inertia - Kinematic Optics EP [snippets] DM3D011

0221

Naughty

Simultaneous

Koda
Soundcloud: https://soundcloud.com/kodachrome
Facebook: https://www.facebook.com/KodaSC?fref=ts

Bijou
Facebook: https://www.facebook.com/bijouthecat

Alternative Download: http://kodaone.bandcamp.com/track/there

I am the Riverbed
You are the dove
I'll stay on my side,
and be embraced by love

is there anyone there?

I'll stop the daylight
and turn away the sun
i'll stay on my side
i'm not the only one

I'd rather be dead
you're standing strong
i'll stay on my side
I feel so alone

is anyone there?

i am the mirror that blinds as the sun
i'll stay in your reflection
and be embraced by drugs

I fear this thread
that weaves it's way around
drag me high above
and push me to the ground

Facebook

Koda & Bijou - There

New rocking rmx of Sonic species and mental broadcast by Avalon and Dj Tristan's project Killerwatts. Out soon on Nano records

Another Planet

Sonic species vs Mental Broadcast - Reciever (Killerwatts Remix)

A new rocking collaboration track from Avalon  and Mad Maxx out soon on the legendary Raja Ram stashbag series. Tip World

Avalon vs Mad maxx - Connected

A Remix of the legendary space cat and talamasca's Armageddon, by Avalon and Outsiders. 10 years ago this was one of the tracks that inspired me to make music. Has been a big hit in our sets this summer. Out soon on the Space cat Rmx album!

Otherside (Ascent Remix)

Space cat vs Talamasca- Armageddon (Avalon and Outsiders Rmx)

"Machines will fail us" : those are the unsettling first
words of this much expected new episode of the Polar
Inertia odyssey. Starting with this ode to machinery, the
tale plunges suddenly in a stark apocalyptic scenario.
Along the 3:14' of the track "Kinematic Optics", this
mysterious “polar inertia” eventually begins to
materialize and reveal more its true essence.
Same might be said about this double EP, consisting of
almost 80 minutes of music. First record is a black vinyl
with the actual four pieces of the "episode". Second one
is a white vinyl with the entire recording of their live
"Can We See Well Enough To Move On", that had been
given just once, in May 2014, for the closing of their
expo in Brussels, at the project space/ gallery Abilene.
Again this illustrates Polar Inertia’s will to be seen as an unidentified entity, where many participants contribute to
the evolution of the Project : the expo in Brussels last year was indeed a collective effort, and the live you’re listening
to was given from a considerable distance, with streaming, to an audience that didn’t see the performers from where
they stood.
The four tracks of the first record convey the same feeling ; of music that seems to be composed as a soundtrack
for oblivion, and disappearance of individuals. Polar Inertia’s techno is made with a very specific intent : taking the
time to accurately tell a story, bring specific emotions, narrative noises and illustrations, integrating all elements in a
contention between darkness and light, between a tale of Earth destroyed by nuclear weapons, and the blinding
white-out of the Polar Children’s wizardry.
We’ve been asked a lot of questions lately about
Polar Inertia ; their mysterious posture has stirred
up an unusual curiosity… but if you really want to
know more about PI, well, listen closely to these
two records, for a lot of the answers lie in the
music.

RELEASE DATE …………………………………… 8th OF JUNE 2015
DISTRIBUTION ………………………………………… CLONE.NL

LABEL COPY 
Artist : Polar Inertia
Title : Kinematic Optics EP
Written by : Polar Inertia
Label : DEMENT3D Records
CAT N° : DM3D011
© ℗ 2015 DEMENT3D Records / HBT-DEMENT3D SASU
- All rights reserved

TRACKLISTING
A1 : Floating Away Fire
A2 : Hell Frozen Over
B1 : Vertical Ice
B2 : Kinematic Optics
C1 : Can We See Well Enough To Move On ? (Part One)
D1 : Can We See Well Enough To Move On ? (Part Two)

LINKS
POLAR INERTIA
http://www.3141592653589793238462.com
booking : 
alex@amplitude-booking.com facebook

DEMENT3D
http://www.dement3d.fr
contact@dement3d.fr facebook


Vertical Ice [snippet]

Kinematic Optics

Can We See Well Enough To Move On ?(Part One) [snippet]

Hell Frozen Over [snippet]

Floating Away Fire [snippet]

 First pressing in very limited red 180g vinyl.

Andre Kronerts seminal EXU EP gets a comprehensive rework from some of the most outstanding on the scene. Tense and sinister new cuts from Kronert introduce both sides of the release, whilst the label calls upon remixes from Berlin mainstays Efdemin and Ed Davenport, as well as Hollands finest export Juan Sanchez, plus Stockholm LTD label boss Par Grindvik alongside fellow Swede Peder Mannerfelt.

Retaining the slurred vocal of the original, Efdemin layers thundering effects over chasmic bass in his mix of Into The Zone, which saw heavy rotation last year. Meanwhile Davenport brings a wild yet streamlined intensity to C.O.D.E.2.
Side B sees Grindvik team up with Mannerfelt to provide a joint interpretation of Into The Zone, which they manipulate into a peak-time epic, with a soaring melody over hammering toms. Finally, Juan Sanchez channels funk through Roll The Dice with a twitchy, groove-laden rework.

The spirit of EXU is made physical once again via 12 inches and 27 minutes of wax.

Buy Vinyl

A2 - Andre Kronert - Into The Zone (Efdemin Remix) - Sthlm LTD 036

Justin Jay - Mom, I Graduated!

BUY:
Beatport: http://j.mp/MomIGraduated
iTunes: http://smarturl.it/MomIGraduated
Spotify: http://spoti.fi/1JsSIaY


From the heat of the BBQ to the smoking hot talent of Justin Jay, as he returns to the feathery fold with his latest release. The youngest of VonStroke's proteges, the 22 year old producer continues to build on the promise shown on a string of heavy hitting Dirtybird releases (Femme Fatale, Static, Instincts, Le Voyou.)  With all of his tracks created on the same college-dorm studio set up, it seems fitting that we bring you the last from those late night bunker sessions and a brace dedicated to the end of his studies and the start of the party.

'Mom I Graduated' launches in to life with the sassily titled ‘Hit It.’  Spring loaded beats adorn an eerie, vocoder-aided atmosphere, before double claps on the beat turn the track into an intensified stomper. The drop descends into thick sub bass, chopped up vocal samples and chiming, echoing percussion around its half time rhythm. This is big!!

Rain Dance starts life out of earshot.  A progressive melodic flurry gradually enters in to range through a mist of pitter patter FX touches, while ascending woodblocks bring us to the vocal drop and a thumping kick drum -“I’m gonna make it rain” - Booty aesthetics with a slowed tribal rhythm and swathes of sub bass leak through the speakers. A second summer anthem from the young Californian. 

@dirtybirdrecords
@justin-jay

dirtybird.merchtable.com/
dirtybirdrecords.com/dirtybirdbbq
dirtybirdcampout.com
drip.com/dirtybird

facebook.com/justinjayofficial
twitter.com/justinjaymusic


DOWNLOAD

Justin Jay - Hit It [PREMIERE]

I started this track back in Australia last year during my debut tour there.
I played a very cool gig in Cairns (Northern part of OZ), And decided to stay there for a week with my friend Alie and his lovely wife Danielle. 
I remember waking up every morning, Looking at this marvellous green view, And right there I decided to write a track for my beloved Australia.
So I started sampling Birds, Crocs, Didgeridoo and whatever felt Ozzy to me (Even ended up sampling Alie’s wife). 
I didn’t end up finishing the tune on my own, And thats where Martin Vice & Michael Banel came into the picture.
I showed Vice the track one day, And he asked if they could finish it and release it on their debut album on Iboga. I obviously said yes, Because I think they produce amazing fresh music, And they ended up bringing exactly what the track had lacked.
Really hope you like the final result.

S.

Freedom Fighters, Martin Vice & Michael Banel - Australiens

Release date (vinyl & digital): 11th of March 2016

With over a decade of crate digging behind him, Antigone — real name Antonin Jeanson — has woven the techno canon deep into his sound. But yet, Jeanson is less of a scholar than a renegade when it comes to traditions. Rather than sticking apropos to the rules, he has always found himself pushing up against them. Following a flurry of releases stretching over half decade, 2015 saw Jeanson first appearing on Token for 'Cantor Dust'. This masterful double EP stretched his ambitions even further, and cemented his credentials as a producer. Indeed, the same is still true in 2016, which finds Jeanson at his most accomplished yet.

'Night Adrift' opens Saudade with an unapologetic heaviness. Every single pulse of this track hits the floor like it's a punchbag. Here, Jeanson showcases the physical quality at the root of his sound. In this regard, it's important not to divorce his sound from its live context. After all, this is music to move to, and Jeanson always has this in mind. 'Hiraeth', by contrast closes the EP with a mysterious uncertainty. Harmonic elements swell and emerge throughout, but they exist only in passing before snapping out of earshot. The title, 'Hiraeth', is a Welsh word with no direct translation to English. But roughly translates as "a homesickness for a home you cannot return to, or that never was".

Furthermore, the title of the EP itself, Saudade has a similar reading. 'Saudade' is a Portuguese word that refers to a deep melancholic longing. On this release, it's as if Jeanson is recalling a distant memory, but allowing only fragments to reemerge. The result is an EP that is both wistful and dreamlike. But despite the ethereal territory of Jeanson's music, to think of it as completely unstuck from time and place would be a mistake. His understanding of the genre, and how it functions, comes through loud and clear with every beat. 

TRACKLISTING
A Night Adrift
B Hiraeth

www.tokenrecords.com
www.facebook.com/tokenrecords

Saudade EP

Night Adrift

TOKEN59 - Antigone - Saudade EP

Bad Taste Recordings

• WebSite → http://www.badtasterecordings.com/ 
• SoundCloud → https://soundcloud.com/bad-taste-recordings
• Spotify → https://open.spotify.com/collection/playlists
• FaceBook → https://www.facebook.com/badtasterecordings/
• YouTube → https://www.youtube.com/user/badtasterecordings 
• Instagram → https://www.instagram.com/bad_taste_recordings/
• MixCloud → https://www.mixcloud.com/BadTasteRecordings/

***
MethLab // 2 EP

Release Dates:
Beatport Exclusive: 20.05.2016
2 x 12” Gatefold Vinyl Pack: TBA
Worldwide: 03.06.2016

1. Current Value - PELHAM 123
2. Billain - METAL JAWS
3. Optiv & CZA - SUB SURFACE
4. Disprove, Signal & Audeka - RITUAL
5. Kursa & Faek - BEHIND THIS DOOR
6. MachineCode & Disprove - SIGNATURE
7. Audeka & Rawtekk - SAMURAI

https://soundcloud.com/rawtekk
https://www.facebook.com/rawtekk

@audeka
www.facebook.com/AudekaOfficial

http://methlab-agency.com/
@methlab-recordings
www.facebook.com/methlabagency

MethLab Volume 2

Samurai

Audeka & Rawtekk - Samurai

Purchase here: https://flexx.bandcamp.com/track/4flexx-immobile

4Flexx - Immobile

Locksmith makes his debut on Soul Deep and drops this 3 track gem of an EP.  The EP kicks off with the thought provoking tune, "Magic Moments".  The song features, quick, shuffling breaks, a bouncy 808 bassline, deep textures, and an intoxicating horn sample.  Locksmith teams up with legendary producer, Furney, for the second track.  The song opens with a mind warping chord loop, which leads to the puchy drums that kick the song into gear.  On the drop, the song pushes forward with a deep, rolling bassline, epic keys, and lush sound efx.  The EP ends on a high note as Locksmith returns with another solo effort entitled, "Love Is the Law Here".  The song features strong, punchy drums, deep piano chirps, Lush chords, and beautiful strings.  This one is a classic!

Furney & Locksmith - Sleeping Silence

A remix of the track, Knightly. From The Inexplicables latest release, Proper Gander. . . Check out the original here. https://theinexplicables.bandcamp.com/ 

The Inexplicables - Knightly (Beatroots' Bass Version)

remix for my friends syncom data... came out last year on sd records

Syncom Data - Beyond the Stars - Speedy J Remix

As Fabrice Lig has contributed to the Kanzleramt-History – we are returning the favour and congratulate with this release to his 25th Stage-Anniversary!
Black Stone is taken from ‘Universal Tech EP’ of 2003 (ka089 12″ | digi). Its powerful sequence was always considered as one of the best ever to be exposed on Kanzleramt. So more than deserving and about damn time 3 new Black Stones emerge: polished into an epic set-starter or the jet-black time-lapsed grinding and compressing in the earth’s crust or raw acid washed. Heiko leaves the choice to you.