Deep Peace

El Búho - Calchaqui

El Búho - Schuvia

Voz - Gorka Molero
Guitarra - Felipe Maqui

El Buho - Calchaqui (Nicola Cruz Remix)

Bomba Estereo - Pure Love (Cero39 Rmx)

Orinoco Rock

Chabuca Granda - Cardó O Ceniza (DDD Remix)

Order CD, LP or Vinyl Deluxe Pack: http://wonderwheelrecordings.bandcamp.com/album/amansara

Chancha Via Circuito's new album "Amansara" is out on Sept 23rd through Wonderwheel (US + AUS/NZ), Crammed (EU) & Charcho (Latin America).


Argentian producer Pedro Canale aka Chancha Via Circuito returns from a three-year sojourn with his long awaited third album, Amansara.  Originally coming out of Buenos Aires's famed digital cumbia scene, Chancha has notoriously broken way outside those boundaries to forge unprecedented mergers between Brazilian rhythms, Paraguayan harp, Andean mysticism and the solitude of Argentinian folklore - all processed through his own futuristic style of post-dubstep.  Chancha's sound is without question truly unique and instantly recognizable to the point he has become a key reference point for an entire crop of artists that have begun to carry his genes. 

Hailed by the Washington Post, the New York Times, Pitchfork, NPR and countless others, Chancha Via Circuito defies even the shrewdest of marketing geniuses.  On one hand, he is something of a cult artist within micro-circles of electronic music, having been invited to perform at Montreal's MUTEK as well as the Roskilde and Vive Latino Festivals. At the same time, Chancha's music has found broad appeal outside of the avant-garde, most notably his magnificent remix of José Larralde's "Quimey Neuquén" which was heavily featured in 2013 as part of the final season of the critically acclaimed television series Breaking Bad. Fans of the show undoubtedly remember Walter White burying his millions in the desert, soundtracked by the wide and gentle grooves of Chancha Via Circuito.

Amansara is a natural progressing of Chancha's special strain of electronic South America. Lead single "Coplita" features the haunting vocals of previous collaborator Miram Garcia, while "Sueno En Paraguay" merges Andean folklore sounds with bleeps and blips and pounding drums in a way that sounds completely natural and ordained. "Jardines" features the driving vocals of Lido Pimienta merging with heavy synths, percussion and bells into an unforgettable track, while both "Tarocchi" and "Guajaca" ramp things up into deep, electronic dancefloor inna rainforest territory. 



Amansara

Jardines (feat. Lido Pimienta)

Chancha Via Circuito - Jardines ft. Lido Pimienta

Free Download

Vruno - Yolanda

digital album out September 5 // 2025
produced, mixed and mastered by jacob funch
direction and curation - kim las
painting - tan vargas
artwork - bruce approves

On his second isenkram album Jacob Funch explores fresh musical territories letting his sound develop in more free and electronic ways. Inspired by 90's ambient with a pinch of modern funk these cosmic tracks seem to both soothe and flourish with filtered arpeggios and polyrythmic grooves. Distant handclaps and syncopated kicks take the wheel while piano solos and alienated vocal samples roam the passenger seats. On this retro-futuristic ride the listener might be heading blissfully towards the morning sun but there is rumbling thunder and rain all around.

JACOB FUNCH - OPENINGS

Daleduro Bombón Asesino + Animal Chuki + Nicomedes Santa Cruz (extracto de la décima "America Latina") 

Daleduro & Animal Chuki & Nicomedes - "Bombón Asesino"

Tiempo De Vida

Sr. Lufthansa - Tiempo De Vida

This is the first single from our forthcoming Palenque Records Afrocolombia Remix Vol. 2

Get this track now with the digital pre-order of the whole compilation album.

More information: http://bit.ly/AfroColombiaVol2

An hypnotic, progressive and powerful version by the renowned Peruvian tropical avant-garde band https://soundcloud.com/novalima. A perfect combination between synthesis, organic percussions and the original voices from the legendary Son Palenque. 
"Aloito Pio" translated from Palenquero (a Creole language spoken by the people of San Basilio De Palenque, Colombia, mixing elements of Spanish, Portuguese and Bantu) as "Arroyo Mío" in Spanish, and "My Stream" or "My River" in English, is the story of Justo Valdez' (lead singer of Son Palenque) encounter with "something" imposing, a ghost, a spirit, while walking along the stream.

Palenque Records AfroColombia Remix Vol. 2

★VINYL / STREAM / DL★

PREMIERE: Son Palenque - Aloito Pio (Novalima Remix) from Palenque Records Afrocolombia Vol. 2

Palenque Records vs. Llorona Records Vol 2: Sexteto Tabalá - Ofelia feat. El León Pardo (Cerrero Dub Mix) Producido por Lucas Silva y Diego Gómez

(English version below)

Las primeras décadas del Siglo XX atestiguaron importantes migraciones sonoras: desde Cuba y Jamaica llegaron a Colombia decenas de expertos cultivadores de caña para trabajar en los ingenios Central Colombia (en el caribeño departamento de Bolívar) y Sautatá (en el departamento del Chocó), trayendo con ellos ritmos como el changüi y el son, cuyos formatos fueron rápidamente acogidos y transformados por los trabajadores provenientes de comunidades como San Basilio ri Palenge, desde donde el Sexteto Tabalá le daría un giro inspirado en tradiciones musicales como el lumbalú y el pajarito para crear un sonido nuevo en el que se encuentran distintas raíces de la diáspora africana, según nos cuenta Lucas Silva de Palenque Records.

En este segundo volumen de los encuentros entre Palenque Records y Llorona Records, les presentamos el clásico Ofelia, en la interpretación del Sexteto Tabalá, revisitado desde las técnicas de producción del dub para explorar una nueva y profunda dimensión de las músicas afrocolombianas, que trasciende el estallido rítmico de la fiesta para sumergirse en un sonido meditabundo y ritual, que transforma la narrativa misma de esta canción. 

Al respecto nos cuenta Cerrero: buscar un sonido distinto en la mezcla es cambiar el foco de atención, poner al frente elementos que pasan desapercibidos y que transforman la historia de la canción. Estamos revisando el catálogo de Palenque Records para presentarlo de nuevo desde un sonido distinto, aportar también a la escena dubbera también desde los sonidos de Palenque y ese pedazo de la historia de cómo llego África a América.


Palenque Records vs. Llorona Records Vol 2: Sexteto Tabalá - Ofelia feat. El León Pardo (Cerrero Dub Mix) Produced by Lucas Silva and Cerrero.


"The first decades of the 20th century witnessed important sonic migrations for the afro sound in Colombia. Sugar cane farmers from Cuba and Jamaica came to the caribbean and pacific coast regions of the country to work in the plantations and brought with them rhythms such as Changui and Son. Locals from pure afro-descendent towns such as San Basilio ri Palenge quickly learned and transformed those rhythms injecting their own flavor coming from powerful musical expressions such as Lumbalú and Pajarito to create a new sound. El Sexteto Tabalá is known as the leading band preserving and playing this "Sexteto" style that arouse from that culture clash in which different roots from the african diaspora came together in the souther region of Cartagena - Colombia" says Lucas Silva from Palenque Records.

This second volume of the collaboration between Palenque Records and Llorona Records presents the classic tune Ofelia by El Sexteto Tabalá revisited in a deep dub version by Cerrero and invited trumpet player El León Párdo. Searching to explore a new dimension of the Afro - Colombian sound, this take on the original recording goes beyond the party fever to dive into a more contemplative ritual sound that looks into another side of the song.

"The idea of a dub mix is to direct the attention of the listener to the hidden elements of the track, strip it down to their tribal core essence and tell the story in a different way. We are working with Lucas in revisiting some of Palenques Records catalog  classics and present it again with a new sound. This side of the history of how Africa settled in America hadn´t gone through the amazing experiment of dub mixing until now" says Diego Gómez aka Cerrero.

Sexteto Tabalá  - Ofelia feat. El "León" Pardo (Cerrero dub mix)

Lagartijeando's new album "Jallala" is out worldwide on June 7th
Purchase LP / Digital: https://wonderwheelrecordings.bandcamp.com/album/jallallan 2017, Lagartijeando (Mati Zundel), released his second full length album ‘El Gran Poder,’ via Wonderwheel and subsequently hypnotized the masses with the way he laced the traditional Charango playing that he picked up traveling the Andes with the pulsing, digital-cumbia electronica that’d been popularized in the region by the likes of Chancha Via Circuito, Nicola Cruz, and beyond. El Gran Poder plucked Zundel from his small town of Dolores in Argentina and catapulted his sound onto a global stage. He was revered by the likes of The Fader and Bandcamp, who referred to him as an electro-folk alchemist - and that he is. 

On June 7, Lagartijeando casts a new spell with Jallalla, an ambitious new full length being released on Wonderwheel Recordings. Jallalla is a word used in Bolivia to celebrate something- and it’s a word that strengthens in meaning when more people say it together. Jallalla is an entire life in an album - beginning with what would be the sonic representation of pulling back reeds to discover a new path with the song Villazon-Potosi and its sparse electronic percussion gradually filled in with curiosity-giving winds. Following is joyful charango riff that becomes the base for the track La Frontera, which features the sweet, wispy voice of Minük, the Colombian artist Alejandra Ortiz, known as half of the duo Lulacruza.

Pre-Order LP / Digital

Lagartijeando - La Frontera Feat. Minük

NU - MAN O TO - Katermukke

Gaita Gaita

Booking:
Europe & UK
Andre Marmot
andre@earth-agency.com

North / South America
Andres Montes
a.montes@cuatroveinte.tv

Chabuca Granda - Cardó O Ceniza (DDD Remix)

Dengue Dengue Dengue

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