Stella Polaris Presents Small Secrets Vol. 7: Still-Life

Heaven (Still-Life Remix)

Seedling

Looking Glass

Of Love

Touch Me Not

This is my acoustic guitar backing to the fabulous vocals of Elton John. Great laid back BBQ or dinner party music to impress. People will ask you "Who is that"... Please like the song and click "follow me" for the latest song releases. 

VOX - Elton John - Sacrifice

A slow-techno bootleg edit of one of my favorite recent indie tracks. As with my other bootleg edit, this one's available as a free download.

When I first heard "Blend," I instantly knew I wanted to make an edit. The original is fairly stripped down, consisting just of an acoustic guitar lick, a simple drum pattern, and a haunting vocal. 

Yet somehow, my first draft late last year didn't feel right. It was too dancey and too bright, and somehow didn't reflect the bittersweet emotional quality of the original. So, a few months ago while on the road in Asia, I decided to give it another go. I kept only the synth pad from my first attempt and reconstructed everything else with the intention of fulfilling a 'less is more' approach.

I think I finally found a nice balance in adding just the right elements to breathe some new life and context into "Blend," while maintaining the qualities that made it such a moving track to begin with. I hope you'll agree - let me know what you think in the comments:)

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[free download] Aldous Harding - Blend (James Fish's Problems of the Heart Edit)

Zia Mohiuddin Dagar - Dhrupad - Raga Yaman

Loose Grooves & Bastard Blues

Gone Again

Maybe On Monday (demo version)

At the close of 2012, DENGUE FEVER, a band widely recognized for its trademark blend of 60’s Cambodian pop and psychedelic rock, proudly announced the launch of its homegrown label, TUK TUK Records. The band’s newly established independence marks yet another chapter in the continual evolution of a group unlike many in the Los Angeles music scene. 

Currently in the studio recording tracks for their next release, DENGUE FEVER launched TUK TUK to release their back catalog, potential solo music from its band members, and previously released but long out-of-print music related to each band member. Their first two releases included their long out-of-print eponymous debut (2003) and its critically acclaimed sophomore follow-up, Escape from Dragon House (2005). Amazon.com named Dragon House the #1 int’l release for 2005, and Mojo magazine named it in their Top 10 World Music releases of 2006. Each album has been expanded into digital deluxe editions with rare and unreleased bonus tracks from the band’s archives. 

Eminent musicians from around the world took notice of the band’s rise over their first half-decade. In 2008, Real World Records Founder and musician, Peter Gabriel, licensed their third release, Venus on Earth, for the world and noted, "They're California-based but have taken '60's Cambodian pop as their main source of inspiration and it's done with style. Its spirited, impassioned." More kudos came from Metallica’s Kirk Hammett who handpicked the band’s song “One Thousand Tears of A Tarantula” from Dragon House for his Rolling Stone magazine ‘Best Music Of The Decade’ ballot - as the second best song of the entire decade. International touring transpired quickly after the release of Venus including an inspired two-song set on the BBC’s Later with Jools Holland show (2009) followed by on-air praise from Ray Davies of the Kinks. Davies likened them to “….a cross between Led Zeppelin and Blondie. And I should know, I toured with both of them.” 

DENGUE FEVER’s latest release, Cannibal Courtship (Fantasy Records/Concord Music Group), was released in April 2011. Their latest record moved the needle yet again with the band performing live for the first time ever, in France, Mexico and Brazil. Today, only two continents (Africa and Antarctica) have yet to host a DENGUE FEVER performance.

Mass media exposure arrived in many forms for DENGUE FEVER and not just on the world stage. Tracks from their catalog have appeared in films such as City of Ghosts, Jim Jarmusch’s, Broken Flowers and The Hangover 2. Television series’ such as Showtime’s, Weeds, HBO’s hit series True Blood (who named an entire episode after one of their songs) and featured the band’s music and CBS’ series CSI: Las Vegas combined with numerous independent documentaries to feature the bands music. 

Always press darlings, band profiles in the New York Times, Los Angeles Times, Mojo, Uncut, Magnet, Wired, Spin, NPR’s “Fresh Air” Radio Australia, KCRW’s “Morning Becomes Eclectic” and World Café Live all profiled the band’s unique sound. In 2013, with new music being recorded, a back catalog that is beefed up with bonus tracks and tour dates being confirmed, the time is truly ripe for at least another 10 years of breaking down more musical barriers.

Touch Me Not

DENGUE FEVER

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