Deep Vibes #3

Monday Dreamin' Black EP

Nova Two

Tale Of Us — Nova Two

Astral

Tripped-out, leisurely house and breaks comprises the next drop on Haŵs, and for the established Welsh imprint, number 13 is far from unlucky – in fact, it’s coming in as ecstatic. Perth producer Guy Contact takes the reigns for ‘Euphoria Simulator’, a 6-track EP radiating with all the charm and optimism of a liberated future.

Opening the first of four house tracks, ‘Into The Blue’ makes light work of bass melodies and fresh kicks, bouncing skywards as though emerging from a thinning fog into a clear day. ‘Nice 2 B Free’ is imbued with touches of sentimentality, pouring outwards like the laissez-faire movements of a serene dancer entwined within a group of friends. The eccentric ‘Whip Crack Cowboy’ takes the camaraderie of country twang into a colourful new world, mediating psychedelic guitar strings into harmony with synths and a cathartic house beat.

On the B-side, the titular ‘Euphoria Simulator’ doubles down on the bass but keeps its overall ride light and airy, dipping between piano, synths and rhythms warm enough to breathe emotion into a cold room. The final two tracks untether from their house confines: ‘Amphibian Pool’ dubs down into a hypnotic, marine-level drift, elongating croaky basslines alongside punchy breaks and acid lines during its descent. Finally, ‘Subaquatic Jungle’ hits the ocean floor, discovering an enigmatic world alive with a fauna of percussion and distortions that slope through dense, bassy undercurrents.

For anyone looking to impart a kaleidoscope of blissful feelings onto dancefloors, ‘Euphoria Simulator’ sits patiently ready to heighten the senses.

𝐇𝐔𝐑𝐅𝐂𝐋𝐔𝐒𝐈𝐕𝐄 ➟ Guy Contact - Euphoria Simulator

Nora Van Elken - Celestial.mp3

Forest Of Lies EP

Dream Vision

Unity

Alone

Resolve

Voices From The Dawn

Miracle Of The Rose EP

Noise (feat. Lelah)

Remind - Lucas Quiroga

Dürk Vallon-Bounce Frequency (jE jE Music Recordings)

Extended Mix exclusively available on Beatport: https://www.beatport.com/release/what-time-is-love-live-at-ssl-mix/1808437

Lifelike and Kris Menace return with another trip into acid house history. This time they rework The KLF’s classic tune What Time Is Love, resulting in an overwhelmingly cool dance record, incorporating the chants, vocals and sirens, as well as the dark synth chords. It’s acid house taken from the vault, and electrocuted back to screaming life with nowadays sounds.
Instant classic again!

Follow Lifelike:
https://www.facebook.com/LifelikeOffi...
https://twitter.com/LIFELIKE__
https://soundcloud.com/lifelike

Follow Kris Menace:
https://www.facebook.com/krismenace
https://www.instagram.com/kris_menace
https://twitter.com/krismenace
https://soundcloud.com/krismenace


What Time Is Love (Live at SSL mix)

Download

Lifelike & Kris Menace - What Time Is Love (Live At SSL Mix)[Out now]

Filth on Acid is excited to welcome Cari Golden for a new collaboration with label honcho Reinier Zonneveld. "Bending The End" is the second track they recorded together and the follow up of the enormous hit "Things We Might Have Said", which was one of the biggest electronic hits of 2016.

That being said, Cari and Reinier wanted to bring something new to the table and started with a white canvas when composing "Bending The End", and because of that they ended up taking a totally different direction. This time the track comes in two variations, the melody centred original mix and a dancefloor orientated 4AM mix. 

The original mix starts out with a throbbing, deep Moog bassline, and a round, deep bassdrum, while at the same time blending soft, haunting effects and a fragmented, distorted melody. Cari Golden's voice, deep and beautiful, comes in and sets the mood for a hypnotic slow burner. The bassline initiates a subtle chord progression and delicate production skills elevate the mood of the track. Powerful but stripped back drum programming along with short bursts of white noise bring impact for the dancefloor. A long breakdown starts the orchestra by three of the big classic synths - Oberheim, Moog and Juno - and pave the road for unimpeachable ear candy with Cari's angel like voice as the centerpoint of the attention. All the elements come together and form an indisputable peak; without building up too obvious. In the vein of bending the end to the beginning again, the track's outro ends as it started: deep and delicate. The second version in the package - 4AM Mix - has a definite peaktime feel to it. Powerful driving drums and a heavy bed of sub bass kick lead the way to the introduction of looped elements of Cari's voice. Colossal, bassy stabs hint to original in a disrobed way. Long synth notes lying somewhere between bass and melody introduce the harmonies of the original during the breakdowns and translate it to demanding dancefloors in a profound way.

Early feedback (in random order)
Monika Kruse: does reiner ever sleep? nice track again! 
Victor Ruiz: Reinier is on fire!!!!!!! 
Karotte: original and 4AM mix are great. love it.
Gabriel Ananda: Nice one! I am not exactly an vocal fan, but its really well made and a nice track. thanks
Sasha Carassi: good stuff!
Umek: top work 
Oliver Koletzki: 4AM mix is amazing!!
Coyu: 4AM mix sounds good
Noir: Nice tracks guys ;)
Chus & Ceballos: Beautiful vocal, great production! thanks 
Franky Rizardo: Supporting

Get it here

PREMIERE: Reinier Zonneveld & Cari Golden - Bending The End (Original Mix)

Planeta EP

Sand in Your Shoes

All I Need to Get High

All I Need to Get High (Ae:ther Dreaming Dub Remix)

booking requests & enquiries:
world: bw@t-s-agency.com
north america & mexico: andrew@liaisonartists.com
mgmt: bella@triplethreatmgmt.com

Elektronische Musik
#Techno #Breakbeats #Rave #Warehouse #Minimal #Industrial #Acid #House #Schranz

Noise (feat. Lelah)

Denis Horvat

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