How Do I Let Go

How Do I Let Go (Dj Kone & Marc Palacios Remix) [feat. K.T. Brooks]

House Legends

How Do I Let Go (Charles Webster's Club Mix 1) [feat. K.T. Brooks]

How Do I Let Go (Remixes)

How Do I Let Go (Rafael Yapudjian Radio Edit) [feat. K.T. Brooks]

How Do I Let Go (Doug Gomez Merecumbe Soul Remix) [feat. K.T. Brooks]

The World As I See It

How Do I Let Go (feat. K.T. Brooks)

How Do I Let Go (Philip Z Remix) [feat. K.T. Brooks]

Instagram : https://www.instagram.com/matteodiop
Soundcloud : https://soundcloud.com/matteo-diop

Originally from Brittany, Matteo was surrounded by music throughout his childhood. Brought up on vinyl by his father, he has built up a musical education in house, techno, funk, hip hop and more. His singularity resides in his ability to play a wide range of musical nuances with precision.

COOKIE #012 by Mattéo Diop

I'm pleased to share with you part of my father's mix recorded at a party in June 2004. I listened to it for the first time last week and now I understand why I have his influences and inspirations.

A 100% vinyl set, clearly marked by a Black American imprint with some Moodymann, Osunlade, DJ Spinna, DJ Jazzy Jeff, Mike Grant, Karizma .... 

Half of these tracks are over 20 years old, and they haven't aged a day. This is not a random selection, but one that tells a story 

I'm proud of the musical education you've given me and continue to pass on.

Dad, you are my greatest inspiration

Daddy DJ Momo @ Recorded in 2004

Welcome to my Universe.WAV

Buschtaxi

Dreams

Dreams (Radio Edit)

Jaden Thompson joins MAW Records with potent tribal energy on rework of Mafikizolo's 'Loot.'

Read more: https://whenwedip.com/2025/05/premiere-jaden-thompson-maw-records/

Follow: @jaden_thompson / @masters-at-work-official 

Connect: When We Dip on Spotify - open.spotify.com/user/whenwedip

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Premiere: Mafikizolo - Loot (Jaden Thompson Remix) [MAW Records]

Rapidly rising Moroccan DJ and producer Cee ElAssaad blends house, Afrobeat, jazz and soul into rich, genre-defying soundscapes. With releases on iconic labels and his own imprint ENSOULED, his sets channel deep emotion, global rhythms, and fearless creative freedom.

THE.BROOVES W/ CEE ELASSAAD - 9 MAY 25

The energy and freedom of the night...
The song "Locomia," by the group Locomia, is a vibrant celebration of the freedom and energy of Ibiza nightlife. The repetition of words like "Disco, Ibiza, Loco Mía" and the emphasis on themes like fashion, sun, sea, and sex show that the song seeks to convey the island's relaxed and festive atmosphere. The group, which began as a collective of fashion designers, brings to its lyrics and rhythm the idea of transforming the dance floor into a space for free expression, where everyone can let loose and have fun without judgment. The constant reference to the "abanicos" (fans), the group's visual symbol, reinforces this unique identity, uniting fashion and music in a striking way.
Locomia's historical context, marked by diverse cultural influences and an extravagant look, is evident in the lyrics' blend of Spanish and English, expanding the message's reach. Lines like "Loco Mía keeps your body movin'" and "Ain't nothing to it, let your body do it" reinforce the idea that dancing is an act of freedom and self-affirmation. By repeating terms like "sex" and "crazy," the song suggests an atmosphere of hedonism and permissiveness typical of Ibiza in the 1980s, while always maintaining a light and festive tone. Thus, "Locomia" establishes itself as an anthem to fun, fashion, and the celebration of individuality—elements that made the group a pop icon of its time.
So...
Enjoy this Remix

Free Download

Locomia - Locomia (Mr. Argenis Remix)

//// IN YOUR SYSTEM VOL 9 ////

Subscribe to my On Repeat playlist:
https://open.spotify.com/playlist/3fTN5qflf1D5XIQ6ZmZ6OC?si=y7qolrrPQtCg5GLiGxMlhQ

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01. Come Into My Loud Places - Digitalism Edit
02. Fango - Admire
03. CHMMR - Lyd & Bilde
04. Dusky - Boris Borrison's Trip To Morrisons
05. Oxford - You & Me
06. Joseph Ashworth - Heavy (Alternative Mix) 
07. Oni Ayhun - OAR003-B
08. Tech Support - Friends
09. Akseöl Friberg - To Be There With You feat. Kicki Halmos (Disco Mix)
10. Alan Dixon - La Landza
11. Ilija Rudman - What Am I Gonna Do 8Dub Mix)
12. Cubicolor - No Dancers (Adam Port Remix)

In Your System Vol. 9

4 WEEKS #1 in TRAXSOURCE SOULFUL CHART
4 WEEKS #2 in TRAXSOURCE GLOBAL TRACKS CHART
4 WEEKS #2 in TRAXSOURCE GLOBAL SINGLES CHART


Timmy Regisford has released two great albums on Tribe Records, 'At The Club' in 2011 and 'Covers', in October last year. We're delighted by those, but too many months have passed since we last released a single by Mr Regisford.

It's time to rectify this, and Timmy Regisford Remixed will do that. Claude Monnet kicks off a double whammy of Regisford remixes by taking the classic 'At The Club' in a fresh new direction.

- what was it that drew him to want to remix 'At The Club'?

'Without any doubt it was the vocal,' says Monnet. 'The first time I heard it, I loved the vocal and the lyrics. It reminded me of the early 1990's NY vocal house tracks. I chose a more deep and dark direction but the result is quite sexy anyway. "Cheek to cheek, sex to sex!" That's the hook, isn't it?



Timmy Regisford - At the Club - Claude Monnet remixes

Right place, right time. It's an old cliché, but it's one that's been the definition of Dennis Ferrer's musical career. Just as the dance music world was heading into the world of afro-centric house, Ferrer was there. And then, when it began to embrace the mix of tech and soul, Ferrer was there again, leading the way with his impeccable productions. As Ferrer goes, it seems, so does electronic music. And, as someone who's never content to do the same thing twice, it's clear that he'll be staying on top for years to come.

Ferrer burst back into the consciousness of most dance music heads with the release of "Sandcastles," (Ibadan) his collaboration with Jerome Sydenham in 2003. But, to his credit, Ferrer didn't simply repeat the formula afterwards. He has continued to push a variety of genres all at once. It's clear that Ferrer isn't content to rest on his laurels: he's too busy dreaming up new ways to shock and delight audiences.

In the mid-90’s, Ferrer was crafting techno records as Morph and then had success in the Afro and gospel house scenes with releases via his Sfere label, an imprint he began alongside Kerri Chandler. But it's this past work that gives his new productions such resonance: unlike many of this house peers, Ferrer's techno experience has given him an edge that you can hear in his recent work.

"Son of Raw," (Ibadan) "Church Lady," (Defected) "Underground Is My Home," (King Street Sounds), "Touched the Sky" (King Street Sounds), “Transitions” (King Street Sounds), “P 2 Da J” (Defected),  “Sinfonia Della Notte” (Strictly Rhythm), “Hey Hey” (Objektivity), “Red Room” (Objektivity), “Underground” Nick Curly – Dennis Ferrer Remix (Defected), to name a few, have all been huge dance floor anthems and all show a different side of the Ferrer personality as well as his impressive range as producer and remixer.

Ferrer has brought his ‘anything goes’ approach to his label, Objektivity.  Celebrating its 8th anniversary in 2014, the imprint has thus far focused itself on vocals, featuring often unlikely turns from indie heroes like Ane Brun and Télépopmusik. Low slung and deep, Objektivity is a cutting-edge label in touch with its time, putting a uniquely American spin on the deep house revival that is currently making waves in Europe. Objektivity is a living, breathing thing - one that's set to drop bombs on the dance floor for years to come.

While Ferrer closes out 2013 with “Mind Ur Step” (Defected), “Mind Ur Dub” (Objektivity) and a remix of Coyu - “Salvation” (Noir Music), the best is yet to come. With a deep knowledge of the past and a constant push for the future, Ferrer remains one of the true greats of house music - a leader and innovator whose enjoying the buzz around him but keeping on pushing the limits. Stay tuned.

How Do I Let Go (Charles Webster's Club Mix 1) [feat. K.T. Brooks]

Dennis Ferrer

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