Ah -yeah - monkey house ✨🤸🏻‍♂️✨

Brother this is absolutely good shit 😮‍💨🔥

Words don’t do it justice 😮‍💨🔥

From the album "The World As I See It"
2006

Dennis Ferrer - How Do I Let Go - King Street / Defected (2006)

Hot on the heels of his debut release on Defected 'It Is What It Is', Brazilian powerhouse DJ and producer Vintage Culture steps up to remix one of the label's biggest releases of late, Louie Vega and The Martinez Brothers' 'Let It Go' with Marc E. Bassy. The original record, a homage to NYC's rich Latin American dance culture, was as slick, soulful and groove-filled as expected from two generations of the city's finest, making its way onto the Radio 1 playlist and inspiring remixes from Honey Dijon and Dom Dolla already. True to form Vintage Culture's mix is flawlessly executed, as bold keys, stirring builds and an addictive bassline make this a record begging to be heard on the dancefloor.

‘Let It Go’ (Extended Mix)

Louie Vega & The Martinez Brothers with Marc E. Bassy ‘Let It Go’ (Extended Mix)

Jon Cutler Feat. E - Man - Its Yours

Real Love

Buy on Traxsource

Mark Funk, Danny Cruz - Real Love (Original Mix)

Stimming, Ben Watt & Julia Biel - Bright Star (_noctad NOON Edit)

No Politics

My Joy

discogs

Steve "Silk" Hurley & The Voices Of Life - The Word Is Love (Mousse T's Kinda Deep Mix)

Just Sing

Just Sing (The MuthaFunkaz Remix)

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Distant People - Just Sing (The MuthaFunkaz Remix)

Defected are proud to release a collaboration from two members of NYC house music royalty, after its initial outing on The Martinez Brothers’ imprint Cuttin’ Headz. Drawing inspiration from the city’s rich Latin American dance music scene, and a firm nod to the trio’s Puerto Rican roots, The Martinez Brothers and Louie Vega’s collaboration ‘Let It Go’ is as slick, soulful and groove-filled as expected.The nonchalant yet hypnotic vocal of San Francisco-born singer-songwriter Marc E. Bassy narrates, delivering a catchy hook that underpins the track, with a driving, addictive bassline and Latin-infused instrumental breaks that give the record its undeniable dancefloor appeal. This new package on Defected also features the TMBLV Dub, a gloriously stripped-back addition to the release, allowing the exquisite production to take centre stage. This exceptional release is as innovative and creative as the producers who made it, as two generations of NYC’s vibrant scene join forces to celebrate the sound of a city steeped in house history.

Louie Vega & The Martinez Brothers with Marc E. Bassy - Let It Go

When Mike Dunn released his Classic Music Company debut ‘My House From All Angles’ last year, the album was met with critical acclaim, The Guardian writing: “God may have made him funky, but Mike Dunn has kept it going ever since.” Now, two stand out cuts from the LP are given the remix treatment, enlisting some of the label’s closest cohorts to re-work these two irresistible hip-house jams. Up first, Peppermint Jam boss Mousse T. opens the release, weaving in his signature bouncy melodies and funk-flavoured grooves into ‘If I Can’t Get Down’. Up next, Classic label-mate and house expert Oliver Dollar brings in a raw, edgier sound on his Boomty Mix of ‘DJ Beat That Shhh’, with an aptly bumping bassline. Classic label boss Luke Solomon provides his Clubland Remix of ‘If I Can’t Get Down’ next, enlisting funky guitar riffs and energetic percussion. Finally, Livin’ Proof and Barbershop Records founder Snips takes a stripped back approach to the same record, highlighting Mike’s unmistakable Windy City drawl with jazzier elements to give the mix a vintage feel. Uniting the worlds of rap and house, this remix package is a joyous celebration of what he does best, with this remix package securing its position as a house essential.

Pre-Order

Mike Dunn - If I Can't Get Down (Mousse T.'s Funky Shizzle Mix)

The Pap

The Pap (Ralf GUM Main Mix) [feat. Monique Bingham]

Right place, right time. It's an old cliché, but it's one that's been the definition of Dennis Ferrer's musical career. Just as the dance music world was heading into the world of afro-centric house, Ferrer was there. And then, when it began to embrace the mix of tech and soul, Ferrer was there again, leading the way with his impeccable productions. As Ferrer goes, it seems, so does electronic music. And, as someone who's never content to do the same thing twice, it's clear that he'll be staying on top for years to come.

Ferrer burst back into the consciousness of most dance music heads with the release of "Sandcastles," (Ibadan) his collaboration with Jerome Sydenham in 2003. But, to his credit, Ferrer didn't simply repeat the formula afterwards. He has continued to push a variety of genres all at once. It's clear that Ferrer isn't content to rest on his laurels: he's too busy dreaming up new ways to shock and delight audiences.

In the mid-90’s, Ferrer was crafting techno records as Morph and then had success in the Afro and gospel house scenes with releases via his Sfere label, an imprint he began alongside Kerri Chandler. But it's this past work that gives his new productions such resonance: unlike many of this house peers, Ferrer's techno experience has given him an edge that you can hear in his recent work.

"Son of Raw," (Ibadan) "Church Lady," (Defected) "Underground Is My Home," (King Street Sounds), "Touched the Sky" (King Street Sounds), “Transitions” (King Street Sounds), “P 2 Da J” (Defected),  “Sinfonia Della Notte” (Strictly Rhythm), “Hey Hey” (Objektivity), “Red Room” (Objektivity), “Underground” Nick Curly – Dennis Ferrer Remix (Defected), to name a few, have all been huge dance floor anthems and all show a different side of the Ferrer personality as well as his impressive range as producer and remixer.

Ferrer has brought his ‘anything goes’ approach to his label, Objektivity.  Celebrating its 8th anniversary in 2014, the imprint has thus far focused itself on vocals, featuring often unlikely turns from indie heroes like Ane Brun and Télépopmusik. Low slung and deep, Objektivity is a cutting-edge label in touch with its time, putting a uniquely American spin on the deep house revival that is currently making waves in Europe. Objektivity is a living, breathing thing - one that's set to drop bombs on the dance floor for years to come.

While Ferrer closes out 2013 with “Mind Ur Step” (Defected), “Mind Ur Dub” (Objektivity) and a remix of Coyu - “Salvation” (Noir Music), the best is yet to come. With a deep knowledge of the past and a constant push for the future, Ferrer remains one of the true greats of house music - a leader and innovator whose enjoying the buzz around him but keeping on pushing the limits. Stay tuned.

Dennis Ferrer - How Do I Let Go - King Street / Defected (2006)

Dennis Ferrer

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