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Underground Is My Home

Underground Is My Home (Marco Anzalone Remix) [feat. Tyrone Ellis]

4 heavy hitter remixes for the Double Man release by Frits Wentink! 
KiNK, Ludwig A.F., Jovonn and Malin Genie all bring their own vision of house music to the table.

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Double Man Remixes

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Frits Wentink - Double Man Remixes - Royal049.1

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Farouki - Thurr

From the Far Future, Pt. 3

Unconditional Love

Emiliano Leonel - Sex [M4U066]

2 Missed Calls

Break it

Tequila´s Shot

Joe Bradley - better known as Latmun, has somewhat arisen to the very top echelon of contemporary UK house music production. Following the huge releases of ‘Whos That’ on the VIVa Warriors Season 4 compilation mix and ‘Def EP’ on VIVa LIMITED, we are thrilled to welcome back Latmun with another EP worthy of again becoming a staple in everyone’s music collections and DJ sets.

First announcing himself as a resident at Nottinghams clubbing institution, Stealth, Latmun’s career has quickly progressed following the release of ‘Def’ in 2016. Reaching upwards of 150k listens on Soundcloud this expertly produced EP defined Latmun’s sound, who is now known for producing some of the best grooves in UK house and techno.

Bradley’s latest success has come from Green Velvet’s Relief label where ‘Everybodys Dancing’ and ‘That’s Good’ were released with the EP reaching number 1 overall on Beatport. Prior to this he was a part of the respected 2016 remix package of Velvet’s classic ‘Flash’. Leftwing & Kody’s Lost label has also accommodated a number of Latmun’s releases, notably ‘Cosmic’ which made it to no’ 5 in the charts. Another recent output came as a remix on Emerald City of The Golden Boy’s “Egyptian Lover”, which continued the consistency achieving a number 2 overall.

Support has come far-and-wide for this talented young producer and DJ and he can be found in Ibiza this summer playing for Jamie Jone’s Paradise parties at DC10, along with a number of dates for the Cuckooland Pool Parties at Ibiza Rocks curated by Do Not Sleep. The future is bright for Latmun, and this Tech House EP could easily reach the same heights as ‘Def’ did last year.

Irritated Susan

Download

Latmun - Irritated Susan [VIVa] OUT NOW

Early support by D'julz, Steaw, Michael James, Janeret, Jack Wickham, TIJN...

A1. Rich NxT - Come Alive
A2. Lee Burton - Cultam Ferry
B1. Tuccillo - Lemon Jacket
B2. Josh Baker & Ryan Murray - Down The Break

BUY:
DEEJAY: goo.gl/Mtmhqk
DECKS: goo.gl/UDzrqG
JUNO: goo.gl/p3XFoM

Rich NxT - Come Alive [SNIPPET]

The Winter Music Conference (WMC) is the gateway to the international electronic music scene. As one of the world's biggest festivals and USA's leading electronic music conference, it's a true dance lovers' Mecca. WMC returns to Miami in March 2019 and Daylight Robbery Records couldn't miss it. Miami Sampler 2019 is DRR's take on the house sound of Miami, featuring the beats, basslines and breakdowns you can expect to hear sound tracking this year's WMC festival. Maimi Sampler 2019 features tracks from Prune Flat, Michael Quadelli, James Saunders, Thin King and Rich Hila.

Traxsource: http://bit.ly/DRR081
http://bit.ly/DRR081Spotify

Daylight Robbery Records
Facebook: http://bit.ly/DRRFacebook
Traxsource: http://bit.ly/DRRTraxsource
Beatport: http://bit.ly/DRRBeatport
SoundCloud: http://bit.ly/DRRSoundCloud
Instagram: http://bit.ly/DRRInstagram
Twitter: http://bit.ly/DRRTwitter
YouTube: http://bit.ly/DRRYouTube

Traxsource

Prune Flat - Work Son (Original Mix) [DRR081]

For 15 years I’ve been releasing two track EPs with a crazy A-side and a much deeper or weirder B-side. Showing a range of sound has always been very important to me. My friend, Wyatt Marshall, collaborated with me on the B-side and also gets credit for turning me on to modular synthesis which is used considerably on both tracks. 

-Claude

Claude VonStroke - All My People In The House [DIRTYBIRD]

https://www.beatport.com/release/bad-boy-sound/2879312

WHO219
1. House Party	
2. Jazz V Garage	
3. Bad Boy Sound

[WHO219] Ben Murphy - Bad Boy Sound

Coming as the anticipated follow up to ‘Pump It Up’, Endor returns to Defected with his latest offering ‘Fur’. With accolades that include playlisting on Radio 1, Kiss and Capital FM, reaching #8 in the UK Singles chart and #1 on the USA Billboard Dance chart, and amassing over 218M streams, ‘Fur’ now sees Endor return to his club roots with a bumpy, driving dose of house. Already garnering support from tastemakers like Michael Bibi, this dynamic cut combines an addictive bassline, a slick spoken-word narration and a surprising sample from Beethoven’s Symphony No.25 (commonly known as ‘Für Elise’) for a production that keeps you guessing. Refusing to be pigeonholed by his commercial success, this release shows Endor’s commitment to his underground roots, with a record destined to excite dancefloors far and wide.

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Endor 'Fur'

Right place, right time. It's an old cliché, but it's one that's been the definition of Dennis Ferrer's musical career. Just as the dance music world was heading into the world of afro-centric house, Ferrer was there. And then, when it began to embrace the mix of tech and soul, Ferrer was there again, leading the way with his impeccable productions. As Ferrer goes, it seems, so does electronic music. And, as someone who's never content to do the same thing twice, it's clear that he'll be staying on top for years to come.

Ferrer burst back into the consciousness of most dance music heads with the release of "Sandcastles," (Ibadan) his collaboration with Jerome Sydenham in 2003. But, to his credit, Ferrer didn't simply repeat the formula afterwards. He has continued to push a variety of genres all at once. It's clear that Ferrer isn't content to rest on his laurels: he's too busy dreaming up new ways to shock and delight audiences.

In the mid-90’s, Ferrer was crafting techno records as Morph and then had success in the Afro and gospel house scenes with releases via his Sfere label, an imprint he began alongside Kerri Chandler. But it's this past work that gives his new productions such resonance: unlike many of this house peers, Ferrer's techno experience has given him an edge that you can hear in his recent work.

"Son of Raw," (Ibadan) "Church Lady," (Defected) "Underground Is My Home," (King Street Sounds), "Touched the Sky" (King Street Sounds), “Transitions” (King Street Sounds), “P 2 Da J” (Defected),  “Sinfonia Della Notte” (Strictly Rhythm), “Hey Hey” (Objektivity), “Red Room” (Objektivity), “Underground” Nick Curly – Dennis Ferrer Remix (Defected), to name a few, have all been huge dance floor anthems and all show a different side of the Ferrer personality as well as his impressive range as producer and remixer.

Ferrer has brought his ‘anything goes’ approach to his label, Objektivity.  Celebrating its 8th anniversary in 2014, the imprint has thus far focused itself on vocals, featuring often unlikely turns from indie heroes like Ane Brun and Télépopmusik. Low slung and deep, Objektivity is a cutting-edge label in touch with its time, putting a uniquely American spin on the deep house revival that is currently making waves in Europe. Objektivity is a living, breathing thing - one that's set to drop bombs on the dance floor for years to come.

While Ferrer closes out 2013 with “Mind Ur Step” (Defected), “Mind Ur Dub” (Objektivity) and a remix of Coyu - “Salvation” (Noir Music), the best is yet to come. With a deep knowledge of the past and a constant push for the future, Ferrer remains one of the true greats of house music - a leader and innovator whose enjoying the buzz around him but keeping on pushing the limits. Stay tuned.

Underground Is My Home (Marco Anzalone Remix) [feat. Tyrone Ellis]

Dennis Ferrer

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