Good Classical I Found

Deep Blue Ocean for two pianos
Duration: 12'
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&products_id=938
Online Perusal Score: https://issuu.com/robertpaterson/docs/deep_blue_ocean_-_fs-bound
For More Information: https://robertpaterson.com/deep-blue-ocean

PROGRAM NOTES
Although Deep Blue Ocean is not meant to be overtly programmatic, I thought it would be wonderful to explore the oceanic depths, so during a trip to the Gulf of Mexico I became a certified scuba diver. I was truly inspired, whether by the large rolling waves on the open sea, the delicate back and forth of beds of seaweed, the vibrant colors of fish clustering around cities of coral, or the beams of sunlight that cascade over the ocean’s surface.

I was also inspired by my four year old son Dylan: his name means ocean or god of the seas in Welsh; he is an Aquarius, which means the water bearer; he is an excellent swimmer, and he loves listening to a movement of one of my choral works entitled Infinite Oceans.

While writing this piece, I could not have known that the worst oil spill in U.S. history would occur just north of where I visited. The darker moments in this work are the result of this tragedy. It is in three connected movements: The Darkness Below, Sunbeams and Waterfalls, and Accents and Waves.

Deep Blue Ocean is written for Steven Gosling and Blair McMillen of the American Modern Ensemble and is dedicated to my son Dylan.

Powerhouse Pianists II

Deep Blue Ocean - III. Accents And Waves

Shooting Stars & Satellites

Memórias

Seq09 F    A dialogue between harpsichord and piano (Canon)

Finding Peace

Darkness Cover That All

Hi, Please read my bio! New piece I made - any comments, feedback want to discuss anything at all - collaboration etc always love to connect with new artists... Also

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Please Stay

Siga no Spotfy = https://open.spotify.com/intl-pt/track/3T8MbUO9Qg8J8nc10eFbMv?si=647cef7aadf24c5a

Raging Fire

Jay de chillone x 00'lil lamin cuz
tried to warn them 
PICK A CARD MIXTAPE

JAY DE CHILLONE X 00'LIL LAMIN CUZ - TRIED TO WARN THEM

This piece is especially for my listeners and followers who have been with me for many years ;)

Greetings All,
Today I will present a song that explores how we can become friends just by listening to the music of others.  When I first started creating this song I was thinking about exploring a waltz sound, a dancing waltz sound.  But as I always experience, every new song has a life of it's own. So this song became a For My Friends song.  If we listen to a new song from some one often enough we can learn more about them then we could by just listening to their words. That is what the universal language of music can accomplish for us. We can learn what they think, how they feel, what they love, who they love. So friends we can become.
Those who listen to my sounds have come to expect my characteristic use of a chorus.  The boys chorus in this song wanted to voice their hearts out so I let them.
A simple song but it says much about our friendship, a genuine friendship.
And now ... For My Friends



So can we hear the waltz in this song?  "da da da". The waltz is certainly in there somewhere. Create a waltz? Well maybe I will give it another go. To all my listeners, thanks for visiting and may God Bless ;)

For My Friends

To The Top

A very chill alternative rock track, in which I broke a lot of rules of Harmony I'm happy to say..

None

A Simple Change Of Mind

A Simple Change of Mind

Fine Finesse.

bug meet world

For SATB A Cappella Choir and Optional Projected Images
Duration: ca. 11'
Performed by Musica Sacra, Kent Tritle, conductor
Video: https://www.youtube.com/watch?v=7r5g_3kPjU4

To read more and see the graffiti images, visit this page: http://robertpaterson.com/graffiti-canons

Commissioned by Volti, Robert A. Geary, Artistic Director. The commissioning of this work by Volti was made possible by the support of the Ann Stookey Fund for New Music.

Publisher: Bill Holab Music

PROGRAM NOTES

Although I have based many choral works on settings of poems, I also enjoy setting unusual texts. In many ways. graffiti is ideal as a source of inspiration. It is unpretentious, extremely varied and can be found almost anywhere: under bridges, in alleyways, on the sides of vans, in subway stations, and even in bathroom stalls. It may be illegal or sanctioned, artistic, text based, aphoristic, philosophical or purely graphic. It can be humorous, innocent and childlike, or very serious and meant to provoke. Graffiti may be of our time or ancient. Certain cave paintings, for example, could be considered predecessors to modern graffiti. Through graffiti, gangs, tribes or individuals can hide behind anonymity; it is the voice of the voiceless.

In Graffiti Canons , I appropriate positive aphoristic sayings, sentences and phrases found in graffiti from various parts of the world. My goal is to create a musical tapestry that flows from one thought to the next and spans time and place, using canonic technique and chorale-like transitions.

Although I found many of the graffiti images online, others I use in this piece were obtained via a Graffiti Photo Contest that I posted online. Approximately eighty images were submitted, and viewers were allowed to vote for their favorites, which played a part in which images were chosen. A handful of the most inspirational photos were used for this piece. An optional slideshow containing these images may be shown during performances of this piece.

Graffiti Canons was commissioned by Volti, Robert Geary, Artistic Director. The commissioning of this work by Volti was made possible by the support of the Ann Stookey Fund for New Music (annstookeyfund.org).

– Robert Paterson

Graffiti Canons (For Choir)

Músico, Compositor e Produtor independente.
Sigam no Spotify 🤘

A therapeutic journey into a mix of jazz, classical, and a blend of types of electronica.  And a wry, gradual observation that promotion tends to only go as far as you push it.  At least I make my fellow musicians laugh a little.

Memórias

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