Kann mir nicht vorstellen, jemals Leute zu treffen die so eine Kunst hören.

insane beautiful bubble, bersarin for life 8-D

ach....bersarin quartett..einfach auch genial

Explore the vast expanse of the universe on Immensity, the last album from Ugasanie's side project Silent Universe.Immerse yourself in the soothing sounds of the cosmos, from the hum of distant stars to the eerie silence of deep space. Relax and let the music take you on a journey through the endless void. With its calming textures and ethereal soundscapes, this album is the perfect soundtrack for stargazing or contemplative moments. Sit back, relax, and let the music transport you to the far reaches of the galaxy.

Immensity

Bandcamp

The Mission

The Second Step

made for the naviar haiku challenge n. 567 https://www.naviarrecords.com/naviarhaiku567-above-my-head/

begging and walking (naviarhaiku567)

Available for free download as a Christmas goodie!
24 Bit hi-res download here: [http://zipurl.in/bVHlAb]
Plus an ambient mix of Bersarin Quartett's Thomas Bücker: [https://soundcloud.com/methoden-und-maschinen/mixtape-bersarin-quartett]!

from 'III' [CD|2xLP|DIGITAL]
Denovali Records · den246
available in November on all formats at [http://denovali.com/bersarinquartett]

Melancholia. Longing. It is difficult to speak about these moods or states of the mind without invoking stereotypes. In ancient medicine, melancholia was considered to be one of the four temperaments, matching the four humours. In fact, melancholia, meaning "black bile" in Ancient Greek, was thought to be caused by an excess of this very body substance. By contrast, in more modern interpretations, literates and Freudians relate many variations of longing to the one primordial longing, the desire to return to one's mother's womb. In this context, the womb is considered to be the place of absolute comfort and cosiness, of total bliss. Thus it should not be surprising that to many of us melancholia is a mood which we like to invoke and to maintain, we like to envelop ourselves in it like in a warm blanket. Our brain and our sensory systems appear to be made for perceiving and emotionally responding to music in a very immediate fashion. Consequently music is the obvious drug for all of us melancholia-addicts. However, there is a thin line between melancholia and sadness, and music which is meant to be melancholic too often crosses this line by far. Only very few artists succeed in avoiding this crossing, and in creating music which is melancholia in its most pure form. It is safe to say that BERSARIN QUARTETT - the electronic music project of Thomas Bücker - is one of them.

After his successfull selftitled debut in 2008 and the sophomore "II" in 2012 - album of the month in many magazines and in numerous "Best of the year" lists - Bücker returns with his third BERSARIN QUARTETT album "III", due for release 6.11.2015 on Denovali Records. Much like his two predecessors, III is a pure paradox. It is the creation of a perfectionist, an adamant control freak. Every element, be it a note, an ambience layer, a string arrangement, a field recording, a baseline, a vocal (Clara Hill on Track 11) or a beat, is meticulously modified and then assigned its place in Bücker's vast but still minimalistic arrangements. Thus, superficially Bücker's pieces seem to radiate a certain mechanical bleakness. However, there is a unique reduced warmth and liveliness emerging from these stainless compositions and transcending them. This transcendence is precisely the point where Bücker ironically looses control over his creations. In contrast to the first two BERSARIN QUARTETT albums, III offers a few darker shades and succeeds even further in narrowing down the arrangements to the absolute essentials without loosing the characteristic grandeur of Bücker's sound. Whereas BERSARIN QUARTETT's debut was merely a description of melancholia in its most pure form, III maybe even goes as far a defining what melancholia really is. It is the only emotion in the vast spectrum of human states of mind which one can bear forever. 

Bersarin Quartett - Die Nächte sind erfüllt von Maskenfesten

Taken from Markus Guentner's new album, Theia - now available on double vinyl and digital: http://asip.me/asipv004

There was chaos and violence, a collision of dark matter and heat. 
In the maelstrom, a legacy was created and a new moon born. 
She left something here forever.
But amongst infinite black depths,
Theia rages on. 

Depicting the legendary impact of the planet Theia, Pop Ambient pioneer Markus Guentner returns to vinyl, with a highly anticipated full-length LP.  

Markus Guentner - Magnetar (ASIPV004)

Map 165 is a collaboration between Martin A Smith and Tim Hooper exploring disorganised sound, atonality, beauty and evocation. Following on from 2014’s The Fatigue of Sunlight and Wine (Voxxov) and their collection of live recordings A Foreign Country, we are pleased to announce the release of their latest album Of Adam Sleeping in the Lap of God. 

An ambient work in four movements inspired by the north portico of Chartres cathedral Of Adam Sleeping in the Lap of God melts stone into music using a series of field recordings, synths and guitars. 

Of Heaven and earth: 
The formless becomes formed. A swirling coalescence of themes and sounds. Through repetition a pattern appears. Order is created. Across a slow shimmering, four notes call out bridging the void. 

The deepest midnight blue 
The sound from the lowest point of the lake 
The silence of the space above the Earth 
The beat of the heart 

Of the firmament: 
A blissful disorientation. Shimmering, confusing, a wrapping inwards of time and rhythm with multiple refraction of the same themes overlaid but still apparent. 

It is the clangour of bells reflected off stone walls in an old town 
It is the beat of wings over a lake 
It is the confusion of walking in to a dark interior out of the brilliant sunshine 
It is the clamour of foreign languages in the market place 

Of the Sun and the Moon: 
Reflective and contemplative, with a receding sadness. Watching the last sun of Summer set knowing that Winter will be coming. 

Wind between the fingers of trees 
Dust settling in corners until Spring 
Hands resting upon the table 
Valleys filled with fine rain 

Of Eden: 
Neither afraid of night or morning. Each day welcomed; each day passing as easily as water in a river. The security of knowing what you like and trusting your judgement. Equal with all, afraid of none. Night comes blissfully again. 

The comfort of time passing 
The first moment of sleep 
Closing the door once home 
A friend’s voice 

Written and recorded by Martin A. Smith and Tim Hooper 
Assembled and Produced by Martin A. Smith 
Choir at Chartres Cathedral recorded by Helen Smith 
Recorded at Flying Boat Studio, Cambridge, UK 
Sleeve artwork by Katie English 
This is Rural Colours 84

Map165 / Of Adam sleeping in the lap of God (Snippets)

Written and Produced by Kenneth Werner Werner.
Mastered by Emanuele Pertoldi.
Photography by Alexander Kopatz.
www.go70north.com
Faint012 // FaintCD012
Faint / 2019

Midnat - Landskab 5

This track is quoted from the album 'Fade In Time'.
Listening to all tracks of the album and purchasing are available on the link below.

https://elmrecords.bandcamp.com/album/gallery-six-fade-in-time

All tracks are written, mixed, mastered by Hidekazu Imashige 
Cover Photo by Hidekazu Imashige. 

Sleeve photography by Paul Dakota 

www.flickr.com/photos/pauldakota

Fade In Time

Buy Cassette

Benign

L I F E 🌎
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💿 Suggested track: https://youtu.be/HhZF7h9fO4g

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Snowzard - L I F E

A compilation from El Muelle Records, Spain. 

Todo comenzó con una reflexión que sobrevolaba por nuestro muelle, la sensación de que estamos viviendo tiempos áridos y agrios, donde el grito sin sentido se alza sobre las voces y el ambiente es de una aspereza que asfixia. 
A la conclusión que llegábamos era la urgencia de calidez humana, de sentir el abrazo y la cercanía del otro, sean allegados o no, amigos o desconocidos. 
De esta máxima surge “Slow sketch vol. 1: Reflections of the ambient community”, nuestro granito de arena para que los tiempos fríos acaben transformados en esa calidez humana y así, añadir una banda sonora quieta a esos momentos donde la humanidad acaba siendo nuestro traje de diario. 
“Slow sketch vol. 1: Reflections of the ambient community” presenta el trabajo de cuarenta artistas y proyectos que comparten nuestra reflexión sobre el mundo que nos rodea y recogen el testigo de nuestra propuesta para ofrecernos su calidez y sensibilidad a través de las máquinas. 

Fotografía: Pepo Galán 
Diseño: Javier Acedo 
Mastering: Südblock Studios

released December 24, 2019

all rights reserved

Slow sketch vol. 1: Reflections of the community ambient

Name Your Price

'Quayside / November' - Various Artists, Slow Sketch Vol.1 - [El Muelle Records, 2019]

From the album 'Reflections of Most Forgotten Love', out late June on Preservation.

Pre-orders shipped early: www.preservation.com.au

Bersarin Quartett - Die Nächte sind erfüllt von Maskenfesten

Denovali

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