Injazero guest mix by Sinemis on James Heather's Moving Sounds radio show on @sohoradio, featuring some amazing artists from Turkey, stunning music on the Injazero catalogue and more...

Tracklist:

1	KMRU - OT
2	İpek Görgün - Seneca
3	Siavash Amini & Saåad - Dragging the Harrow
4      Park Jiha - Pause
5	Sinemis - On the Line
6	Maxwell Sterling - Exuding Latex
7	Matt Emery - Anxiety Mist
8	Apparat - Hosea
9	Clark, Yair Elazar Glotman & Yamila - Shut You Down
10	Alper Maral & Mert Topel - Uranüs’te Bir Satürnlü
11	Ah! Kosmos - Out/Ro/In/Growth
12	Nainita Desai - Allowed to Leave
13	Simon Goff - Vale (Midori Hirano Rework)
14	Anenon - Verso
15	Pullahs - Sandalwood
16     Halls – Ark
17     Snowdrops – Comma (Variation 1)
18     Aaron Martin – Captive Witness (Smoke Inscription)
19	Büşra Kayıkçı - Interlude III
20	Coby Sey - To
21	Başar Ünder - Mazi
22	Hinako Omori - Bank of Inner Criticisms (Dylan Henner Remix)
23	Sky H1 - Blade
24	Heinali	- Anthem
25	Laila Sakini - Procession
26	Klein - Made for Ibadan
27	Penelope Trappes - Northern Light
28	Merve Salgar, Elif Canfeza Gündüz & Zeynep Ayşe Hatipoğlu - Maçka
29	Damla Bozkurt - Enough
30	Mabe Fratti - Aire
31	Resina - Unveiling
32	Robert Ames & Nala Sinephro - Tympanum
33	Berk İçli - Outro (Ps.64)

Moving Sounds

from 'An Excellent Spiritual Serviceman' [CD|LP|DIGITAL]
Denovali Records · den358
available on all formats at http://denovali.com/noiseensemble

After a creative break of more than 10 years the Contemporary Noise Ensemble returns with the brand new album called „An Excellent Spiritual Serviceman”. With the band’s line-up reduced and the sound of the brass section replaced with programmable synthesizers comes an entirely new sound of the band’s music. Leaning towards composition instead of improvisation the music is now less jazzy sounding - with electric bass being used instead of double bass and drums actually being the only strictly acoustical instrument. But then again you can hear a lot of other prerecorded instruments like marimba, vibraphone, Rhodes and upright pianos surrounded by arpeggiated synths and other programmable electronic instruments. The album takes you to a journey through jazz, space rock, funk and electronic music with a destination in a form of a rock song which is as well the title song of the album. The Contemporary Noise Ensemble still impresses with maturity and class.

An Excellent Spiritual Serviceman

All Systems On..!

Contemporary Noise Ensemble - All Systems On..!

from 'Sabi' [CD|LP|DIGITAL]
Denovali Records · den383
available on all formats at http://denovali.com/eraldobernocchi

Denovali is pleased to present the second cooperation album of the Italian composer, arranger, producer and guitarist ERALDO BERNOCCHI with the Berlin-based Japanese violinist, composer, electronic producer and TANGERINE DREAM member HOSHIKO YAMANE.

Eraldo Bernocchi and Hoshiko Yamane have come together again to create their second album - inspired by the Japanese concept of "Sabi". The record is a unique blend of electronic and acoustic music - with Bernocchi’s pulsating textures and Yamane's haunting treated violin melodies weaving together to create a captivating and emotional sonic landscape.

"Sabi" is a Japanese aesthetic that celebrates the beauty of impermanence and decay. It is often associated with the simplicity, austerity, and solitude found in nature, and is said to evoke a sense of melancholy, nostalgia, and reverence for the passage of time. Bernocchi and Yamane's "Sabi" explores these themes through a collection of minimalist compositions that combine electronic and acoustic instruments immersing the listener in a deeply cinematic experience.

The album takes the listener on a journey through a series of atmospheric tracks, sometimes melancholic pieces that evokes the sense of solitude and simplicity often associated with the concept, other times more energetic and uplifting, optimistic ones that celebrates the beauty of transience.

Throughout the record, Bernocchi's electronics work provides a powerful, quite physical, backdrop for Yamane's violin melodies and harmonies , which are at once mournful and hopeful. Together, they again created a sound that is both beautiful and haunting, evoking the sense of nostalgia and reverence that is at the heart of the "Sabi" aesthetic. "Sabi" is a unique and powerful work of art that explores the beauty of impermanence and the passage of time. With its blend of electronic and acoustic elements, it is a record that is both modern and timeless, and is sure to appeal to a wide range of fans of electronic, ambient and experimental music. The artwork again was created by the renowned designer Petulia Mattioli.

Sabi

Eraldo Bernocchi / Hoshiko Yamane - Our days

Title track from Leafcutter John's new album, Resurrection(Pathway009)

A panoramic sound world of drifting vocals over a densely-processed terrain of mud-caked percussion and guitar, Leafcutter John’s new solo album, Resurrection, is a characteristically unique blend of the electronic and the acoustic, the hi-tech, the human and the homemade.
Resurrection is the sixth Leafcutter John album and his first solo release since 2006’s The Forest and The Sea CD/LP(Staubgold). In the intervening nine years, John has toured from Vietnam to Venice, appeared live with Beck Hansen and Imogen Heap, and provided the score for Crow, a major theatre project by Handspring (creators of War Horse). 

During this time, John has also maintained his permanent role as the unpredictable, electronic antagonist in Polar Bear, the twice Mercury Music Prize-nominated, genre-defying jazz band.
This new record marks fifteen years of releases by Leafcutter John. Born John Burton in Wakefield (Yorkshire, England), his highly original musical voice was first spotted by Mike Paradinas, label boss of Planet Mu Records. Over the course of his first three albums (2000-2003), John established and developed his idiosyncratic London-based studio, and his skills as an inventor of unusual instruments and extraordinary music software.
Resurrection begins with the sound of a single bell, in homage to one of John’s major influences, Bernard Parmigiani’s De Natura Sonorum (1976). From there, the album unfolds over five cinematically varied tracks, “like floating above a world in constant flux,” in John’s own words. In fact, aerial photographs of the Japanese tsunami of 2011 were a direct inspiration for the record.
“I would create complete, fully-formed compositions,” says John, “then later, I’d come back to them, playing the part of
the destroyer, scraping and smearing away elements, weathering, piling up and re-ordering them, as if they’d been hit by a natural disaster.”
Not content with the usual tools available to the electronic musician, John has created innovative new systems and techniques for both live performance and production. This includes a light-controlled instrument that allows him manipulate his live sound through gesture, flickering candles, flashing torches and pyrotechnics. For the track “Gulps,” John coded special software to layer huge swathes of sound. Using a recursive system, he created 7.1 billion layers of a recording of the North Sea, one for each human alive on the planet at the time of writing.
Featuring a guest appearance by Shabaka Hutchings (Sons of Kemet), “Gulps” is a poignant demonstration of John’s
approach: Hutchings’ intimate clarinet is gradually engulfed by a (literal) ocean of sound. This is sculptural sound design
where technological innovation is always at the service of the emotional impact of the music: deeply human at its root, and
mind-expanding in its ambition.

Desire Path Recordings
www.desirepathrecordings.com | leafcutterjohn.com

Credits
Written and produced by Leafcutter John, with Varpu
Kronholm playing additional percussion on “I Know You
Can” and Shabaka Hutchings playing Clarinet on “Gulps.”
“Endless Wave” contains elements of “Forest Of Spades” by
Strings Of Consciousness, used with permission.
Mastered by James Plotkin
Photography by Max Baillie
Design by Chris Koelle, Leafcutter John, and Varpu Kronholm

Distributed by Revolver

Leafcutter John - Resurrection

QG live session

Longings

Opening track + track two from the ambient album 'This is soon too late'. 
FDL#05.

Support independent music?
www.federleicht.be

Herbstlaub - Tijd als beloven / Du nahmst ganz einfach meine Hand (FDL#05, 2016)

Site Specific

Point of Departure [Full Length]

Track from the never-released Die Nachtstunde album 'You collect me' (2016).

Die Nachtstunde - (you collect me)

The first track off of the 2018 tour cassette "On Falling". 
Edition of 50 w/ hand letterpressed covers.

Out of print (but repressing *could* be possible)

(on falling) debris

from the album 'connected' available oct22.

Eraldo Bernocchi / Hoshiko Yamane - Our days

Denovali

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