The new album 'Spaces' out now on CD/2xLP/Digital via Erased Tapes.

EU order link: http://www.erasedtapes.com/store/index/ERATP055
US order link: http://www.midheaven.com/item/spaces-by-frahm-nils-cd

9/10 Drowned In Sound · 9/10 Clash · 4.5/5 Fact · 4.5/5 Resident Advisor · 9/10 Popmatters · 9/10 The Line Of Best Fit · 8.5/10 Under The Radar · 8/10 Exclaim! ★★★★1/2 Music Omh · ★★★★ The Irish Times · ★★★★ Arts Desk

‘Frahm truly excels’ 9/10 Uncut 
‘Frahm works his magic’ ★★★★ Mojo
‘The infinite elasticity of sound’ 7.8 Pitchfork 
‘Improvisatory, wild, heartfelt’ Interview Magazine
‘A fantastic record’ The Guardian Album of the Week 
‘Frahm creates something mesmerising’ ★★★★ The Observer
‘My favourite new piece of music this year’ Mary Anne Hobbs, BBC 6 Music

erasedtapes.com · nilsfrahm.com

Spaces

Says

Buy 2xLP/CD/DL

Nils Frahm - Says

Remix by King Unique [http://www.kingunique.com · https://www.facebook.com/KingUnique]

Available for free download at [http://www.denovali.com/mp3store]

Original version of 'Thangen After Dothe' appeared on
'Flailing Tomb' [CD|LP|DIGITAL]
Denovali Records · den232
available on all formats at [http://denovali.com/petrels]


Petrels - Thangen After Dothe (King Unique Remix)

Taken from "Orbital Era" the new album by Akira Film Script . Pre orders start 9.05.2025 at Shimmering Moods Records: shimmeringmoodsrecords.bandcamp.com
LimitedCD , hand numbered, hand made sleeves. Edition of 35. 
Release date: 16.05.2025

Akira Film Script - Billirubin

South African Jason van Wyk is quickly becoming a favourite and prominent artist on these pages. You may even think I’m biased, because I asked Jason to rework one of my tracks. But this relationship is indeed in reverse – I only requested his participation because I admire his sound, and am indeed inspired by his music when I choose to work on my own. There’s something ethereal, delicate, and dreamlike in how his cinematic pads swirl in a cocktail spatial ambience and pulsating rhythm that takes over my heart and bewitches my soul. Stunning harmonic progressions show off true musicianship, while the layered textures keep me occupied with intelligent sound design. This is the culmination of elements that I highly respect in my music. This is why I keep listening to Jason’s music and try to share it with the world. This is why, I’m sure, Mike Cadoo continues to invite him on his label. We last heard from Jason nearly three years ago [time is always speeding up], when in October of 2022, he released Descendants, which inevitably landed on my Best of the Year list in the most coveted category, Music For The Film Behind Closed Eyelids. This is a sacred space, often occupied by the likes of Max Richter, Ólafur Arnalds, and, of course, Jóhann Jóhannsson. With his latest sixth full-length album, Inherent, Jason is back on n5MD, pushing his boundaries forward, featuring even more expansive soundscapes of warm ambiance, haunting piano melodies, and trance-inducing beats. Enjoy this exclusive track, and who knows, maybe Jason will show up on Headphone Community (wink, wink).

TRACK PREMIERE : Jason van Wyk - Remnants

For over two decades, the Osnabrück duo of Stephan Otten and Oliver Klemm has inhabited the sacred intersection of Krautrock's motorik pulse, ambient's expansive consciousness, and contemporary electronica's limitless possibility. Their approach to composition mirrors the architectural precision I've celebrated in my previous coverage on HC, where each element serves both structural and emotional purposes. In the liminal hours between consciousness and dream, Sankt Otten crafts sonic territories that feel both ancient and impossibly futuristic. "Die Gute Fee War Schon Da" (The Good Fairy Was Already There) emerges from their forthcoming album Tote Winkel like a meditation on synthetic breath. Long sighs and deep breathing from a machine that carries an undercurrent of foreboding beauty. This particular piece unfolds with the hypnotic inevitability of oncoming headlights—mesmerizing yet tinged with existential unease. Recorded predominantly live with Martin Schmeing spontaneously contributing DX7 textures, the track embodies Sankt Otten's evolution toward more organic creation methods. The fairy tale reference in the title suggests narrative completion. As their fourteenth album approaches on Denovali, Sankt Otten continues to prove that the most profound electronic music emerges not from technological innovation alone, but from the spaces where human vulnerability meets synthetic precision. Fans of synth-based explorations of future-retro sound will agree.

TRACK PREMIERE : Sankt Otten - Die Gute Fee War Schon Da

I don't think I will ever forget the first time I heard m.=addiction. I can also confirm that every time I played out that record, folks waltzed over to me to find out the name. Something mystical and enigmatic brought them over to music, making me feel like I was a snake charmer enchanting a cobra with the sounds of a pungi. The music of Dictaphone often evoked hazy spaces, full of jazzy smoke, lo-fi textures, and noir voices, occupying those distant corners of your memory where you felt glamorous comfort, charming enchantment, and warming delight. Since the 2002 debut, the Berlin-based duo of Oliver Doerell and Roger Döring released five more albums, all of which I think I have covered on Headphone Commute. And, in my humble opinion, their latest upcoming release is the closest to that special aura I felt nearly two decades ago. Unstable is Dictaphone's 6th full-length, where Doerel and Döring are also joined by Alexander Stoze (on violin) to mesmerise us with that special scent of future-retro nostalgia that seems to drift in the air like thick incense in a temple of soporific ghosts.

TRACK PREMIERE : Dictaphone - Desplendor


Roel Funcken & EXM – Flyphel

Two IDM icons, Roel Funcken and exm come together on Science Cult for an LP that is nothing short of alchemy. Flyphel feels like a living, breathing entity — an intricate fusion of sound that shifts between the mechanical and the organic. Each track unfolds like a story told in textures and tones, with Funcken’s razor-sharp precision meeting exm’s ethereal abstractions. You’re not just invited to listen, you’re pulled into its world, where every detail reveals something new on repeat visits.

This stunning release arrives as a 2 x 12″ LP encased in a beautifully printed outer jacket with matching inner sleeves featuring paintings by Roel Funcken, making this as much a visual statement as an auditory one. With their combined expertise in sound design and their shared commitment to pushing boundaries, Roel Funcken and exm have created something that feels both timeless and ahead of its time.


Lithe

https://shimmeringmoodsrecords.bandcamp.com/album/spaces-between-words

In a world where every word carries weight, UK based electronic producer Simon Vince (HERE) invites listeners into a sonorous exploration of the unnoticed silences and spaces. With his latest ambient album and second release on Shimmering Moods ; Spaces Between Words. HERE crafts eight beautifully fragile and melancholic electronica tracks that delve into the delicate nuances of love and loss. 
Each piece is a hauntingly wistful soundscape, woven from electro-acoustic ambience and drones to shimmering synths, delicate textures, and gentle pulses that evoke the bittersweet essence of separation. 

From the emotive echoing tones in “Spaces Between Words” to the nostalgic reverberations and drawn out chords of “I Find You In Whispers" this album invites you to embrace the unspoken and the unshared, allowing you to linger in the quiet spaces that define our connections.

releases July 21, 2025 

Music & Cover Design By Simon Vince (HERE) 
Mastering By James Woodsmith 

SoundCloud : @here_music 
Instagram : @here.music.official 

SHM 351 
Shimmering Moods Records 2025

HERE - Spaces Between Words

Shimmering Moods founder Paul mixes together 17 tracks from recent and upcoming releases into a stunning mix of light electronica and dark ambient, full of powerful moods and intriguing textures. 

Read More at www.acloserlisten.com

Shimmering Moods presents "Tales of the Field"

from 'Nomad Frequencies' [CD|2xLP|DIGITAL]
Denovali Records · den237
available on all formats at [http://denovali.com/johnlemke]

An ardent moulder of sound, John Lemke began carving out a very unique music blend on his debut album 'People Do' (2013) and its follow up EP 'Walizka' (2014). Informed by his work as a sound designer & composer for documentary films and his natural inclination towards fusing rhythm with rich textures and emotive melodies, he set out on a musical path that had been long in the making and is ever evolving.

The quest for unusual, inspiring sound sources has always been at the heart of John's process, however the genesis of his second album 'Nomad Frequencies' was rooted in much more inadvertent circumstances. In the summer of 2014, forced to indefinitely evacuate his Glasgow flat and studio due to structural damage from one hour to the next, with nothing more than a laptop and a bag of clothes, John embarked on a six month odyssey of soul searching, couch surfing and spending an extended period of time in his old hometown of Berlin for the first time in years - it was to be an odyssey that would help ferment and distill the ideas of his second album on which work had just begun. 

A year of particular global turmoil and upheaval, combined with John's personal, albeit very minor, 'displacement', caused a lot of questioning, frustration and anger, which somehow found its way onto the new material: a more confrontational, at times aggressive sound, paired on the other hand with a yearning for harmony, balance and space. Other influences came less from the world of music, but rather in visual form, through the densely textural art of Anselm Kiefer and the political, yet poetic musings of film maker Adam Curtis.

Intent on refining his sound toward a more minimal, bolder style, John set out to limit his sonic palate to a handful of carefully chosen elements. At the centre of this new direction remains the muted piano already introduced on his debut, but in a much more purified and raw form. This organic base is adorned by the warm fuzzing and wavering of analogue synthesisers, tape echoes, meditative tuning forks, field recordings from John's 'exile' period and percussion based on his rigid approach to sampling, which started developing on 'Walizka'. The guiding principle of his orthodox style of recording and sampling is to only use home-made sounds by utilising his own field recordings, applying contact microphones or hydrophones to objects and instruments, running them through different kinds of speakers and re-recording the sounds to arrive at a 'lived in' quality, often misunderstood as plainly 'lo-fi'. Touches of viola and woodwinds parts (Kim Moore of WOLF and Andrew Baker respectively) provide melody fragments and subtle details throughout the journey.

With John's healthy disregard for genre boundaries, the array of influences on 'Nomad Frequencies' is vast, but never over-powering. From the meditative tuning fork that starts proceedings on 'Of Elsewhere', the dub echoes to the hints of minimalism, free jazz explosions to the Lynchian atmospherics, all elements serve nothing more than the album's narrative journey between friction and harmony, best appreciated in its entirety. A rhythmic backbone collides with rich ambience and melody, often infectious and jarring at the same time, forging a soulful whole which most likely only reveals its true self after multiple spins.

Nomad Frequencies

John Lemke - Vessel

After decades of chasing, accumulating, and then sharing new music with you, I think I've hit some saturation point. I think I'm done spinning in the vortex of the "new", being pulled in all directions, catching up on all the "fresh" and "innovative" tracks. I'm not saying that I will stop covering new music. No. But I think I'll focus the virtual lens of my listening on a very narrow point, investing my time and attention over more extended periods. I think I will turn inwards... towards music and the artists that genuinely make me feel. This is the case with Rafael Anton Irisarri's A Fragile Geography, an album from 2015, which captured my attention then as it does now, triggering memories, triggering thoughts, and emotion. A decade ago, during a move between coasts, Rafael lost his possessions - stolen with the moving truck - along with all his audio archives, forcing him to rebuild his studio and sound from the ground up. The pain of this loss is reflected in almost every single track on the album. This music is slightly dark and melancholic. It's visceral, and it gets under your skin. And there it stays with you for ages. Becoming part of you, becoming part of your existence.

On September 19th, the album will be reissued, beautifully remastered by Stephan Mathieu at his Schwebung studio, along with a limited edition cassette of remixes by the most renowned artists, handpicked by Rafael. "This record has always been about letting go of one life and rebuilding another", says Irisarri, "It feels fitting to return to it now - ten years later, in a different country, a different world." These reworks are worthy of your precious awareness as well. I know that there are more than a few in the pipeline (at least six), which will be revealed one at a time. As of this writing, there is already a gorgeous rework by the one and only William Basinski, with his version of "Secretly Wishing For Rain" with Gary Thomas Wright, which incorporates field recordings of Reseda rain and birds captured by Basinski himself. You can check out a digital stream of that track here. *BUT!* Today, I am premiering for you a second rework by Abul Mogard! This piece bears not only the original elements of "Persistence" but, of course, Guido's extremely personal touch that breathes new life into this sound.

Head over to headphonecommute.com to read more about this release, including a quote from Abul Mogard on the rework.

TRACK PREMIERE : Rafael Anton Irisarri - Persistence (Abul Mogard rework)

Listen to an exclusive “Solo Piano Edit” of 'Them' by Nils Frahm, taken from his approaching Late Night Tales album. The original version appears on his score of the film 'Victoria'. 

"This is the main theme from my first feature film score and it soundtracks the part where they finally kiss in the club… I soloed this piano part in the track and listening to it on its own, I almost preferred it to the original version, so I was pleased that I had the chance to use this alternative version on my mix." - Nils Frahm

Follow Late Night Tales:

Web: http://latenighttales.co.uk
Facebook: http://www.facebook.com/latenighttales1
Twitter: http://twitter.com/LateNightTales
SoundCloud: http://soundcloud.com/latenighttales
YouTube: http://youtube.com/latenighttalestv
Instagram: http://instagram.com/latenighttalesofficial
Spotify: http://goo.gl/Q98T7d
Apple Music: https://music.apple.com/us/curator/late-night-tales/1233898093
Bandcamp: https://latenighttales.bandcamp.com/

Nils Frahm - Them [Solo Piano Edit] (Late Night Tales: Nils Frahm)

from 'Scandinavia' [CD|2xLP|DIGITAL]
Denovali Records · den245
available on all formats at [http://denovali.com/multicastdynamics]

Samuel van Dijk is an electronic music producer, sound designer and media artist from the Netherlands, having released electronic music under a variety of projects, namely, Mohlao and VC-118A. With his current project Multicast Dynamics he creates ever-evolving sound textures culminating in intriguing soundscapes while preserving a tranquil cinematic atmosphere. Drawing inspiration from nature, technology, film and fiction, his music productions, live sets and audiovisual work presents a carefully arranged, recorded and processed body of work, using a vast amount of layered sound textures, field recordings and live improvisation. In May 2015, Denovali Records released the first two albums of a four part series by Multicast Dynamics, conceptually linked by our undeniable connection with nature and its wide range of landscapes, colors and movement. Now the third album called SCANDINAVIA follows in October 2015??.  The album series moves from an evolutionary to a cosmological scale: Starting from dry land filled with light and streams, to the constantly changing surfaces of the oceans, into a frozen and murky underwater world, finally up to the arrival in an interstellar space and the cosmos. With this concept Multicast Dynamics explores organic and aqueous worlds in a dreamlike and spiritual appearance.

SCANDINAVIA is the third installment in the four part series. Assembled during the coldest season, it’s an album full of contemplative electronic recordings, created by the use of granular synthesis, obscure delay units and rudimentary looping techniques on magnetic tape. Recorded with a longsighted outlook, SCANDINAVIA features washes of subdued tones and textures as well as melancholic and warm sounding pulses of noise - all characterized by distinctive aquatic features. Steadily flowing, but slowly awakening the album draws frozen remote landscapes ranging from dark, cold and desolated to melting, warm and hope.
SCANDINAVIA opens with a bleak arctic environment in deep hibernation, where echoes of glacial bursts cut the silence. An undulating mass of viscous ambience sends out blurred out signals through the storm. In this inhospitable surrounding of frost and ice slow changes appear. The form of the landscapes alters and the cold air no longer hinders the breathing. Slowly meltwater seeps out underneath thick layers of ice, slowly building up in momentum and space. Layers of hypnotic atmospheres with barely perceptible undercurrents, brooding pulses of bass and tonal patterns lead to the core of the sonic landscape. Gently radiant layers of light and soil emerge and aquatic echoes expose new paths. The water is harnessed. Preparations for a long journey have begun.

Multicast Dynamics - Massa

Denovali

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