From the album, 'Public Flowers,' out now on Second Language Music  : http://www.secondlanguagemusic.com/


Robin Saville - In Konik Mokkin

www.thelineofbestfit.com/new-music/bl…miere-116899

"We fall harder for The Slow Revolt with every listen, you will too." The Line of Best Fit

"The Slow Revolt makes a good case with this debut single… confident, soulful vocals lead proceedings but his production is equally impressive, it straddles the line between electronic trickery and retro pop fetishism admirably." Boomkat

”..est une petite douceur créative et fraîche qui a tout pour séduire.” Pause Musicale

”..a warm and rich track, the kind that creeps under your skin without you realising it until you notice how many times you’ve just listened to it on repeat.” Disco Naivete

"Despite the complex synthetics there is a genuine heart to the glitchy elements, instilling soul amongst the intricacies of the production. It sounds both busy and surprisingly reflective." Music Broke My Bones

This Dark Matter

Buy the EP

Mothlight

Acoustic version / from "Hirondelle et Beretta"

Tara King th. - L'enquête (Acoustic)

Here's a fragment from the soundtrack to Lost in Time, a film by Patrick Bernatchez.

Lost In Time - Chapter 01

Christmas gift for my family. Never published. 
Music made in the Old Etonian Hotel, London. December 2015.

Tobe

DOWNLOAD & TRACKLIST: http://blrrm.tv/InStereoBingRuth


Bing & Ruth - Boiler Room In Stereo

Taken from 'Collected Pieces' by Mary Lattimore, out April 14, 2017.

Order Links:
The Ghostly Store: goo.gl/xXKSXW
Retailer of your choice: Ghostly.lnk.to/ml-collected-pieces

Collected Pieces

Mary Lattimore - The Warm Shoulder

from 'Non Places' [CD|LP|DIGITAL]
Denovali Records · den293 
available on all formats at [http://denovali.com/waelder]

Wælder are moving between ambient, industrial and pop. Their rhythms and soundscapes of voices, obscure samples and distorted field-recordings build spaces of barren material and soft ground, which teem and crawl - strange and harmonious. To present their music live, Wælder are mixing analogue and digital effects with guitar, synthesizers, vocals and loops. Rhythms and atmospheres blur, dissolve and re-assemble. Their live shows are often framed by visuals, generated in collaboration with various visual artists.

Founded 2013 in Vienna by Moritz Nahold and Jan Preißler, Wælder has since played numerous concerts, collaborated with various artists and composed music for theatre, film and installations. In addition to their EPs 'Firn' and '&' they released 'Anachronie' in 2015 on the label Kreismusik. Wælder’s second album 'Non Places' will be released on 26.01.2018 via Denovali Records.

Non Places was recorded and produced in different locations at different times in Vienna and Berlin. Wælder experimented independently with their tracks, later reassembling them over the internet. The eight pieces tell this process and at the same time create an independent perspective on the process of their creation. A church organ, detuned in manuals and registers, a vacuum cleaner embedded in the sound of a piano, and precisely programmed patterns of electronic devices are just a few of the elements found on the album. The name Non Places comes from the eponymous publication Non-Lieux (Eng. non-places) by the French anthropologist Marc Augé. By means of the happenings in the specific space of Vienna / Berlin and the exchange about the nonspecific space of the Internet, the countless server rooms crossed by shared audio data have been interpreted as monofunctional places, without relation and history. If music and the process of creation are two different places, then Non Places is the gap-bridging perspective. What happens and sounds is an experiment of space, body, form and purpose.

Non Places

Waelder - Loss

Murcof's debut album, "Martes". This is the original tracklist that was edited on the Mexican release by Static Discos on Frebruary 14th 2002.

Maiz

from 'Antigravity' [CD|LP|DIGITAL]
Denovali Records · den316
available on all formats at http://denovali.com/orsonhentschel

Orson Hentschel is a German composer and visual artist based in Berlin. He composes experimental electronic music, with influences ranging from classical minimalism to triphop and drone.

For his third studio album Orson Hentschel travels back to the past and into the future, combining both old and new sounds, merging analogue drum machines from the 60’s with modern synthesizer environments. Hentschel largely forgoes melodies in order to create space for drone alike and sustained tones within the lower bass frequencies as well as noisy electronics. Sometimes a beat is coming straight out of the box, like in „Steady State“ or „Ghost Echos“. Constant rhythms alternate with fragmented, overlapped or reversed ones, like on „Antigravity“ or „Walki Talki“.
For the rhythmical sound editing, Hentschel used the Watkins Copicat, an old tape echo, which was very popular back in the days and which amplifies the scratchy sounding characteristic of his rhythm machines. His overall vision is to create a futuristic vintage sound, which does not fit in any ordinary mould.

Since his latest album „Electric Stutter“ (2017), Hentschel’s musical exploration lasted almost two years and is closely linked with his real-world journey, moving from Düsseldorf to Berlin. After a musical lean period in Düsseldorf it was time to get new inspiration and to create a new working environment. Berlin turned out to be this new place to absorb positive energy and to regain a creative workflow. „Antigravity“ is the symbol for this creation period. It reflects his temporarily disconnected relation to music and his (old) environment.

Orson Hentschel - Ghost Echos

Denovali

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