who's this apparat??? bueno king! Love the versatility.

2nd Fateless Flows Favorites

from the album 'ghost poems' available 4/15

Ghost Poems

earthen sea 'rough air'

From the new album "A Fender Rhodes Solo" by Jozef Dumoulin, to be released on BEE JAZZ, February 27th, 2014.

Jozef Dumoulin: Fender Rhodes

More info: www.beejazz.com/blog/artiste/jozef-dumoulin/

Jozef Dumoulin is on Facebook: on.fb.me/1eSmFrN

Label Contact : BEEJAZZ
contact@beejazz.com

Jozef Dumoulin - "A Fender Rhodes Solo" - The Entry Point

Andrea Belfi - "Natura Morta" out november 7th on Miasmah.

Natura Morta, "dead nature" or "still life". This album can be understood as a powerful study of the minute details of the art of electro-acoustic composition, as much as the Renaissance "nature morte" were a masterful display of the artist’s skill in portraying the glow of a ripe fruit, or capturing the light beaming on a vacant chair.

Six tracks, to be listened to as two long explorations in the art of variation and repetition. Layers of drums and percussions intertwine with synth waves making the portrait come to life, detail after detail, until a complex figure emerges from the white canvas. The constant, unsteady sounds, wavering noise, swirling cymbals, and distant feedback gently pull the listener into the picture, letting them enjoy every detail of this beautifully staged compositions.

Recorded at EMS studio, Stockholm, ZKM in Karlsruhe and at the legendary Funkhaus in Berlin, this album mixes influences from both Italian minimalism and the electro-acoustic contemporary scene. Somewhere in between the electronics of Keith Fullerton Whitman, the percussive repetitions of Jon Mueller, and the atmospheric sensibility of Pan-American.

Andrea Belfi - Roteano

where do i begin?

https://www.facebook.com/morningsmusic
https://www.facebook.com/morningsmusic
https://www.facebook.com/morningsmusic

http://mornings.bandcamp.com/
http://mornings.bandcamp.com/
http://mornings.bandcamp.com/

Bandcamp

Unkind

~ IIKKI 026 ~

music : øjeRum 
artwork : Irene Zottola
album : Langt Fra Jorden ("Lejos De La Tierra" for the book)
duration : 36.39 mn 
date : December 26th 2024

----------------------------------------------------------------

Music by øjeRum 

Mastered by Taylor Deupree 
Artwork by Irene Zottola
Design by Sprflxgrfzm

----------------------------------------------------------------

edition : 
• vinyl: limited to 250 copies / gold LP / hand numbered  / pantone / black inner 
• cd: limited to 150 CD / pantone 
• book: limited to 500 copies / hand numbered / hand stamped / cover embossed / gold hot stamping on the cover

----------------------------------------------------------------

pre-order : December 06th, 2024 / official release : December 26th, 2024

----------------------------------------------------------------

Links : 
https://iikki.bandcamp.com/music
https://www.iikki-books.com/
https://www.instagram.com/iikki_laaps/
https://oejerum.bandcamp.com/
https://www.irenezottola.com/

øjeRum - Poppeltræet Med Syv Grene

Welcome to Ambient Daily, the podcast dedicated to ambient music!
Discover the latest ambient releases, from new-age to pure ambient music.

00:00:00 - 4lienetic, Maybe It's Only Us - Stargazer 
00:05:34 - Tundra Solitude - Winslow 
00:08:00 - Kyle Preston - An Ocean of Quiet Confession
00:12:34 - Spacecraft - Sky Full of Aurora
00:16:17 - Andres Alborok - Ashram
00:18:05 - Winter Silhouette, Christian Alsemgeest - Sun Through Scattered Memories
00:21:54 - HLow - Vimana
00:26:11 - Forever Floating - Broken Echoes
00:28:35 - KapTep - Waiting for Tomorrow
00:35:49 - The Silent Traveler - Warm Embrace
00:39:44 - Forever Floating - Forgotten Memories 
00:41:06 - Kieldfal - Woodland
00:44:33 - Acoustic Levitation - Infinity
00:48:29 - Celestial Seekr - Bolide
00:50:20 - Jonas Blomqvist - Song of Dawn
00:54:32 - Sensitizer - Restful Nocturne
00:57:00 - Double Danger - Boreal

Ambient Discovery Podcast
French spoken podcast with interviews, reviews of the latest ambient releases, etc.
https://ambient-discovery.lepodcast.fr/

To discover more ambient music
Ambient Nap https://spoti.fi/3wftliY
Ambient Daily https://spoti.fi/49rf68Q

Follow Ambient Daily
https://instagram.com/ambient.daily

Follow Le Code
https://solo.to/lecode

Contact
contat@le-code-music.com

Ambient Daily - Episode 30 - Cosmos Adrift

'Petrichor' is the third studio album from long-time collaborators James Osland and Andrew Heath, and serves as a natural continuation of their creative partnership following the release of Elysian Fields (2024), also on the esteemed Fluid Audio label.

The two artists were initially brought together by a shared admiration for each other’s work within the ambient music community. Andrew Heath is an established figure in the genre, with numerous albums and EPs released on respected imprints such as Disco Gecko, Whitelabrecs, Rusted Tone Recordings, Elm Records, and White Paddy Mountain. James Osland, meanwhile, is both an accomplished artist and the founder of Elm Records, a boutique label known for its thoughtful curation. His personal discography includes releases on Unknown Tone Records, Whitelabrecs, Flaming Pines, and Dewtone Recordings, among others. Osland’s practice explores the intersection of sound, memory, and place, working across both sonic and visual mediums.

Petrichor began to take shape during an exchange of ideas between the two artists in the late winter and early spring of 2024. As Andrew shared loops and sonic sketches, James found himself listening from his studio, watching the unrelenting English rain from the window. These moments of stillness-quiet reflections on the shifting of seasons-informed the mood and direction of the album.

What emerged is a collection of slowly evolving compositions, revealing gentle melodies, nuanced textures, and soft drones-much like the tender unfolding of early spring leaves. The album carefully weaves together field recordings, organic textures, and synthesis to create immersive soundscapes that capture the subtle beauty and contemplative atmosphere of seasonal change.

James Osland & Andrew Heath - Outside The Light Was Starting To Wane

Remix by King Unique [http://www.kingunique.com · https://www.facebook.com/KingUnique]

Available for free download at [http://www.denovali.com/mp3store]

Original version of 'Thangen After Dothe' appeared on
'Flailing Tomb' [CD|LP|DIGITAL]
Denovali Records · den232
available on all formats at [http://denovali.com/petrels]


Petrels - Thangen After Dothe (King Unique Remix)

Download

Prenatal Hunters (Floex Revision)

Tracklist

01. Aiko Takahashi - Vers L’Étranger
02. 't Geruis -  Towards Home, Dark Blue
03.  Dag Rosenqvist - Somna, sov
04. Jason Calhoun + Foresteppe - A Four Part Cure  iii
05. Nobuto Suda - Magnetic Comfort
06. David Cordero & Rhucle - Air Pocket
07.  Moss Covered Technology & Snufmumriko - Skagerrak
08.  Slow Reels (Ian Hawgood and James Murray) - Handwritten
09. Naps - Maybe
10. The Humble Bee -  Concealed By Yellow
11. Andrew Lang -  False Departure-Silent Terminals

428. Sleepy Sunday Podcast (Elm Records)

You noticed that void inside everything, didn´t you?

Void Notice EP : http://vonwegen.bandcamp.com/album/void-notice-ep

buy on bandcamp

Void Notice

Tracklist

01. Crane - Drifting Hours
02. Dalton Alexander -  Nico, Le Petit Chat Noir
03. Adrian Lane - Floating in the Memory Upon the River
04. Hadley Roe - Shadows Fill The Heart
05. Hiroshi Ebina - A Green House
06. Glåsbird - 2007
07. Federica Deiana - Tempest
08. Ishmael Cormack - Always Shifting 
09. Michael Santos -  360 Fade
10. r beny - fragile nowhere
11. Simon McCorry & Wodwo -  By Snail on its Slick of Light
12. Stijn Hüwels -  Décalage 5
13. Slow Heart Music - Solastalgia
14. The Lifted Index - Paresthesia

429. Sleepy Sunday Podcast (Elm Records)

from 'Nomad Frequencies' [CD|2xLP|DIGITAL]
Denovali Records · den237
available in September on all formats at [http://denovali.com/johnlemke]

An ardent moulder of sound, John Lemke began carving out a very unique music blend on his debut album 'People Do' (2013) and its follow up EP 'Walizka' (2014). Informed by his work as a sound designer & composer for documentary films and his natural inclination towards fusing rhythm with rich textures and emotive melodies, he set out on a musical path that had been long in the making and is ever evolving.

The quest for unusual, inspiring sound sources has always been at the heart of John's process, however the genesis of his second album 'Nomad Frequencies' was rooted in much more inadvertent circumstances. In the summer of 2014, forced to indefinitely evacuate his Glasgow flat and studio due to structural damage from one hour to the next, with nothing more than a laptop and a bag of clothes, John embarked on a six month odyssey of soul searching, couch surfing and spending an extended period of time in his old hometown of Berlin for the first time in years - it was to be an odyssey that would help ferment and distill the ideas of his second album on which work had just begun. 

A year of particular global turmoil and upheaval, combined with John's personal, albeit very minor, 'displacement', caused a lot of questioning, frustration and anger, which somehow found its way onto the new material: a more confrontational, at times aggressive sound, paired on the other hand with a yearning for harmony, balance and space. Other influences came less from the world of music, but rather in visual form, through the densely textural art of Anselm Kiefer and the political, yet poetic musings of film maker Adam Curtis.

Intent on refining his sound toward a more minimal, bolder style, John set out to limit his sonic palate to a handful of carefully chosen elements. At the centre of this new direction remains the muted piano already introduced on his debut, but in a much more purified and raw form. This organic base is adorned by the warm fuzzing and wavering of analogue synthesisers, tape echoes, meditative tuning forks, field recordings from John's 'exile' period and percussion based on his rigid approach to sampling, which started developing on 'Walizka'. The guiding principle of his orthodox style of recording and sampling is to only use home-made sounds by utilising his own field recordings, applying contact microphones or hydrophones to objects and instruments, running them through different kinds of speakers and re-recording the sounds to arrive at a 'lived in' quality, often misunderstood as plainly 'lo-fi'. Touches of viola and woodwinds parts (Kim Moore of WOLF and Andrew Baker respectively) provide melody fragments and subtle details throughout the journey.

With John's healthy disregard for genre boundaries, the array of influences on 'Nomad Frequencies' is vast, but never over-powering. From the meditative tuning fork that starts proceedings on 'Of Elsewhere', the dub echoes to the hints of minimalism, free jazz explosions to the Lynchian atmospherics, all elements serve nothing more than the album's narrative journey between friction and harmony, best appreciated in its entirety. A rhythmic backbone collides with rich ambience and melody, often infectious and jarring at the same time, forging a soulful whole which most likely only reveals its true self after multiple spins.

Nomad Frequencies

John Lemke - The Unwinding

Alessandro Cortini, live instrumental set at Death By Audio, NYC, December 11 2011. Performed on a Buchla Music Easel.

Alessandro Cortini - live at Death By Audio, december 2011

This classic minimal music album is now available again on vinyl for the first time since the 70s.

https://www.aguirrerecords.com/collections/aguirre-records/products/terry-riley-persian-surgery-dervishes-2xlp

Californian composer Terry Riley’s In C, first issued on vinyl in 1968, is widely acknowledged as a Minimalist landmark that altered the course of twentieth-century music. His influential album A Rainbow In Curved Air, which appeared the following year, is a vivid fusion of rock and raga, jazz and psychedelia realised through overdubbing on an 8-track machine which had recently been installed at the studios of Columbia Records.  

By the early 70s Riley had come to feel that scores were a distraction. Faithful interpretation of an already written piece was a deviation from the true purpose of making music, which was spiritual quest. Fortunately, some of those live performances, personal journeys towards a state of transcendence, were captured on tape. Persian Surgery Dervishes, issued initially on the French label Shandar, features two such concerts for electric organ and reel-to-reel delay, one recorded in Los Angeles on 18th April 1971, the other in Paris on 24th May 1972.

At the start of that decade Riley became a dedicated student of the great Hindustani singer Pandit Pran Nath. Looking into North Indian classical tradition he found correspondences to modal and cyclic ideas that he was already working on. In 1971, as a way to learn more, Riley himself started teaching Indian music at Mills College, in Oakland. That experience fed directly into his solo keyboard performances, but other influences were also shaping the music heard on Persian Surgery Dervishes. Personal research into ancient Persian culture and the poetry of Rumi lit up his imagination, while the repetitive swirling of Sufi devotional music from North Africa, which Riley had first encountered in Europe during the early 60s, reverberates through these performances. Jazz, as conceived by such masters such as Bill Evans and John Coltrane, is also present as an enduring source of inspiration. 

The Californian version of Persian Surgery Dervishes starts with low dark tones, dense and brooding like a huddled human figure, deep in introspection. But as the improvisation unfolds Riley’s buoyant spirit asserts itself, spiralling out in ecstatic coils, as though liberated from the grip of body consciousness. The Parisian concert conveys a different mood, brighter and more open in texture, more relaxed from the outset and breathing with greater freedom as it takes flight. 

Echoes of Terry Riley’s inspired music have spread far and wide - into progressive rock, New Age and ambient soundings, film soundtracks, blissed-out electronica and dance-floor trance. His fluent and hypnotic keyboard playing can be heard as part of a continuum, transmitting energies from ancient and distant musical sources into the living here and now. Persian Surgery Dervishes is a significant part of that picture, a mesmerising record of a vital stage in Riley’s ongoing quest for connection with the universal mind and the sublime music that flows ceaselessly from it. 

“Music is my spiritual path. It’s my way of finding out who I am.”  Terry Riley, in 1976

Terry Riley - Persian Surgery Dervishes - Performance 02 Part 1

Midori Hirano - Close to Life
From the album “Mirrors in Mirrors”

Release date: 5th March, 2019
Pre-order “Mirrors in Mirrors” here: https://daisart.bandcamp.com
© Daisart / daisart.info

From the liner notes:

If you stand between two mirrors facing each other, you’re faced with a curious and unique visual sensation – endlessly repeating reflections bounce off one another into an infinite, spiralling prism. Any movement from your vantage point derails the point of focus, and transforms the illusion in real-time before your eyes. Light bends, and with it, colours slip in and out of dominance, in an
Escherism of endless space, despite no change to the dimensions you inhabit in that ever so concrete space between two mirrors.

Midori Hirano speaks of “waning lights” and “edges blending into fog” as some of the sensory indicators inspiring Mirrors In Mirrors – her debut on Daisart – and these Impressionistic sentiments are deeply imbued within Hirano’s delicate, restrained compositions. The hallmarks of modern classical, electronica and ambient are adopted as an assemblage to explore nuanced tones and techniques less dictated by those stylistic underpinnings, perhaps somewhere hovering between – but never too far away – keenly aware of form and
function.

An emphasis upon the piano is an immediate point of reference for placing Hirano’s work within a broader context, but important to point out is the subtle and careful use of synthesisers and effects processing throughout the record – sometimes providing a more detailed background terrain, sometimes taking centre stage. Whichever instrument she turns her hands to, Hirano has crafted a record with enough dedicated focus and space to allow the listener to immerse oneself in her devised temporal expanse, an Impressionistic liminal space of Mirrors in Mirrors.


Written, produced, recorded and mixed by Midori Hirano in Berlin, Germany 2017-18. 
Mastered by Sean McCann of Recital Program.



“Mirrors in Mirrors” comes in a first edition of 200 x 12inch 145gm black vinyl (incl. download) with Pantone printed inner and outer
sleeves designed by Jeroen Wille and Rudd Ruttens [ruttens-wille].

Midori Hirano - Close To Life

The Stratos Ensemble is a progressive jazz band, the brainchild of producer Dean De Benedictis. The Fateless Flows Collective was an organization that Dean once ran, but now is simply the brand canopy that represents many of his extended projects, such as collaborations with original FF members and related material. Dean has decided to merge both his Stratos Ensemble content and his general Fateless Flows content on this particular SC page. 

The company name was originally the name of an electronic music collective Dean ran from 2003-05. From 2007-11 there was a plan to relaunch Fateless Flows as a record label, but it fell through. What remains are video channels on Youtube and Vimeo, and this Soundcloud page. Dean keeps his art and content coming, so he still uses the FF brand to release anything he works on that he also maintains rights control of, be it solo efforts or collaborative. Dean also has a separate SC page for his solo material.

Fateless Flows main image by Michael Jantzen and Dean De Benedictis. 

Dean De Benedictis' website can be found here:
http://deandebenedictis.com/

(Michael Jantzen's website:
http://www.michaeljantzen.com/Welcome.html)

Petrels - Thangen After Dothe (King Unique Remix)

Denovali

Recent comments

Keamo

mariabp

Related tracks