Ambient Experimental Classical Ensemble

 Live opus neo 1 couvent carmes ( janv 2013 )

Extrait song of the fisherwomen (Gurdjieff-De Hartman)

Gastón Muñoz and Adrián Juárez are Nadador Nocturno.


www.facebook.com/NadadorNocturno


Nadador Nocturno - Siempre

Erik K Skodvin - Shining, Burning

'Saravá Exu' [CD|LP|DIGITAL]
Denovali Records · den223
available on all formats at [http://denovali.com/ricardodonoso]

Ricardo Donoso is a composer, percussionist and electronic musician from Rio de Janeiro, Brazil who currently resides in Boston.  After having studied composition at Berklee College of Music and New England Conservatory he has participated in a slew of projects over the years, most notably playing drums for avant-death metal unit Ehnahre and being one half of the ever morphing electronic duo Perispirit. Ricardo's musical vocabulary draws as much from contemporary composition, drone, to techno and noise.

In contrast with the continual pursuit of achievement, that today's culture teaches us, the theme of Descent, found in many myths in the shape of the hero going underground to pass a period of solitude, is no longer represented. A cultural space existed in most traditional societies for such a period in a person's life and it was seen as necessary in order for the initiate to re-connect with their past and concomitantly with his collective unconscious, or humanity’s primordial existence. 

"Sarava Exu" was written throughout such a period - one of deliberate isolation and expressed and channeled through the sacred esoteric rituals of the Brazilian cult of Quimbanda. The musical suite moves through the Seven Lines & Kingdoms of Quimbanda incorporating traditional Candomblé rhythms, Brazilian percussion, noise as well as classical string instruments, all elements from Donoso's past, re-examined & re-interpreted. "Sarava Exu" is a symphonic poem of a Quimbanda ritual and the musical accompaniment of Descent into one's own personal hell.

Certainly Donoso's most ambitious and challenging undertaking to date, but those who spend the time with it and uncover the layers underneath will be rewarded. The lines are now blurred between the compositional strategies of Donoso's solo work, the Scuba Death project and the techniques used when writing for groups like Perispirit & Ehnahre. Musically, the album takes its inspiration from movie trailer music; music that usually develops so fully and extremely in two minutes or less and has as its sole focus to trigger an emotional response with the viewer. Although each of the seven pieces are inextricably linked, one also gets the sense of a ongoing push & pull, with no resolution. A constant drive of trying to get somewhere, but never really arriving - dynamic crescendos come and go, developing and falling apart again and bringing us back to where we started, the music, constantly evolving and yet going nowhere simultaneously, creating a true sense of timelessness. 

If "Assimilating The Shadow" was the theory, "Sarava Exu" is the practice - a postscript addendum thats not an aimless or destructive fall into the abyss, but a meaningful restoration. "The way towards wisdom suggested by Exu is one of hellfire and brimstone, one of ruthless honesty and bravery, where the most vicious of all enemies is your self"

Sarava_ Exu

Ricardo Donoso - Vesperum

Dorje Kasung

Fear

Chase The Bright And Burning

from 'Astrild Astrild' [CD|2xLP|DIGITAL]
Denovali Records · den282
available on all formats at [http://denovali.com/dalecooper]

The Dale Cooper Quartet & The Dictaphones are returning with their 4th album called "Astrild Astrild". Like all of the previous albums, the band recorded the seven pieces at home in Britanny during several sessions between 2013 and 2016.

The characteristics of this full-length are classic drone soundscapes mixed with deep tone saxophone parts that became the band's trademark since the release of their debut album in 2006. Slowly paced, the new tracks are following the Quartet's basic structure and classical sound. Apart from that the new full length conceals more live takes including guitars, bass and Rhodes keys and even piano sounds are haunting for the first time at the end of 'Ocho Acenteur'. With these new elements the songs of "Astrild Astrild" are pushed further into a large tunnel of deafening rhythmic parts and field ambiant textures.

Vocals are a major element of the Dale Cooper Quartet & The Dictaphones' DNA since the second album "Metamanoir" (2011). Sometimes breathy, sometimes deep and often mysterious, Ronan MacErlaine, Gaëlle Kerrien and Zalie Bellacicco voices appear in the corners of the songs as ghostly figures or eerie characters.

The new album "Astrild Astrild" is a glimpse of the present live sound of the Dale Cooper Quartet: 50's crooners singers, noisy guitars, atmospheric electronic and hypnotic jazz. All of these elements painted in monochrome black.

Astrild Astrild

Dale Cooper Quartet & The Dictaphones - Tua Oriel Courvite Isabelle

Gurdjieff - Oriental Suite - Tempo di Valse

Taken from the 'Lines' EP. Released 8th September.
Pre-order - smarturl.it/mbc-lines

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Meeting By Chance AKA Skalpel’s Marcin Cichy debuts on Apollo with a gorgeous EP of soulful atmospheric electronica, suffused with aching negative space, softly ticking rhythms and dulcet piano.

Classically trained on piano since his youth and one of the youngest Polish National TV music composers ever, Marcin quickly developed a taste for electronic music, composing soundtracks for some of Poland’s influential and pioneering video artists throughout the 80s and 90s.

But it was when he founded the acclaimed jazz duo Skalpel with Igor Pudło in 1998 that things really got going. Over the course of their three albums and many EPs to date Scalpel have won huge acclaim, signing to Ninja Tune, and, winning Poland’s most prestigious cultural award Paszport POLITYKI as well as performing with Mira Calix, Clark, Kronos Quartet and AUKSO Orchestra among many others.

Following a serious skateboarding accident, Marcin backbone was broken in two places which meant a year spent between a bed and on a wheelchair. This period saw the beginning of his solo career as Meeting by Chance (the name inspired by a series of pictures by Duane Michals showing the reaction of two men crossing in an alley).

In contrast to Skalpel’s more jazz infused upbeat vibe MBC finds Marcin exploring the combination of delicate textural sound design with enveloping billowy pads and ethereal piano chords. Cichy displays an introspective lightness of touch that is quite rare in today’s bombastic modern electronica which is most welcome and perfectly fits in with Apollo Records.

AMB1708

Meeting By Chance - Lines

Fallen

Small Collisions

READ > inverted-audio.com/premiere-heinali-iridescent

Ukrainian artist and sound designer Oleg Shpudeiko @heinali follows up 2017's epic "Anthem" with a set of equally as beautiful pieces culled from studio improvisations on a modular set up.

Heinali - Iridescence [Injazero Records]

 recorded in Christchurch New Zealand in April 2012

Ritual No.1 with Reuben Derrrick

Morrow

It's been a crazy year so far and so I took a day off. From everything. I spent the day reflecting on the present. I spent the day away from noisy thought. In the evening I sat down at my piano, took a breath, and played the simplest tune that I could muster. It is minimal and slow. It's in a major chord but still feels sullen. I wanted to share it with you in hopes that it will bring you peace.

Ricardo Donoso - Vesperum

Denovali

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