ILikeIt Perfect

Taken from El Idioma De Las Luciérnagas (Pathway007)

Federico Durand - El Idioma De Las Luciérnagas

from 'S/t' [CD|2xLP|DIGITAL]
Denovali Records · den157
available on all formats at http://www.denovali.com/thealvaretensemble

The Alvaret Ensemble

The Alvaret Ensemble - Eac

From the album 'Hiraeth'.

Album available here - http://www.preservation.com.au/product/olan-mill-hiraeth

Olan Mill - Cultivator

Download: http://www.xlr8r.com/mp3/2013/12/you-teen-daze-remix

Download

Nils Frahm - You (Teen Daze Remix)

Unreleased Demo of "You'll Miss Us One day".
The final version is released on "Gravity" / Ad Noiseam Nr.168.
http://www.adnoiseam.net/adn168

Ben Lukas Boysen - Variation (Unreleased)

OKADA - Vulnerability

Amber Mirrors is the sonic vision of Phil Michalski, a producer crafting immersive soundscapes at the intersection of ambient, psybient, psychill, and downtempo electronica. Drawing inspiration from the organic patterns found in nature, the geometric precision of architecture, and the liminal spaces between waking and dreaming, Amber Mirrors creates music designed for deep listening and introspection. 

🎵 STREAM & DOWNLOAD 
Spotify: https://spotify.link/9oJaQAMqHXb 
Bandcamp: https://ambermirrors.bandcamp.com 
SoundCloud: https://soundcloud.com/ambermirrors 

🎮 LICENSING & PROJECTS Available for indie game soundtracks, film, and creative projects. 
Contact: ambermirrors/at/pm.me 

📱 FOLLOW Instagram: @amber.mirrors

#ambient #psybient #psychill #downtempo #electronica #atmosphericelectronic #gamemusic #spaceambient #meditationmusic #focusmusic #soundscapes

Amber Mirrors - Circularity

From a series of (almost) daily ocean glimpses. The music is composed to a video of the sea (photons captured fresh every day). You can experience the full video version here: https://youtu.be/CyHju2h5bNc

Glimpse 1471 (Oct 12 2025)

Ocoeur - Progression

This is a remix of Paper Unicorn from Ochre's album Isolette which actually turned into more of a cover version.  I've been a huge admirer of Chris' work right from his early demos - REM Sleep Research will always be somewhere in my all time top 10 electronica tracks.  

He's continued to release some of the most beautiful and intricate music in the field.  You can find the original of this track, and all his fantastic music at his bandcamp: http://bandcamp.ochremusic.com/

This cover version has been made available to download with the artist's permission.  Thanks to Chris, it's a wonderful piece and I had a lot of fun putting this together.

Unreleased

Paper Unicorn (Digitonal Transcription)

Ochre - Paper Unicorn (Digitonal Transcription)

Taken from his forthcoming album 'Spells' out June 10 on Erased Tapes.

Pre-order the LP/CD/DL here: www.erasedtapes.com/store/index/ERATP085
iTunes: http://snip.ftpromo.net/spells
Spotify: http://snip.ftpromo.net/goldentimes
Bandcamp: http://snip.ftpromo.net/spellsbc
or any other good record store worldwide

"It's just incredible" – Mary Anne Hobbs, BBC 6 Music
“Strangely upbeat nocturnes" – The Wire

‘Spells’ merges programmed piano pieces with live instruments, combining the controllable technical world and the often unpredictable aspects of live improvisation. In some ways it continues where his underground debut ‘Gravity’ left off, though a lot of weight is lifted, making room for a lighter and more energetic listen. Friend and fellow Erased Tapes artist Nils Frahm mixed and mastered both albums. Ben is not a master pianist like his dear friend, but his sound collages are so meticulously designed that after hearing the result an impressed Nils declared: “from now on, if anyone asks – this is a real piano”. 

His intricate, humanised programming – enhanced by drummer Achim Färber, cellist Anton Peisakhov and harpist Lara Somogyi, and a considerate selection of echoes, delays and compressors – has been used to create a hybrid sound that intends to deceive, question and challenge existing listening habits. Utilising the contrast between reduction and decoration, ‘Spells’ can be seen as a quest to find out how much or how little composition is required to constitute a song. Why the ear can and should be deceived about the authenticity of instruments. What significance these instruments have within this process, and why the personal perception of balance and sound exclude ultimate truths. 

Linking the two albums are the four movements of ‘Nocturne’, an ever-developing conversation that on occasion flirts with the grandeur of compressed rock drums. The first single, ‘Golden Times 1’, received a world premiere by BBC 6 Music’s Mary Anne Hobbs, proclaiming it as "incredible." An alternative version of ‘Sleepers Beat Theme’ – composed for the soundtrack to a short film about the Trans-Siberian Express – opened Jon Hopkins’ Late Night Tales album from 2015, who noted “I thought it was such a calming and sensitive piece that sounded to me like the beginning of something...the warmth and depth of the sound entrances me every time”. 

Though ‘Spells’ and ‘Gravity’ are his first albums recorded under his own name, as acclaimed electronic producer HECQ he’s released nine albums since 2003, exploring everything from ambient to breakcore. He has simultaneously established himself as a trusted composer and sound designer, working for a wide array of clients including Amnesty International and Marvel Comics; composing for feature films, games, art installations and convention opening titles.

After embracing this demanding line of work, in 2010 Ben felt the need to explore his roots and early education, which inspired these albums under his own name. Born in 1981 as the third child of opera singer Deirdre Boysen and actor Claus Boysen, his classical music training on piano and guitar began when he was seven years old; the works of Bruckner, Wagner and Bach laid an important foundation. Rediscovering this music shared with his parents – united with the sounds of Autechre, Cristian Vogel and Jiri.Ceiver to Pink Floyd and Godspeed You! Black Emperor – brought back an understanding of why he wanted to write music in the first place.

“Finding my views understood, reflected and welcomed by Erased Tapes was an encouraging experience, crowned by the offer to release ‘Spells’ and re-issue ‘Gravity’ with them. Through many caring conversations with Robert I felt that there’s no better home for the existing ideas and no better cradle for new ones.”  – Ben Lukas Boysen 

TRACK LISTING:  	

01. The Veil  02. Nocturne 3  03. Sleepers Beat Theme  04. Golden Times 1
05. Nocturne 4  06. Keep Watch  07. Golden Times 2  08. Selene

Spells

Golden Times 1

Buy LP/CD/DL

Ben Lukas Boysen – Golden Times 1

first excerpt from upcoming 'elephant' by Dag Rosenqvist.

Cello by Aaron Martin
Saxophone by Lisen Rylander Löve
Mastered by Taylor Deupree

order here - https://dronarivm.bandcamp.com/album/elephant

Buy CD

Dag Rosenqvist - Come Silence (from 'elephant' CD)

Taken from the forthcoming album 'Asylum For Eve', released February 10th 2017.

Featuring new material and reworked soundtracks, the album drifts from plaintive piano-led passages to brisk chamber music and back again, tied together by the textured layering of found sounds and instruments that distinguishes Thomas’s music.

After tracking down an old Bechstein Model 9 upright piano for ‘Asylum For Eve’, Thomas set about modifying and preparing it with cardigans, screws and nails in order to provide the textures and timbres which characterise the album’s dense, affecting sound. Techniques employed for the album include the intricate layering of bowed guitars and ukuleles, and fingerpicked violins, banjo and charango. It’s processes such as these, coupled with Hill’s high quality composition and musicianship, that see the album at once expansive and intimate.

Asylum For Eve

Buy on iTunes

Thomas William Hill - Cirrostratus

Track taken from the upcoming album 'Letting Go Variations' by Kirill Nikolai...

http://fluidaudio.bigcartel.com/mailing-list



Letting Go Variations

Kirill Nikolai - Reconstructions, For Lack Of Anything Else

A track taken from DR-50 : Aaron Martin & Machinefabriek - Seeker

The album will be out on December 15th on CD /DL
dronarivm.com

pre-orders start December 1st

Originally conceived for the Korzo production Hide and Seek by choreographer  Iván Pérez.

Rutger Zuydervelt (Machinefabriek):

In 2012, choreographer Iván Pérez asked me to work on a score for a dance piece of his called "Hide And Seek" in collaboration with the great Aaron Martin. I don't think he knew at that point that Aaron and I had worked together previously (on "Cello Drowning," an EP released on Type in 2007). Living in the US, Aaron started recording parts and sending them to Iván and me. Then, I would use his recordings to build the score: processing them, editing them, adding sounds, etc..

The tracks on the "Seeker" album are basically the refined versions of the first sketches we made, trying out how our sounds would blend, and what directions and atmospheres could be used in the dance performance. After that, these tracks were morphed into one long collage, tailored to the choreography. This final score is added to the album as a digital bonus.

Aaron Martin:

Iván Pérez had used some of my solo work in a previous dance piece of his called "Kick the Bucket" and Rutger and I have been in touch since the release of my debut album "Almond."  Rutger and I met briefly after I performed in Amsterdam in 2009, but the creation of "Hide and Seek" gave us an opportunity to continue our work together and to spend a bit more time in person leading up to the premiere in The Hague.  During rehearsals, we both agreed that creating an album version with separate tracks along with the long-form version that was used for the actual dance piece was the right approach.  My time in Holland was a formative experience and the resulting album "Seeker" is something that I continue to remember fondly.  I am eager to finally share this music with listeners.

This has been a long way coming. After some unforeseen delays, we are thrilled to be working with Dronarivm for the release of "Seeker."

Mastered by James Plotkin

Buy CD / DL

Aaron Martin & Machinefabriek - Wings In The Grass

Listen / Purchase: https://lnk.to/dcad

Film composer and multi-instrumentalist William Ryan Fritch's long-anticipated double album, ‘Deceptive Cadence: Music For Film Volume I & II’ out now on Lost Tribe Sound.

It’d be a laborious task to run through all of Fritch’s many accolades, since 2009 he has released over 20 albums and composed music for over 30 feature films and more than a hundred short films. Lost Tribe Sound has been by his side since the beginning, releasing a few of his finest stand alone scores, including the critically acclaimed, ‘The Waiting Room’, ‘Eagle Hunters in a New World’, and ‘The Old Believers.’ Of course, LTS could boast for days about what a musical genius we believe he is. Yet, having written so many of these press rants for Fritch in our time, we’ll try to curb ourselves at the risk of preaching to the choir or sounding disingenuous.

That isn’t to say, Fritch isn’t well deserving of mountains of praise. We are honestly amazed that his film music hasn’t attracted the attention of more major motion picture studios. To date, Fritch has penned imaginative and impressive scores for narrative and documentary productions that run the gamut of most every imaginable genre and aesthetic. From raw and emotional films that uncover startling humanitarian and ecological crises, such as 2016’s Oscar-nominated short film ‘4.1 Miles,’ and National Geographic’s sweeping ’Into The Canyon,’ to eccentric and nuanced biopics and documentaries on figures such as Ursula K LeGuinn, Bill Nye and Johnny Cash. Fritch has found unique and artful voices for these wide ranging stories.

Most of those familiar with Fritch, know only of his albums as a singer songwriter or genre-elusive multi-instrumentalist, which truly represent a small fraction of the depth and range of his work. ‘Deceptive Cadence…’ gathers the most remarkable and memorable pieces from Fritch’s vast catalog of film compositions. Rather than filling up two volumes with half assembled film cues and fragmented themes, Fritch has gone to great lengths with ‘Deceptive Cadence…’ to make sure both volumes tell a story, build theme, and create a satisfying full album experience as good as any movie they may have come from. While this music once graced a particular film, show, or commercial, it has all been reimagined, reworked and made whole in post-production to complete the epic narrative of ‘Deceptive Cadence…’

Cover Image by Joe Borreson (http://www.dustclouddesign.com)

Deceptive Cadence - Music For Film Vol. I & II

Gut Level

Buy Album/Series

William Ryan Fritch - Gut Level (from Deceptive Cadence: Music For Film Vol. I & II)

Nomadic Ecstatics Dance DJ & facilitator
Co-founder of Ecstatics Circle
Current base is Dahab, Egypt

https://www.facebook.com/ecstaticircle/

Multi genres DJ

Instagram 

https://instagram.com/ecstatic_maya
https://instagram.com/ecstatic_circle

The Alvaret Ensemble - Eac

Denovali

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