So spooky, Denys. I should have had you add some vocal bits when I recorded Boogie Man. Bwa-ha-ha-ha!

Magnifique ambiance à la fois mystique, mystérieuse, sombre et effrayante délicieusement restituée par la musique et la voix effrayante et envoûtante à la fois... Admirable travail et une belle réussite ! 👏

ça fait peur, mais avec l'oeil qui frise ;-)

Cool idea for this creepy track and great production !

Counterfeit Relics (You Should Not Have Did)

Spooky Creepy Halloween *

ONLY HERE FOR THE RIDE

llari I. Rantala (I-la-rI) - Vocals, Bass Guitar & Lyrics
Kari Karhumaa - Synths, Keys & Drum Machine Programming
Composed by SÿntaxxËrror.
Produced by Ilari I. Rantala (I-la-rI)
Art & Logo by Ilari I. Rantala (I-la-rI)

© 2022 SÿntaxxËrror. All rights reserved.

Dog's Life (What Will You Do?)

Oversonic

30 Grad did this wonderful remix with samples of
https://soundcloud.com/user-325797522/raffinesse

Raffinesse 30 Grad Ghost Dance Rmx (30 Grad & Laar Collab)

“Love all, trust a few, do wrong to none.” 
“We can only learn to love by loving.” 
“A life lived in love will never be dull.” 
“Life is the flower for which love is the honey.”
“All you need is love.”
“True love stories never have endings.”

In Love With Life

I-Platinum Chrysanthemum

Dearest Darling

Original Lyrics and music by Linda Straub

Where are you now
my dearest darling?
How I miss you so
every single evening and morning.

When you lay down with me
and held me in your arms,
my body began to tremble
from your many charms. 

I was so much in love with you,
and thought you'd always love me too,
back when the world revolved
around both me and you. 

I guess I was blind and didn't see
the subtle little things
you no longer did
that always meant so much to me.

The way you used
to hold my hand,
and the look in your eye
that said, "I'm your man".

I was so much in love with you,
and thought you'd always love me too,
back when the world revolved
around both me and you. 

Long ago when you said,
"I'll always be there with you".


Dearest Darling (An original song) by-

method: deliberatly not taming a wildernis of sound. to understand the words, you may read along here. 
narration: reading the theories of Timothy Morton had been my main consolation at the time of writing. there is an interlinear English version below the original
picture: created with gimp, putting a playmobil figurine to good use

poem / copyright jo richter
(as published in die odradek variationen):


seit zwölftausend jahren jäten wir unkraut aus
wüten gegen wildwuchs, wandeln wildnis in weide
sind gärtner der erde, den wölfen ein wolf
entfesseln elementare zivilsationsphantasien


trotzen stolz dem trauma der selbstbemächtigung
als endosymbiontische eukaryonten
schaffen uns ein gedeihliches exomilieu
das uns taub, tumb, stumpf, verwirrt, irr und wahnhaft im


straßenlabyrinth nach satellitensignalen
autonom heimwärts bewegt. da ist kein außen
für das wir nicht blind sind, da ist kein innen, das wir
nicht regeln, denn die parole heißt über-leben


und was uns befremdet muss todbringend sein und
nur ein nachhall davon darf uns in dichtungsklang
rühren, als reife eine sehnsucht nach echtharmonie
aus dem einklang unseres weltschaffens hervor

interlinear:
mowing // for 12000 years, we have been weeding / fighting wild growth, turning wildernis into pasture / have been gardeners of the earth, a wolf to all wolves / releasing elementary phantasies of civilization // proudly rising up to the trauma of self-empowerment / as endosymbiotic eucaryonts / creating a hospitable exo-environment / making us walk the maze of streets deafly, mindlessly, bluntly, desorientatedly, madly and delusionally // following satellite signals / taking us home autonomously, there is no outside / we aren‘t blind for, there is no inside, we / aren‘t regulating, for the call to action is sur-vival // and what appears to be alien has to be lethal and / only its faint resonance may touch us in poetry / as though there was a longing for real harmony / growing from the monophonic din of terraforming

mähen

This tune is meant to be a meditation about the results of the so-called “Arab Spring”, or possibly about some of the relationships going on between the "Third World" and Western countries...

Teth Sin : vocals, guitars, bass guitars, samplers (electric piano, kalimba, drums)

Original composition, arrangement, lyrics, mix, mastering & cover artwork design by Teth Sin

Spooky Creepy Halloween *

Denys Swyfer

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