Name: Angels in the Architecture - Frank Ticheli by Denzie94 in Symphonic Band Compositions
Duration: 14 min 5 s
Description: Angels in the Architecture, as performed by the University of North Texas Wind Symphony.

tbis is the best part, he shouldve contiuned the melody for longer

really like how this song expresses the interactions between angels and demons, I can really hear the demons cackling at certain parts

Symphonic Band Compositions

Swan Lake - Pyotr Ilyich Tchaikovsky

Swan Lake Act One. No. 2. Waltz (Tempo di valse) - Pyotr Ilyich Tchaikovsky (8D Binaural Sound - Music Therapy)

Antonín Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World"

Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": IV. Allegro con fuoco

Song For Lyndsay

Undertow by John Mackey is an original piece he wrote containing mixed meters back and forth between 7/8 and 4/4. The Piece was premiered May 13, 2008. This recording was played by the Hill Country Middle School Band.  I own no rights to this song. 

Undertow by John Mackey

Tchaikovsky - Mussorgsky: Tchaikovsky & Mussorgsky

Symphony No. 5 in E Minor, Op. 64: II. Andante cantabile, con alcuna licenza

Fernando Velázquez - Edith's Theme

Pyotr Ilyich Tchaikovsky: Romeo and Juliet Fantasy Overture

Epic Orchestra

Carmen Overture

Angels in the Architecture, as performed by the University of North Texas Wind Symphony.



Angels in the Architecture - Frank Ticheli

David Loebel conducts the New England Conservatory Symphony in a performance of Stravinsky's Firebird Suite. Recorded live at NEC's Jordan Hall April 14, 2011.
For more information: http://necmusic.edu/concerts 

Stravinsky: Firebird Suite -   Finale

Vesuvius - Frank Ticheli

Ludwig Van Beethoven - Piano Sonata No. 8 in C minor, Op. 13 (Sonata Pathétique) III. Rondo: Allegro

Chicago Symphony Orchestra
Manfred Honeck, conductor

Johann Strauss, Jr.  Voices of Spring Waltz, Op. 410 (December 2019)

 "An American Elegy is, above all, an expression of hope. It was composed in memory of those who lost their lives at Columbine High School on April 20, 1999, and to honor the survivors. It is offered as a tribute to their great strength and courage in the face of a terrible tragedy. I hope the work can also serve as one reminder of how fragile and precious life is and how intimately connected we all are as human beings. I was moved and honored by this commission invitation, and deeply inspired by the circumstances surrounding it. Rarely has a work revealed itself to me with such powerful speed and clarity. The first eight bars of the main melody came to me fully formed in a dream. Virtually every element of the work was discovered within the span of about two weeks. The remainder of my time was spent refining, developing, and orchestrating. The work begins at the bottom of the ensemble's register, and ascends gradually to a heartfelt cry of hope. The main theme that follows, stated by the horns, reveals a more lyrical, serene side of the piece. A second theme, based on a simple repeated harmonic pattern, suggests yet another, more poignant mood. These three moods - hope, serenity, and sadness - become intertwined throughout the work, defining its complex expressive character. A four-part canon builds to a climactic quotation of the Columbine Alma Mater. The music recedes, and an offstage trumpeter is heard, suggesting a celestial voice - a heavenly message. The full ensemble returns with a final, exalted statement of the main theme. Ensemble instrumentation: 4 Flute 1, 4 Flute 2, 1 Oboe 1, 1 Oboe 2, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 3 Bb Bass Clarinet, 1 Eb Contrabass Clarinet, 1 Bb Contrabass Clarinet, 1 Bassoon 1, 1 Bassoon 2, 3 Eb Alto Saxophone 1, 3 Eb Alto Saxophone 2, 2 Bb Tenor Saxophone, 1 Eb Baritone Saxophone, 3 Bb Trumpet 1, 3 Bb Trumpet 2, 3 Bb Trumpet 3, 2 F Horn 1, 2 F Horn 2, 2 Trombone 1, 2 Trombone 2, 2 Trombone 3, 3 Euphonium B.C., 2 Euphonium T.C., 4 Tuba, 1 String Bass, 2 Timpani, 3 Percussion 1, 3 Percussion 2."

- Frank Ticheli

This recording is performed by North Texas Wind Symphony under the Direction of Eugene Migliaro Corporon.

~DISCLAIMER~
I do not own this song at all. I have performed it once, but I do NOT own it at all, despite the stupid license thing this site made me use. I am not, have not, and will not claim any ownership of this song or audio file whatsoever.

An American Elegy

Chicago Symphony Orchestra
Sir Georg Solit, conductor
Heather Harper, soprano
Lucia Popp, soprano
Arleen Augér, soprano
Yvonne Minton, contralto
Helen Watts, contralto
René Kollo, tenor
John Shirley-Quirk, baritone
Martti Talvela, bass
Wiener Staatsopernchor
Norman Balatsch, director
Wiener Singverein
Helmut Froschauer, director
Wiener Sängerknaben

Mahler: Symphony No. 8 in E-flat Major (Symphony Of A Thousand) (September 1971)

Aiming to fortify the unequivocal bond between music and emotion.

Angels in the Architecture - Frank Ticheli

Denzie94

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