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Thomas Brinkmann releases the first of a series of releases on Third Ear. The quality and originality of these tracks reminds of just how good a producer Thomas Brinkmann is. Techno it is, but nobody sounds like this. This, the first release is the Guy Martin ep, inspired by the British motorcycle racer and raconteur, Guy Martin. Brinkmann is himself a keen motorcycle rider and racer.

Mastered by Stefan Betke @ Scape Mastering, Berlin.
Artist: Thomas Brinkmann
Title: Guy Martin EP
Label: Third Ear Recordings
Cat No,: 3EEP-2013_08
Release date: July 26th 2013
Distribution: Clone (vinyl worldwide) Finetunes (digital worldwide)

In Yer Third Ear 2013 Coniston Slate

A1 Third Ear Recordings THOMAS BRINKMANN TT

Jan Jelinek - Tendency

Mystic Voices / Butoh

Mystic Voices

Butoh

Heiko Laux & Alexander Lukat - Lucho Part 1

Catharsis Remixes

The Worm (Robag Wruhme Remix)

Buy/stream: https://kompakt.fm/releases/speicher_130

Servus everybody!

Why "the hell" didn't anyone think of this before? It was so obvious: When the same music goes the same way, the truth always lies on the turntable.

KOMPAKT presents the long-awaited "two-tracker", cold-pressed and remixed. The Voigt brothers meet Helmut Geier and vice versa, or: Kölsch meets Löwenbräu, because we stand by you, star of the south.

So let's welcome the megahit "W.I.R." by Wassermann from 2000 in a brand new DJ Hell remix, and a remix by Voigt & Voigt of DJ Hell's "Anything Anytime" anthem from 2017.
Two classics that go down like liquid gold. It comes from the heart.

Special thanks to Norman Methner!

Speicher 130

W.I.R. (DJ Hell Mix)

Wassermann - W.I.R. (DJ Hell Mix)

Thomas Brinkmann Loplop

Thomas Brinkmann returns on Third Ear just over a year after his Guy Martin ep in 2013. Once again, his sheer class and technical skill are in abundant supply, creating blistering Techno drenched in the funk. Just brilliant.

When The Music ep

A1 Third Ear Recordings THOMAS BRINKMANN ODECCA

Steve Rachmad is welcomed to the vinyl-only offshoot Drumcode Limited. ‘Disturbance’ is a punchy little number that has a stuttering synth that rises over the top of the pounding kick drum. ‘Steps’ takes it up a notch with a simplistic bleep pattern that modulates throughout that is awash with a throbbing undercurrent.

Steve Rachmad - Disturbance - Drumcode Limited - DCLTD15

Melodie - Acid Breakfast

After a bunch of releases on labels like Cadenza, Ostgut Ton, Coccon Recordings and his own imprint Aras, Berlin based André Galluzzi will publish his next ep "Submerge“ on November, 18th via Josh Wink´s Ovum Recordings. Get a taste of it with our premiere of "Bold“.

Head to review: http://bit.ly/2eUBJdL

Der Wahlberliner André Galluzzi kann schon auf einige Jahre DJ-Karriere und diverse Releases zurückblicken, die auf Labels wie  Cadenza, Ostgut Ton, Coccon Recordings oder seinem eigenen Imprint Aras erschienen sind. Nun folgt am 18. November auf Josh Winks Ovum Recordings mit „Submerge" die nächste EP. Die B-Seite „Bold" hört ihr hier als Premiere. 

Zum Review: http://bit.ly/2eUBJdL

Submerge

André Galluzzi - Bold

Joran van Pol is back on Minus with Edge, a fantastic four track EP that is his first on the label since 2013. In the years since, the Amsterdam based artist has set up his own FADE label and has continued to evolve his cinematic techno sound. 

Previously, van Pol has also released on labels like Rejected, SCI+TEC and Ideal Audio, and has the support of all the big techno players who often reach for his tunes in their sets. As a DJ he is just as in demand, with headline slots everywhere from Space Ibiza to Time Warp all behind him. Having recently set up a new studio, he is still coming on strong with fresh inspiration and ever more essential grooves. 

‘Illos’ opens things with seven spooky minutes of icy techno. Rolling rubbery drums pump away below, and the details up top make for an evocative soundscape with distant industrial sounds, groaning bass and razor sharp hi hats all filling your mind with imagery. Next comes title track ‘Edge’, another brilliant sonic landscape with tense chords repeating over ticking percussion. It’s a track that builds tension throughout, and keeps you looking over your shoulder into the eerie blackness. 

The perfectly high pressure ‘Return’ is one that locks you in and never lets up, with warped synths snaking above traintrack like drums and hits. A dark, rumbling bassline and the sounds of pistons releasing air all add to the intensity of this brain-melting bit of futuristic techno. 

Last but not least, ‘Frostbite’ is then the most spacious and spooky offering of the lot. It has freaky alien sound designs scattered around the track with supple kicks driving the whole thing forwards. It’s an absorbing cut that hurries along and takes you for a thrilling ride. 

These are four more inventive techno tracks from one of the contemporary scene’s brightest stars.

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