Sewerslvt - Rapescape

Sewerslvt - Junko's Theme

All rights go to Sewerslvt. Deleted Album #03

Starving Slvts Always Get Their Fix

Sewerslvt - Nowhere Past Oblivion

Sewerslvt Discography -
https://on.soundcloud.com/vsbPt

Sewerslvt Patreon/Discord/Demo/Mashup Archive
YouTube:
https://youtube.com/@SewerslvtRareMusicArchive
SoundCloud:
https://soundcloud.com/swrslt-rare-music-archive

Sewerslvt SoundCloud Archive:
https://soundcloud.com/sewerslvt-unofficial-1

https://soundcloud.com/sewerslvt-unofficial-2

https://soundcloud.com/sewerslvt-unofficial-3

Cynthoni SoundCloud Reupload :
https://soundcloud.com/cynthoni-unofficial

https://soundcloud.com/cynthoni-unofficial-2

Sewerslvt - Sewer

Sewerslvt - Sanae (Unending Status Quo)

Sewerslvt - Slvt

Sewerslvt Discography https://on.soundcloud.com/mgbZH

Sewerslvt - Starving Slvts Always Get Their Fix
https://on.soundcloud.com/WsBrF

Sewerslvt Patreon/Discord/Demo/Mashup Archive
YouTube:
https://youtube.com/@SewerslvtRareMusicArchive
SoundCloud:
https://soundcloud.com/swrslt-rare-music-archive

Sewerslvt SoundCloud Archive:
https://soundcloud.com/sewerslvt-unofficial-1

https://soundcloud.com/sewerslvt-unofficial-2

https://soundcloud.com/sewerslvt-unofficial-3

Cynthoni SoundCloud Reupload :
https://soundcloud.com/cynthoni-unofficial

https://soundcloud.com/cynthoni-unofficial-2

Sewerslvt - Lips

Sewerslvt - Dopamine Rush

Sewerslvt - Witness The Death

The haiku that guided this;

Winter waterfall
a rock untouched
by sunrise or sunset
(Naviar haiku challenge 607, details here: https://www.naviarrecords.com/haiku-music-challenge ),

has an obvious staring point, "Winter Waterfall" the track has finished up quite experimental.


Waterfall = white noise.
So I started with a noise source in Voltage Modular and created an evolving sequence that processed the noise output through a spectral filter bank using two instances of the WC-96 Spectral Processor from DMT Audio. I then created a rhythmic element by feeding that output through an LFO controlled envelope, passing the output on to Quadelay from Waverley Instruments. 

With the noise elements in place I added some pulses using basic VM modules then moved on. Having used a couple of tweaked Dreamsynth presets last week I decided it was time to take the deep dive and learn how to patch Dreamsynth from scratch. Dreamsynth (https://cherryaudio.com/products/dreamsynth) is deep, almost modular. I made a patch for the chord sequence; yes I know it's a bit weird but I liked it in isolation while developing the DS patch so kept it all be it sequenced, converted to MIDI and passed out from VM. While experimenting I found that if I played in a low register I got a rumbly semi random texture so I split that off and tweaked it a bit to represent the rock, triggered by a separate sequence in VM. The final element is a drone layer made from DMT Audio's "West Coast" modules (Uncertainty and Harmonic Oscillator), left over from an early experiment and passed through a band pass filter modulated by reused control, voltages from the noise sequencing. 

With all the elements in place I made two changes before recording, I added a small amount of ShimmerVerb from Eventide to the chord sequence and replaced the pure white noise that I'd planned to use at the beginning with a sample of a real waterfall from freesound (Staying close to waterfall by trader_one -- https://freesound.org/s/670515/ -- License: Creative Commons 0), because I wanted a touch of gurgling water.

With everything in place; opening waterfall, mapped physical controls, multitrack recording and no real plan. I hit record and improvised, one take, longer than I'd expected.
I'll own up to doing a lot of mastering to make the dispirit elements gel but didn't add anything significant.

Winter Waterfall - (naviarhaiku - 607)

Interpretación sonora de Bring Her Back, un largometraje que me marcó en mucho aspectos

#bringherback #ambient #darkambient #soundtrack #laxense

Sewerslvt - Junko's Theme

dere-dere

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