We’llcome

Song For Zula (BBC Radio Performance 2013)

The funkiest shitshow the world has ever seen featuring Els Tugwell.

FUNKYTOWN (Lipps Inc Cover)

DJ Amir presents an exclusive DJ Mix to celebrate the release of ‘Strata Records The Sound of Detroit’ Volume 1.

Buy or stream the album: https://orcd.co/soundofdetroit1

Tracklist: 
1. Stanley Cowell-Equipoise-Strata-East Records
2. NTU & Gary Bartz-Singerella-Fantsay Records
3. Kelelee Patterson-Maiden Voyage-Black Jazz Records
4. Eddie Russ-Take A Look At Yourself-Monument Records
5. Maulawi-Root in 7-4 Plus-Strata Records/180 Proof Records
6. Stanley Cowell-Trying To Find A Way-Strata-East Records
7. Kenny Cox-Clap Clap! The Joyful Noise-Strata Records/180 Proof Records
8. CJQ-Nguzo Saba-Strata Records/180 Proof Records
9. Max Roach featuring Abby Lincoln-Garvey’s Ghost-Impulse Records
10. Calvin Keys-B.K.-Black Jazz Records
11. Larry Nozero-Tune L.N.-Strata Records/180 Proof Records
12. Maulawi-Unknown Track-Strata Records/180 Proof Records
13. Bert Myrick-Scorpio’s Child-Strata Records/180 Proof Records

DJ Amir 'Strata Records - The Sound Of Detroit DJ Mix'

the third and final mix in the trilogy...all vinyl of course!

recorded on 2 techincs 1210's and an S9 spring of 2021 and arranged and edited in ableton.

Fusion Batches 3

🎥 Official Music Video https://youtu.be/IhBuTATAr_E
📀 Stream: https://lnk.to/WayneSnow-NinaID
🛒 "Figurine" LP Pre-Order: https://lnk.to/WayneSnow-FigurineID

Nina is a celebration of the body, the self, the mind and nothing else. Do not look for the all-complicated.
Dance to free yourself from the shackles of the society that prefers you rigid and obedient.
Dance and stir as you see fit.
Like Nina do it wherever you like
Dance, lose yourself in the dance as if to find yourself
To dance is to let the soul speak, to let it guide you
Have no fear
Dance

Author: Wayne Snow
Composer: Wayne Snow, Nu Guinea, Benjamin Tierney.
Producer: Nu Guinea, Benjamin Tierny, Crayon
Recorded by: Jan Brauer
Guitar: Arne Braun
Bass: Jelmer De Haan
Drums: Pier luigi Ciaccio
Keys: Tim Granbacka 
©️ Roche Musique 2021 

Management : Niko Seizov niko@circleof.live 

Follow Wayne Snow : 
Website : https://www.wayne-snow.com 
Newsletter : http://eepurl.com/g80qRf 
News : https://linktr.ee/waynesnow 

Youtube : https://www.youtube.com/channel/UC0RZIAhcVSxknV-1qOp6xXQ 
Spotify : https://open.spotify.com/artist/4f44GWlEQdXaWl8gQ9sPBC?si=OAkz41isRBKmt6ovQ55BTA 
Bandcamp : https://waynesnow.bandcamp.com 
Soundcloud : https://soundcloud.com/waynesnow 
Instagram : https://instagram.com/waynesnowmusic 
Facebook : https://facebook.com/waynesnowmusic/ 
Twitter : https://twitter.com/waynesnowmusic 

Follow Roche Musique: 
Facebook : http://facebook.com/rochemusique
Instagram : http://instagram.com/RocheMusique 
Merch : https://shop.roche-musique.com/

Figurine

Nina

Listen

Nina (Roche Musique)

This mix features some of the original source material reworked for the sister album ‘Beating Heart - Malawi’, available now at https://lnk.to/oYQz0So Featuring Luke Vibert, Machinedrum, Throwing Shade, Rudimental, Kidnap Kid, My Nu Leng, Sonye, Clap! Clap! and many more. 

The original field recordings are available on vinyl and digital at https://www.musicglue.com/beatingheart500/

Each 1500 albums sold will feed a school of 500 forever. 
--
When Hugh Tracey (1903-1977) made 35,000 field recordings across Sub-Saharan Africa between the 1920s & 1970s, his intention was to reveal the beauty and complexity of this music to a world that saw little value in it. 

Today, almost 90 years later, Tracey’s bid to preserve the music of Africa for future generations lives on. Beating Heart has connected the International Library of African Music (ILAM) archive with contemporary producers, making fresh sounds for a modern audience. 
---
Arriving in southern Africa in 1921 with a suitcase, a keen musical ear, and some ‘well founded misgivings’ from his large middle class English family, Hugh Tracey was captivated by local music-making. With his ear pressed close against the microphone, he began a pioneering recording career that would last more than fifty years as he searched for, recorded and documented the best examples of musicianship throughout a vast and diverse continent. ILAM, the institution he founded in South Africa in 1954, stands as one of the world’s greatest collections of African music, containing over 35,000 unique items that span hundreds of different language groups across eighteen different countries in Central, Eastern and Southern Africa. 

He recorded: Mouse-hunting songs, African separatist hymns, songs imitating the difficulty of the long-tailed paradise bird balancing in flight, songs about rain and poverty, songs celebrating football, songs for pulling canoes, songs which warn against European beer, songs which complain about venereal disease, songs about the sounds of unseen aeroplanes, fishing songs, paddling songs, songs with pauses while spittle is re-applied to moisten the reeds of a lyre, songs about a mosquito overturning a lorry, about a donkey complaining it wants wages instead of maize, about a baboon that dies after somersaulting for joy at hearing the sound of drums, commentaries on urbanisation, labour organisations and fighting campaigns in Burma, the Sneezewood swells of massed Mozambican xylophone orchestras, the oceanic rumbling rolls of packed Zulu choirs, the electrifying scorches of mouth-blown vulture quills, Ramadan town criers, hand‑moistened friction drums and a praise song for a bicycle mender.

The bulk of Tracey’s archival recordings were made during nineteen recording tours between 1948 and 1970. These tours visited Bechuanaland (Botswana), Belgian Congo (DRC), Kenya, Basutoland (Lesotho), Nyasaland (Malawi), Moçambique (Mozambique), Northern Rhodesia (Zambia), Southern Rhodesia (Zimbabwe), Ruanda-Urundi (Rwanda and Burundi), South Africa, Swaziland, Tanganyika (Tanzania), Uganda and Zanzibar.

'Beating Heart - Malawi' is the first in a series of albums.

Beating Heart - Malawi (Originals)- Recorded by Hugh Tracey - Mix

Let's Straighten It Out - DJ"S" (Remix)

🔥 Check Out Our Playlists: https://bit.ly/3uYEEM3

🔥 Keep Up To Date With The Culture: https://www.magneticmag.com/

🔥 Level Up Your Productions: https://www.magneticmag.com/gear/

🔥 Download Free Kick Drums: https://hypeddit.com/magneticmag/undergroundkicksvol1soundcloud

Andrea Benini African Mix

Theme from Selva

Nineteen Hundred and Eighty Five

MIMS is incredibly excited to premiere "Walato" an irresistible call to dance from Onipa, one of our favourite groups, weaving Senegal grooves with a modern electronic pulse. Featuring Senegalese percussionist, Mamadou Saar and Nubiyan Twist, Golden Mean and LCSM bassist, Luke Wynter. 

"Walato" is the first single from the forthcoming Music Halls compilation, 'Forest Sound Archive', a collection of music recorded in collaboration during lockdown by some of the best musicians, instrumentalists and music producers living and working in the borough of Waltham Forest.  An endeavour supported by the London Borough of Waltham Forest and Arts Council England. 

Earlier this year, more than a dozen musicians found a way to overcome the challenges of lockdown to create collaborative pieces in reaction to their isolation and the pandemic. Diverse local talents contributed, such as singer/songwriter and producer Charles Watson, award winning composer/singer/songwriter Paul Mosley, and violinist Emma Smith of the acclaimed chamber group Elysian Quartet.

Lead single, “Walato”, is born from a collaboration between neighbours Mamadou Sarr and Onipa’s Tom Excell. Hailing from Dakar, Senegal, Mamadou is an exceptionally talented percussionist, and has played for many years with the legendary Baaba Maal. Musician, producer and Onipa and Nubiyan Twist founder Excell, struck up a strong musical connection with Mamadou whilst both playing with Africa Express earlier this year. They are joined by Onipa vocalist K.O.G. and multi-instrumentalist Luke Wynter of Nubiyan Twist, Golden Mean and IG Culture's LCSM.

The compilation is mastered by Grammy-nominated engineer, Frank Merritt, whose magic touch has helped create acclaimed releases for the likes of Bonobo, Quantic, Soundway, Strut and Bixiga 70. Frank lives and works in Waltham Forest and as part of the process gave mastering masterclasses to local Sixth Form students. The whole project is curated and directed by Sam Jones, music producer (Collocutor, Siti Muharam) and artistic director of Waltham Forest’s Music Hall, for whom this compilation is the just the beginning of a significant redevelopment of Waltham Forest’s public space and support for local musical artists.

The full compilation,  released December 18, sheds light on so many different creative paths being carved across Waltham Forest, and is a delight to listen to from beginning to end. Pre-order now and download "Walato" immediately.

We’llcome

Derek Bitsche