Wonderfully dark atmosphere, I love the super beautiful piano line and the exciting progression. Brilliant arrangement. 🙏💛

Invite à la production cinématographique : avec une musique si majestueuse et sombre à la fois, avec ce visuel évocateur, comment ne pas s'envoler vers la magie des rêves !

Stunning atmospheric soundtrack, really liked the gradual increase in tension which is so great...

mesmerizing till this point - the sounds and melody feel too cheesy

This is the darkness that you just wanna share with a friend.  It makes me smile!

Related tracks: Look At Them - Jeanne Added Vocal Cover

Heat In The Streets

Once in a while I can coax Keith to put his talents toward  a ballad, and this is one of those infrequent endeavours.
Keith is a rocker at heart, while I tend to the contemplative and ambient slice of life and music. We compromise often. This time, Keith sensed his way through the lightness of the music. Though piano is the main source of movement and texture, there is a Native Instruments "Irish harp" VSTi in here too.
A mellow summer? Time to catch up on some summer reading? Here's a bookmark.

Available for free D/L , track 10 of Spittle and Spite found here: https://www.terrywigmore.com/wigmore-allen-gibbons

Lyrics
Bookmark
You found me in a barren land
And turned it all verdant green
I think it was page seventeen
You are the bookmark…on the page that I have lost
You are the bookmark…on the page that I have lost
Forever
Well riddles will come and riddles will go
Like the riddle of the Snark
To drive you mad…to drive you quite mad
You are the bookmark…for the page 
You are the bookmark…for the page
(INST)  …for the page
(You’re my bookmark)
This is the place
You’re my save point
You’re my bookmark
Pages that held us both together… to hold us… now…
Tears us both apart
Tears us both apart

Wigmore: Music, Production
Allen: Bass, Guitar, Vocals, Lyrics
(c) and (p) WAG @2024

Spittle and Spite

Bookmark

-we are not that far...

-nous ne sommes pas si loin...






L.P.E

Voltage

Voltage (Original M!X)

Watch the video on Youtube:
https://youtu.be/tyOoiticxC4

Queen of Darkness -  now on Spotify

Jumping Fish Competition

Traditional Welsh folk song ("Llwyn Onn") 
English lyrics by Thomas Oliphant (19th century)
Vocals and Instrumentals by Layna Claunch

The ash grove, how graceful, how plainly 'tis speaking
The harp through it playing has language for me
When over its branches the sunlight is breaking
A host of kind faces is gazing on me
The friends of my childhood again are before me
Each step wakes a memory as freely I roam
With soft whispers laden the leaves rustle o'er me
The ash grove, the ash grove again is my home
 
Down yonder green valley where streamlets meander
When twilight is fading I pensively rove
Or at the bright noontide in solitude wander
Amid the dark shades of the lonely ash grove
'Twas there while the blackbird was cheerfully singing
I first met that dear one, the joy of my heart
Around us for gladness the bluebells were ringing
But then little thought I how soon we should part
          
My lips smile no more, my heart loses its lightness   
No dream of the future my spirit can cheer
I only can brood on the past and its brightness
The dear ones I long for again gather here
From ev'ry dark nook they press forward to meet me
I lift up my eyes to the broad leafy dome
And others are there, looking downward to greet me
The ash grove, the ash grove again is my home

Ash Grove

one bad night (original)

Unboxed August 2024

[ d o w n l o a d a b l e ]

A View From Here

Our Dog

Composer c'est peindre des sons !
-
Musique : Pascal Regnaudin.
Licence : CC.BY (2024)

Ostinato

Lost World

02 Sanctuary I:Fujara II

Album Title: Resident Evil: Biohazard Sound Chronicles (Fanmade OST)
Subtitle: A Fanmade Resident Evil Inspired Soundtracks
Artist: nezuki_chan
Release: 2025

The darkness has a sound. "Biohazard Sound Chronicles" is a fanmade original soundtrack by nezuki_chan, reimagining the essence of Resident Evil through haunting, cinematic soundscapes. Each track plays like a lost chapter of the series — unsettling, atmospheric, and deeply immersive. Orchestral fragments, industrial textures, cold synth layers, and organic sound design combine to create a sonic journey into survival horror.

[Track Concept]:

Each piece is inspired by iconic Resident Evil–like locations and scenarios, turning them into tense and immersive soundscapes:

Save Rooms – melancholic piano themes and soft drones, fragile moments of safety in a hostile world.

Underground Corridor – metallic echoes, dripping water, the sound of footsteps swallowed by endless tunnels.

Hidden Forest – distorted natural ambience, ominous strings, fog and dread between the trees.

Abandoned Train Tunnel – screeching rails, reverberating iron, claustrophobic horror in the dark.

R.P.D Police Department – Corridor – ominous pulses, flickering lamps, the iconic emptiness of a haunted police station.

Abandoned Hospital – sterile emptiness, rhythmic dripping, mechanical hums, and cold, echoing piano notes.

Raccoon City: Quarantine (Boss Theme I) – aggressive percussion, distorted strings, pounding bass for a desperate battle.

Underground Tunnels (Boss Theme II) – heavy industrial rhythms, chaotic synths, relentless tension.

The Graveyard – fog, choirs, distant bells, a requiem of unease and forgotten souls.

Underground Laboratory – pure sci-fi horror: synthetic pulses, machine distortions, resonant drones.

Underwater Research Facilities – muffled, pressurized tones, distorted ambience evoking the crushing depths.

Air Plane – Last Boss Theme – fast-paced orchestration, thunderous percussion, the sound of final despair.

Credits (Alone) - an emotional female vocal, telling the story of some places in the game and what all been seen.

[Artistic Vision]:

This album is not a copy, but a reinterpretation of the Resident Evil atmosphere. Each track feels like a missing piece of survival horror history — from the flickering comfort of the Save Rooms to the apocalyptic intensity of the last boss fight. With "Biohazard Sound Chronicles", nezuki_chan combines the series’ iconic sound identity with a unique personal style, crafting something authentic yet original.

⚠️ Note: This album is a fanmade project. It is not affiliated with or endorsed by Capcom or the Resident Evil series.

Resident Evil - Hidden Forest | Instrumental Fan Music

The Expansion of Infinity

In 2019, after releasing my single Distant Visions, a fan reached out and said:
“Almost sounds like something from a second interstellar suite.”

That one sentence stirred something in me. It took me back to The Maestoso Interstellar Suite—a work I originally released in 2006 and expanded into a double-disc experience for its 10-year anniversary in 2016. I began to ask myself: Is there more to explore in that soundscape? Could there be a continuation—not a sequel, but a new frontier?

At the time, I had also released a companion version of the suite: a more accessible, “radio edit” style reimagining called Singularities. It wasn’t just a shortened take—it was a different perspective. Like looking at a galaxy from another angle.

And now, Singularities has found its true home—as the next entry in a new, ever-evolving musical journey.

Welcome to Infinity

Infinity is more than a project. It’s a living archive. A space where reinterpretations and original compositions coexist. Ambient. Orchestral. Space-driven. Timeless. It has no definitive ending—only a series of unfolding volumes, each offering a glimpse into the same emotional cosmos from a different light.

Infinity Volume II – Singularities

This volume reintroduces the material from The Maestoso Interstellar Suite through a reframed lens: shortened, accessible, and arranged to stand on its own as individual pieces. If the Suite was a continuous voyage, Singularities is the constellation map—each track a star with its own identity, orbiting the same emotional core.

Originally created as an alternate listening experience, this version of Singularities now shines as a fully realized volume within Infinity. It respects its source material while offering something more focused—more immediate—without losing depth.

Where It’s Going

The Infinity series continues to grow. Each volume refines, reimagines, or reaches beyond what came before. And there’s more to come:

Infinity Volume I – The Maestoso Interstellar Suite

Infinity Volume II – Singularities

With each step, I revisit and reshape ideas I once thought complete. And with every new piece, I get closer to the sound I’ve always heard in my head—now finally possible with the tools I have today.

Maybe it’s unconventional. Maybe it’s a little obsessive.
But that’s Infinity—and it’s not supposed to end.

🎧 Listen on your favorite platform:
🔗 owtt.lnk.to/infinity2BC  

Movement X (General Relativity)

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

An electronic musician and guitarist who especially likes the more nostalgic sounds of the 80s. Composing and producing is my favourite hobby. Thank you to everyone who listens to my music.

I learned my first guitar chords as a teenager in the 90s, that's when I also composed my first songs. Since then, songwriting has been my passion.  In the 90s, my friends and I also founded a band that worked for about 10 years. After the band ended, I wrote songs in a desk drawer and dreamed of a home studio. I also learned to play a little piano. Since 2016, I've been slowly learning to produce music in a DAW environment, first with Garegeband and later with Logic Pro X. In the last couple of years, I've learned more about composing and arranging than in the previous several years, but it feels like the journey is just beginning. Thanks to everyone who has read this far.

I don't use AI to compose or produce my music.

I also publish music on YouTube and Spotify

Queen of Darkness - now on Spotify

Derensix83

Recent comments

Siamak Sarmadian

Rob Terstall

MrBouzouki

Misk Music

Related tracks