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New stuff

Tim Maia Racional -  Bom Senso

07 The Dance Is Over - Tim Maia - These Are The Songs

I Don't Care

Since this remix has gotten a lot of plays we decided to reupload this and master it properly 

Brazilian Girls - Don't Stop(Vast Connection Remix)*Mastered* Free DL

Brazilian Girls - Lazy Lover (DJ Lactose Remix)

Inspired by what most mixtapes are inspired by… ;)

باندا ، ميتقلهاش لأ

Tracklist:

Intro
Swindle - Forest Funk
Billie Holiday - You're So Desirable (Sunday People Remix)
Parov Stelar - The Sun (feat. Graham Candy)
Club Des Belugas - Hot Vibes
Hessismore - Heyithinkyouareterrific
Swindle - Kick It (feat. The Milk)
Brazilian Girls - Dance Till The Morning
Rae & Christian - Dancr (feat. Mel Uye Parker)

Flying Panda and the Telepathic Assassin mixtape Side A

Devoted

I Played

More Than Me

Tim Maia - O Caminho do Bem (Fernando Mello Bootleg)

The legendary Lee Fields gets down and dirty covering Raphael Saadiq's "100 Yard Dash" for E&J Brandy's Generations of Soul.

We’re proud of our roots and we celebrate those who are proud of theirs. E&J is excited to present ‘Generations of Soul’, a story of three incredible soul artists, who despite their differences in age and life experience are bound by their love of music and a deep respect for their roots.

Website: generationsofsoul.com/
Facebook: facebook.com/ejbrandy
Twitter: twitter.com/ejbrandy
Instagram: instagram.com/ejbrandy

Lee Fields - 100 Yard Dash (Raphael Saadiq Cover)

Tim Maia, THE Brazilian Funk Soul Godfather was the real thing. His 1970 debut album introduced his audacious talent, as well as North American soul and funk musical influences, forever changing Brazilian popular music. His legendary appetites sought out carnal AND spiritual fulfillment in equal measure.  He bought 100 hits of LSD and handed them out to the staff of his record label. At the height of his mid-70s success he joined the Cult of Racional Energy; watching for spaceships while wearing only white clothes and playing only white instruments! Yet the two albums he recorded for the Cult are among his best. His songs search for love, and they dig into the existential. His own lyrics say it best: “I am so groovy now and I don’t care!”

Buy this track

Tim Maia - Let's Have a Ball Tonight

'Ela Partiu' on iTunes

Tim Maia - Ela Partiu

Tim Maia - Quer Queira, Quer Não Queira

Tim Maia, THE Brazilian Funk Soul Godfather was the real thing. His 1970 debut album introduced his audacious talent, as well as North American soul and funk musical influences, forever changing Brazilian popular music. His legendary appetites sought out carnal AND spiritual fulfillment in equal measure.  He bought 100 hits of LSD and handed them out to the staff of his record label. At the height of his mid-70s success he joined the Cult of Racional Energy; watching for spaceships while wearing only white clothes and playing only white instruments! Yet the two albums he recorded for the Cult are among his best. His songs search for love, and they dig into the existential. His own lyrics say it best: “I am so groovy now and I don’t care!”


Tim Maia - Nobody Can Live Forever

Tim Maia - You Don't Know What I Know

Tim Maia - Rational Culture

See our animated short movie on Tim Maia, narrated by Devendra Banhart: http://youtu.be/V9CaUKrGS3Y

Tim Maia, THE Brazilian Funk Soul Godfather was the real thing. His 1970 debut album introduced his audacious talent, as well as North American soul and funk musical influences, forever changing Brazilian popular music. His legendary appetites sought out carnal AND spiritual fulfillment in equal measure.  He bought 100 hits of LSD and handed them out to the staff of his record label. At the height of his mid-70s success he joined the Cult of Racional Energy; watching for spaceships while wearing only white clothes and playing only white instruments! Yet the two albums he recorded for the Cult are among his best. His songs search for love, and they dig into the existential. His own lyrics say it best: “I am so groovy now and I don’t care!”

'Que Beleza' on iTunes

Tim Maia - Que Beleza

Tim Maia was the man.

 A soul superstar with outsize talents and appetites, he revolutionized popular music in his native Brazil in the 1970s. He also married five times, served multiple prison sentences, and at the height of his fame, joined a UFO-obsessed religious cult.

After a decade of legal wrangling, Luaka Bop is set to release ‘Nobody Can Live Forever: The Existential Soul of Tim Maia’ a fifteen track survey of Maia’s 1970s recordings, completely remastered, commemorating what would have been the Brazilian musical legend’s 70th birthday on September 28. The release is the fourth in the label’s World Psychedelic Classics series, known for unearthing long neglected masterworks by Os Mutantes, Shuggie Otis, and one of the first compilations of African psychedelia and funk.

Tim Maia’s story is the stuff of legend, and indeed he is the subject of a best-selling biography, TV movie, and hit musical in Brazil. Growing up in Rio, he formed his first band at age 14 and taught local gang members to play guitar. In 1959, aged 17, he illegally emigrated to Tarrytown, NY where he studied communications, worked as a janitor, and formed a new band, The Ideals. Four years later he was jailed and deported for smoking marijuana in a stolen car. He returned to Brazil deeply inspired by American soul music and the civil rights movement and began writing songs in earnest.

Maia’s 1970 debut LP has been called “a massive cannonball into the pool” of Brazilian culture, the ripples of which are still visible today. The album linked Brazilian pop music and American soul in a way that was genuinely new, and it spent 24 weeks on the charts. Other landmark recordings would follow, but in 1976, Maia joined the Racional Energy cult, at which point he shed his vices, dressed in white robes, and performed and recorded only for cult members. Maia would later distance himself from Racional Energy, but the mythos surrounding him only grew. He died, 55 years old and obese, after an onstage heart attack in 1998.

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Derk Erbe