this is....im going to go with undescribable

This doesn't sound like her at all. Did she sing?

7 years later and I still remember (and feel) the feeling I had when i first listened to this song

Ambient

Courtesy of The Library Foundation of Los Angeles 'Songs in the Key of Los Angeles' Project. For more info, please visit:
http://www.lapl.org/collections-resources/visual-collections/collection-page/songs-key-la

Julia Holter - Where The Mission Bells Are Chiming (Down Beside The Sea)

download

Gaussian Blur

In honor of my wedding on the 4th of June I'm giving away the song that we walked down the aisle to. 

The process of writing music for this was interesting. I didn’t know how long each of the sections were going to take (i.e. main procession, transition, bride, etc), so I made each section loop-able and had a friend trigger it in Ableton (thanks Boreta). The procession lasted about 10 minutes so this is obviously a shortened version. It worked out great in the end. It was a beautiful day. I hope you enjoy…

Lara

One of the pieces I wrote as part of the score to the 2012 documentary film, "Outliers Vol. 1: Iceland".

More info here: www.outliersiceland.com

Choir (Outliers Vol.1)

Beautiful meditation music with ethereal female vocals by Eriladar from their second album of Goddess music

Isis

Flying Home

Download: https://www.xlr8r.com/mp3/2016/02/born-in-flamez-x-modeselektor-tbf/

@born-in-flamez
@modeselektor

Download

Download: Born In Flamez & Modeselektor -TBF

Jean Bernard Raiteux 
Les Demons
FKR086
LP | Digital

The unreleased Euro pysch score to the French/Portuguese X-rated version of The Devils meets The Witchfinder General! Synchronised by Spanish anti-establishmentarian, sexual liberator, die-hard independent filmmaker and unrepentant voyeur Jess Franco (Vampyros Lesbos/De Sade). Composed entirely by French composer Jean-Bernard Raiteux aka Jean-Michel Lorgere (Sinner/Harlem Pop Trotters) and presented here in full soundtrack form for the first time.

Proudly claiming the dubious accolade of the Spanish sexploitation version of The Devils as the distributor’s most bankable asset, this previously banned 1973 European witch flick would rip the art house facade from Ken Russell’s well polished box office smash and push the envelope way beyond the closet titillation of the gentrified new wave controversy seekers. Delivered on a comparable shoestring budget as the 55th feature in Jess Franco’s filmography of approximately 203 completed movies, The Demons (Les Démons), directed under the Anglicised pseudonym Clifford Brown, took many of the Franco’s sexually stylistic watermarks (epitomised in his Vampyros Lesbos trilogy) adding witchcraft, possession and nunsploitation against a rural Mediterranean backdrop before disappearing into the woods. Whilst clearly taking inspirational plot cues from Michael Reeve’s The Witchfinder General (UK 1968) and drawing comparisons with scenes from Eiichi Yamamoto’s Belladonna Of Sadness (Japan 1973) this B-Movie reduction of Franco’s wide palette of colourful ingredients has in recent years provided enthusiasts/champions/defenders of the workaholic horrotica bastion with a rare and treasured addition. Future-proofed by an essential component, omnipresent in Franco’s films, it is the mysterious commercially unobtainable soundtrack music that cements the unwaning interest in his risqué brand of unconventional shock/schlock sinema (not hindered my the enigmatic title card misinformation that often surrounds the original composers) and the music herein that has given Franco’s harshest critics a second chance/reason to reevaluate this man’s unapologetic art.

Following on from Finders Keepers previous expanded release of Bruno Nicolai’s score for Franco’s 1970 adaptation of De Sade (FKR069) this record stands as another tribute to Franco’s life which he lived through the mechanisms of a camera with relentless zeal and a passion to challenge every aspect of movie making along the way. UNDERground, OVERambitious, RIGHT on, LEFTfield, BELOW the radar but ABOVE criticism. INdulgent and OUTrageous, but never middle of the road, Jess Franco was many things but he wasn’t pretentious and never delivered art for art’s sake and I feel honoured to have spent time with him. Franco was in fact a realist, he kept both feet firmly on the ground and a keen eye behind the right side of the lens and if Jess did have any demons his films were his exorcisms, the critics were the bloody judges and his legacy (through the medium of X-rated cinema of variable quality) is immortal.

www.finderskeepersrecords.com

Jean Bernard Raiteux - The Weakness Of Rosalinda

from the album 'we will always be' available 01/30

windy & carl 'remember'

First track from the forthcoming album 'Hormone Lemonade', released 23 March 2018 on Duophonic:
http://smarturl.it/hormonelemonade

Make Out Fade Out

Helios - Every Hair On Your Head (Ben Boysen Remix)

Purchase "Save Your Season" via:
unseen.bigcartel.com/artist/mint-julep
itunes.apple.com/us/album/save-your-season/id476215151

www.facebook.com/mintjulepmusic | twitter.com/_mintjulep

Mint Julep music videos:
www.youtube.com/watch?v=7P9t0eU_drQ
www.youtube.com/watch?v=5LxckeXA5tY&feature=relmfu
www.youtube.com/watch?v=xEOmpbk4ya4&feature=relmfu

The silence stretches far away
I lift my  head and drop away
And in my ear it rings

He never says what he means
Always felt but left unseen
A distant voice that sings

All this false indifference is your only defense
All this false indifference is your only defense
But it's not what you want
But it's not what you want

Feelings have become routine
Bitter words that cut a rift
They cut a rift between

Would you stay another day
Would you wait for me to say
Come back
Come back to me

All this false indifference is your only defense
All this false indifference is your only defense
But it's not what you want
But it's not what you want

~

Formed in Boston, Massachusetts, in 2007, MINT JULEP is the husband-and-wife team of Keith and Hollie Kenniff. Subsequently relocating to Portland, Oregon, the duo cut a limited release album, Songs About Snow, in 2008 and the EP, Adorn, in 2010 – effectively a trial run for further recording in their home studio, the fruit of which is a sublime follow-up, Save Your Season, released by Village Green in 2011. The couple is currently writing and recording their next album, Broken Devotion, which is slated for release in mid 2013.

Hallmarked by Hollie’s seductive, dreamy vocals and a succession of memorably soaring choruses, all of it etched with Keith’s vivid, glinting keyboards, towering guitars and miscellaneous instrumental hooks, Mint Julep make lustrous modern pop music that is wistful and mellifluous yet simultaneously powerful, even epic – equal parts shoegazing romanticism and cool, Kraftwerkian polish. Their songs seem instantly familiar, like old musical friends, a ’classicism’ offset by the freshness and luminosity they exude as they usher you on a breathless ride through the sunlit uplands of electronic indie-rock.

Mint Julep was designed as a conscious departure from Keith’s previous, ambient-orientated projects. “When Hollie and I set out to do something, I wanted to find some way to incorporate her vocals into a slightly different style, rather than just write similar material to my solo work and lay her vocals over top”, he says. “I had the need to write something that had some distorted guitars, loud drums and was a little bolder than what I had previously done. We messed around with a track one night (which became ‘Stay’) and it was a fun process, so we just kept writing more songs so we could do a project together.”

Soon a working pattern emerged, with Keith composing music around Hollie’s lyrics or making tracks which Hollie would then add to. “It just developed after a lot of trial and error, and after a while the material started to plateau and began to sound like an album…”

A Pennsylvannian by birth, Keith Kenniff is an honors graduate of Boston’s esteemed Berklee College of Music, best known as the brains behind dulcet ambient/electronic practitioners Helios and the fingers on the ivories of post-classical piano minimalists Goldmund (the latter’s music once described by no less an authority than Ryuichi Sakamoto as “…so, so, so beautiful…”). A succession of albums under those aliases has made Kenniff the darling of discerning critics and his music has also been widely used in film, television and advertising, not least on the soundtrack to the 2012 documentary Bones Brigade, as well as composing for clients such as Apple, Facebook and Google.

Originally from Ohio, singer Hollie Kenniff maintains dual US/Canadian citizenship, having spent part of her life in Ontario. Aside from Mint Julep, she has collaborated on several additional musical endeavors in tandem with husband Keith, including a children’s music project, Meadows (inspired by the couple’s young son), whose debut longplayer was recently released, and an ambient diversion under their own names. An album of the latter, A Deep and Dreamless Sleep, is slated for release in 2013.

Mint Julep - Stay (lyrics)

Purchase "Save Your Season" via:
unseen.bigcartel.com/artist/mint-julep
itunes.apple.com/us/album/save-your-season/id476215151

www.facebook.com/mintjulepmusic | twitter.com/_mintjulep

Mint Julep music videos:
www.youtube.com/watch?v=7P9t0eU_drQ
www.youtube.com/watch?v=5LxckeXA5tY&feature=relmfu
www.youtube.com/watch?v=xEOmpbk4ya4&feature=relmfu

Formed in Boston, Massachusetts, in 2007, MINT JULEP is the husband-and-wife team of Keith and Hollie Kenniff. Subsequently relocating to Portland, Oregon, the duo cut a limited release album, Songs About Snow, in 2008 and the EP, Adorn, in 2010 – effectively a trial run for further recording in their home studio, the fruit of which is a sublime follow-up, Save Your Season, released by Village Green in 2011. The couple is currently writing and recording their next album, Broken Devotion, which is slated for release in mid 2013.

Hallmarked by Hollie’s seductive, dreamy vocals and a succession of memorably soaring choruses, all of it etched with Keith’s vivid, glinting keyboards, towering guitars and miscellaneous instrumental hooks, Mint Julep make lustrous modern pop music that is wistful and mellifluous yet simultaneously powerful, even epic – equal parts shoegazing romanticism and cool, Kraftwerkian polish. Their songs seem instantly familiar, like old musical friends, a ’classicism’ offset by the freshness and luminosity they exude as they usher you on a breathless ride through the sunlit uplands of electronic indie-rock.

Mint Julep was designed as a conscious departure from Keith’s previous, ambient-orientated projects. “When Hollie and I set out to do something, I wanted to find some way to incorporate her vocals into a slightly different style, rather than just write similar material to my solo work and lay her vocals over top”, he says. “I had the need to write something that had some distorted guitars, loud drums and was a little bolder than what I had previously done. We messed around with a track one night (which became ‘Stay’) and it was a fun process, so we just kept writing more songs so we could do a project together.”

Soon a working pattern emerged, with Keith composing music around Hollie’s lyrics or making tracks which Hollie would then add to. “It just developed after a lot of trial and error, and after a while the material started to plateau and began to sound like an album…”

A Pennsylvannian by birth, Keith Kenniff is an honors graduate of Boston’s esteemed Berklee College of Music, best known as the brains behind dulcet ambient/electronic practitioners Helios and the fingers on the ivories of post-classical piano minimalists Goldmund (the latter’s music once described by no less an authority than Ryuichi Sakamoto as “…so, so, so beautiful…”). A succession of albums under those aliases has made Kenniff the darling of discerning critics and his music has also been widely used in film, television and advertising, not least on the soundtrack to the 2012 documentary Bones Brigade, as well as composing for clients such as Apple, Facebook and Google.

Originally from Ohio, singer Hollie Kenniff maintains dual US/Canadian citizenship, having spent part of her life in Ontario. Aside from Mint Julep, she has collaborated on several additional musical endeavors in tandem with husband Keith, including a children’s music project, Meadows (inspired by the couple’s young son), whose debut longplayer was recently released, and an ambient diversion under their own names. An album of the latter, A Deep and Dreamless Sleep, is slated for release in 2013.

Mint Julep - The Wind Beneath The Trees

I composed the score to this new Facebook spot. https://www.facebook.com/photo.php?v=10200156550214780&set=vb.20531316728&type=3&theater

http://www.unseen-music.com/

Helios (Keith Kenniff) - Lilt

Never Rarely Sometimes Always (Original Motion Picture Soundtrack)

Finding Her

My new track is out  !

https://open.spotify.com/album/5LmUfYcddPEtKE03v6KjwA?highlight=spotify:track:0XTwCj0y8IuG0Gs5qjKT0K

Lara

Deru

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