It is a long time I don't stumble upon something that rapidly strucks my attention like your music <3

indeed the future never comes , how can u make such an emotional piece using synthesizer

Second track off of "1979", released on digital, vinyl, and handheld projector on Friends of Friends Records.

fofmusic.bandcamp.com/album/1979 <---- To buy digital/vinyl
http://shop.1979.la <---- To order the projector
www.1979.la <---- To submit a memory for the gallery

---------------------

Memory is one of our greatest gifts; it gives us access to time, to identity, to dreams. Guided by the wisdom of Jackson Sonnanfeld-Arden, discoverer of the Nine Pure Tones, I created 1979 as a concept album through which I could share his brilliant theory, and my life-long infatuation with memory.

Before music was such an easily traded commodity, it was often an experience to which people gave their full attention. Let’s bring that experience back. Let’s respect what music is worth.

Yours in the waves,
- Deru

Let The Silence Float

Track number 5 off of "1979", released on digital, vinyl, and handheld projector on Friends of Friends Records.

fofmusic.bandcamp.com/album/1979 <---- To buy digital/vinyl
shop.1979.la <---- To order the projector
www.1979.la <---- To submit a memory for the gallery

---------------------

Memory is one of our greatest gifts; it gives us access to time, to identity, to dreams. Guided by the wisdom of Jackson Sonnanfeld-Arden, discoverer of the Nine Pure Tones, I created 1979 as a concept album through which I could share his brilliant theory, and my life-long infatuation with memory.

Before music was such an easily traded commodity, it was often an experience to which people gave their full attention. Let’s bring that experience back. Let’s respect what music is worth.

Yours in the waves,
- Deru

Drink It In

4th track off of "1979", released on digital, vinyl, and handheld projector on Friends of Friends Records.

fofmusic.bandcamp.com/album/1979 <---- To buy digital/vinyl
shop.1979.la <---- To order the projector
www.1979.la <---- To submit a memory for the gallery

---------------------

Memory is one of our greatest gifts; it gives us access to time, to identity, to dreams. Guided by the wisdom of Jackson Sonnanfeld-Arden, discoverer of the Nine Pure Tones, I created 1979 as a concept album through which I could share his brilliant theory, and my life-long infatuation with memory.

Before music was such an easily traded commodity, it was often an experience to which people gave their full attention. Let’s bring that experience back. Let’s respect what music is worth.

Yours in the waves,
- Deru

Three Cheers For Existence

from the album 'sea island' available 11/17

loscil 'sturgeon bank'

3rd track off of "1979", released on digital, vinyl, and handheld projector on Friends of Friends Records.

fofmusic.bandcamp.com/album/1979 <---- To buy digital/vinyl
shop.1979.la <---- To order the projector
www.1979.la <---- To submit a memory for the gallery

---------------------

Memory is one of our greatest gifts; it gives us access to time, to identity, to dreams. Guided by the wisdom of Jackson Sonnanfeld-Arden, discoverer of the Nine Pure Tones, I created 1979 as a concept album through which I could share his brilliant theory, and my life-long infatuation with memory.

Before music was such an easily traded commodity, it was often an experience to which people gave their full attention. Let’s bring that experience back. Let’s respect what music is worth.

Yours in the waves,
- Deru

Addictive Yearning

Love and Work

Passing Humpbacks

Download: http://www.xlr8r.com/mp3/2015/03/tenebre-smart-city-antigroove/

Download

Ténèbre - Smart City (Antigroove)

8th track off of "1979", released on digital, vinyl, and handheld projector on Friends of Friends Records.

I figured I'd use this track as an opportunity to talk about some of the production on "1979". As some of you have been asking, I bounced all of the songs on the album straight to cassette tape. I bought an old Marantz portable tape deck on eBay and the songs went straight out of the computer onto the deck, fully mixed. The tape recorder is kinda fucked up and has a really pronounced pitch warble that I love. It gives everything a very distinct character. Throughout the years I've become less careful with my mixes. I don't think I would've ever done this when I was first making music and was obsessed with clarity or whatever, but now that I've been doing it a while I'm much more into interesting mixes... Mixes with character. 

This song in particular almost didn't make it onto the record. It's the only song with a beat on the album, and I wasn't sure that it fit because of it. But after playing the album to a few friends some of them said that it was their favorite, and that it provided a nice contrast to the rest of the songs. It's hard to gauge these things while working on the music sometimes as you're too close to it. But I'm glad I was convinced. Ambient music is just music after all.

- Ben

PS: The SoundCloud player really does some heinous shit to the tape noise in this one. Listen to a real copy if you can sometime.

-----------

fofmusic.bandcamp.com/album/1979 <---- To buy digital/vinyl
shop.1979.la <---- To check out the projector
www.1979.la <---- To submit a memory for the gallery

The Future Never Comes

This remix has been made using exclusively a Prophet 08 and the music recorded by Ochre.

Ochre - Paper Unicorn (Marc Melià Remix)

From "1979: Remixed", on Friends of Friends, released April 29th.

Digital and vinyl restock available here: 
deru.bandcamp.com/album/1979-remixed

All other digital and streaming services here:
https://fofmusic.lnk.to/1979Remixed

1979 - Remixed

1979 (On a Snowy February Day)

Suzanne Ciani
Fish Music
FKSP011 (Finders Keepers Records)
7" | MP3

As the first and only dedicated label to liberate the private, non-commercial artefacts from Suzanne Ciani’s groundbreaking Ciani Musica studio vault, Finders Keepers Records presents an incredible cryogenically suspended slice of precious precocious immersive fledgling synthesis for this ultra limited RSD 2107 title.Ironically well removed from the intension of phonographic application in its original inception, this anti-pop wash of marine biology modular synth sound design was originally proposed by a very young Ciani for exclusive infinite loop airings in a giant mid-American shopping mall aquarium in 1977.
Potentially conjuring ambient scenes from the consumerist satirical Dawn Of The Dead while sonically ushering a genuine desire for total musical science reevaluation/revolution via a decidedly mainstream portal, the Fish Music project is a striking eerie example of how Ciani’s “Subversion With A Smile” approach led to a long career breaking boundaries in formal music technology, film scoring, the advertising industry and gender equality – all of which has continued to fuel her passion and channel her life lust and artistic appetite much to the benefit of future ambitious trajectories of music.
Owing much to the memory of genuine synthesiser maverick Don Buchla this conceptual release is very much the product of artistic America at its progressive halcyon but, with its illustrious and idiosyncratic composition, communicates subtle undertones of Suzanne’s feminine Italian origins which seldom reside outside of the efforts of Roman library composers like Casa, Tomassi, Raskovich and siblings Antonioni and Maria Teresa Luciani. Presented here as an isolated one-sided pressing on aquatic clear vinyl and including the original press release and a press cutting this limited release proceeds a wider series of unreleased Ciani work for 2017. File under… water.

A RECORD STORE DAY 2017 EXCLUSIVE

www.finderskeepersrecords.com
https://finderskeepersrecords.bandcamp.com/album/fish-music

Fish Music

Suzanne Ciani - Fish Music

BRIAN CASE - No Immediate Threat

Premiering on the Ransom Note: https://bit.ly/2MyJojX

"An enchanting new album." - The Ransom Note 

Heinali is the alias of self-taught composer and sound-designer Oleg Shpudeiko from Ukraine. Now well established under the name he brings along his latest full length ‘Iridescent’ due for release on October 12th on Injazero Records. 

Having garnered rapturous responses to his earlier output and last year’s ‘Anthem’ Oleg continues to push the boundaries and experiment with altering mood and atmospheres of any space - with abstract yet deeply personal transmissions of ambient synthesiser work and subaqueous, minimal techno contortions. 

‘Iridescent’ consists of fragments of studio improvisation sessions recorded in 2016 and 2017, some of them recorded in one unedited take on a modular system and some layered and later morphed into compositions. As the title suggests Heinali crafts shimmering, incandescent portraits, rich in his unique characteristics and compositional liberty. 

Apart from the “musical sculptures,” that represent the bulk of this LP, Oleg was interested in the exploration of polyphonic capabilities of the modular system. ‘Rainbow Folding’, a loose homage to Terry Riley’s 'A Rainbow In Curved Air,' features an interplay of several independent, but distinct voices and their processed shadows — ‘ghost voices’. In 'Shadow Invention’ eerie atmospherics steal the spotlight and dominate the composition, ending in a cacophony of the ‘ghost voices’. 

Oleg says of the album, “it’s a kind of studio dairy. A reflection on the development of my relations with the hardware instruments and exploration of them as channelling vessels for my experiences and ideas.” 

“One can think of Iridescent’ as ‘musical sculpture’ analogy — when the body of music stays the same, but its surface is flickering with various colours over time — sometimes in a subtle manner, sometimes loud and clear. Or it can be understood in the context of various colours of polyphony, or as a liminal condition of the colour as if it’s being ‘stuck’ in the mist of twilight zone between neighbouring colour-states, so it can’t become a particular colour and is in a flickering kaleidoscopic state.” 

‘Iridescent’ bares Oleg’s style of sonic storytelling and austere, otherworldly textural embellishments that bring to mind Ben Frost, Akira Yamaoka, and Oneohtrix Point Never but also plants the seed for much more club ready electro. ‘Starling Reprise I’ is a scorching piece of ambient techno that conjures Four Tet, LTO and Susumu Yokota’s blissful, kaleidoscopic synth work whilst ‘Starling Reprise II’ retains the frosty, steely ambience that has become Heinali’s calling card. 

Cover artwork by Olga Gaidash.
Mastered by Taylor Deupree at 12k Mastering.

The Future Never Comes

Deru

Recent comments

VickoD

ali yousefi

Marko Ahokangas

ARR!!!

Related tracks