Dead Can Dance - The Carnival Is Over

Nouvelle Vague - Bela lugosi's dead

Nierika (Dead Can Dance Remix)

http://www.dead-can-dance.com/index.php
http://www.brendan-perry.com/
http://www.lisagerrard.com/
http://www.myspace.com/deadcandance
http://www.deadcandance.com/
http://en.wikipedia.org/wiki/Dead_Can_Dance
http://www.discogs.com/artist/Dead+Can+Dance
http://www.last.fm/music/Dead+Can+Dance

LYRICS

If it were within,
within our power,
beyond the reach
of slavish pride.
To no longer
harbour grievances,
behind the masked
opportunist's facade:

We could welcome responsibility
like a long lost friend,
and re-establish laughter
in the dolls' house once again.
For time has imprisoned us
in the order of our years,
in the discipline of our ways,
and in the passing of momentary stillness
we can see our chaos in motion
Our chaos in motion
We can see our chaos in motion,
view our chaos in motion.





Dead can dance - ln The Kingdom Of The Blind The One-Eyed Are Kings

Hymn 284

Loved with everlasting love,
Led by grace that love to know;
Spirit, breathing from above,
Thou hast taught me it is so.
Oh, this full and perfect peace!
Oh, this transport all divine!
In a love which cannot cease.
I am His, and He is mine.

In a love which cannot cease,
I am His, and He is mine.

Heaven above is softer blue,
Earth around is sweeter green;
Something lives in every hue
Christless eyes have never seen:
Birds with gladder songs o'erflow,
Flow'rs with deeper beauties shine,
Since I know, as now I know,
I am His, and He is mine.

Things that once were wild alarms
Cannot now disturb my rest;
Closed in everlasting arms,
Pillowed on the loving breast.
Oh, to lie forever here,
Doubt and care and self resign,
While He whispers in my ear,
I am His, and He is mine.

His forever, only His:
Who the Lord and me shall part?
Ah, with what a rest of bliss
Christ can fill the loving heart.
Heaven and earth may fade and flee,
Firstborn light in gloom decline;
But, while God and I shall be,
I am His, and He is mine.


🌹🎻🎶🌺🌸🌱🌷☘️🌹🎻🎶


Himno 137

1-Me amó con un amor
Tan divino͜ y eternal,
Por Su gracia supe yo
De͜ esta grande realidad.
¡Oh, completa͜ y dulce paz!
¡Me transporta todo͜ el ser!
En amor tan celestial,
Suyo soy y mío͜ es El.

2-Es el cielo más azul,
Y la tierra͜ un verde mar;
Algo vibra͜ en todo͜ aquí,
Pues mi ser en Cristo͜ está.
Dan las aves su canción,
Y las flores brillantez;
Desde que conozco yo,
Que soy Suyo͜ y mío͜ es El.

3-Lo que antes me͜ alarmó
No me puede perturbar;
En Su seno de amor
Yo me calmo͜ en dulce paz.
Quiero͜ aquí permanecer
Renunciando͜ a mi͜ avidez;
Mientras le͜ oigo susurrar
Suyo soy y mío͜ es El.

4-Para siempre suyo soy,
¿Qué nos puede separar?
Cristo en mi corazón,
¡Oh, qué gran felicidad!
Puede͜ el cosmos terminar,
O el alba͜ oscurecer,
Pero͜ estando yo con Dios
Suyo soy y mío͜ es El.


🌹🌸🌺🌷🌱☘️🌹🎻🎶☘️

Me_amo_con_un_amor -Himno 137 🌺 Loved with Everlasting Love-Hymn 284 🌹 🌹

Sigur ros-gong

my own vision of "Windswept" by Johnny Jewel is here

Spotify: https://sptfy.com/i7XP
Apple Music:https://music.apple.com/us/album/windswept-acrone-remix/1552456692?i=1552457031

thanks

Free download

Johnny Jewel - Windswept (Acrone Re-vision)

Artist: Dead Can Dance, album: Dead Can Dance (1984)

Dead Can Dance - Ocean

Download 'Amnesia' Here - http://t.opsp.in/e02b7

DEAD CAN DANCE
NEW ALBUM ‘ANASTASIS’ OUT 13th AUGUST
FIRST RECORD IN 16 YEARS
ROYAL ALBERT HALL 26th OCTOBER
SHOW SELLS-OUT IN UNDER 48 HOURS

Dead Can Dance will release their new album ‘Anastasis’ through [PIAS] Recordings on 13th August. Available on CD, double LP and download, the album is their first since 1996’s ‘Spiritchaser’. The band, who embark on a world tour in August, have confirmed a show at the Royal Albert Hall on 26th October. Tickets for the show sold-out within 48 hours of going onsale. 

‘Anastasis’ track listing
1. Children Of The Sun 
2. Anabasis 
3. Agape 
4. Amnesia 
5. Kiko 
6. Opium 
7. Return Of The She-King 
8. All In Good Time 

On the cover of ‘Anastasis’, Dead Can Dance’s first album in 16 years: a field of sunflowers, ripened, and then blackened, by the sun, standing with sad, slightly crowned heads. Less dead than dormant, the heads and stems will one day be chopped, but then via the roots, will return. For ‘Anastasis’ is the Greek word for ‘resurrection’ and the seemingly dead will dance again. 

“I thought ‘Anastasis’ was a good title given our reunion,” explains Brendan Perry, who, with Lisa Gerrard, formed the band in Melbourne, Australia in 1981, releasing seven studio albums, and one live album, before going their own ways after 1996’s ‘Spiritchaser’. “’Anastasis’ also means ‘in between two stages’,” he adds. “Regeneration comes with the next season.”

‘Anastasis’ is perfectly apt given how the album is an astonishing regeneration of the legendary beauty, power and spellbinding nature of the duo’s unique sound and vision. Age hasn’t withered DCD, not the passing of the years; if anything, the album sounds bolder, stronger, more confident in its vision.. 

A Greek word to represent the album is equally derived from the music’s origins. While Perry can hear echoes of DCD past, “from right across our catalogue,” he reckons the core of Anastasis can be found, “slap bang” in the near-Eastern Mediterranean, from Greece and Turkey across to North Africa. “The music I listen to and research becomes both unconsciously and consciously part of a new project, and for this album, I’ve been fascinated by the classic immutable elements of Greek culture, the depth of their music and their love for song that you don’t get as much in the west; the way they combine philosophy and love songs, and throw a bit of science in there too. I love the eastern influence that comes from being a crossroads between east and west, the kaleidoscopic mosaic of those fused cultures, while the further west you go, the more it’s a mono-cultural society.

Perry says the duo have been talking about another album since Dead Can Dance’s world tour of 2005. But that extensive tour was exhausting, and the incentive was lacking, so it was put on the backburner until calendars could again be synchronised – not so easy since Perry lives in the centre of Ireland (the land of his ancestors), where ‘Anastasis’ was recorded (at Perry’s converted church studio Quivvy) and Gerrard lives in Southern Australia. Once upon a time, they left Melbourne for London, settling many floors up in a council block on the Isle of Dogs, putting whatever pittance they had into their music. 

Signed by 4AD and releasing their first album in 1984, the duo drew rapturous reviews for albums that spanned neo-classical and folk across time and geography, each album selling to a progressively larger audience, the emotional drama of their coming to the attention of the San Francisco ballet, Hermes Perfume and a documentary on Hitler and Stalin; likewise motion pictures such as Heat, The Crossing Guard and Baraka. Gerrard developed her own solo film soundtracks - The Gladiator and The Insider, for example – while Perry worked on solo albums such as 1999’s ‘Eye Of the Hunter’ and 2008’s ‘Ark’. The pair dissolved their physical relationship in the early ‘ 90s but something keeps them together – a bond of deep friendship and musical compatibility and understanding, and so Anastasis is born, and Dead Can Dance regenerated. 


Dead Can Dance - The Carnival Is Over

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