Name: They Can Bleed - Waitress by [[Los Pipis Bathrug]] in Микс дня #4
Duration: 2 min 42 s
Description: Once again, Reposting from the best underrated group. Lmk if I need to take this down waitress if you ever get a soundcloud [[insertprayer.png]]

Микс дня #4

A Campaign of Shock and Awe -Evelyn Evelyn

Terms and Conditions

Bloody Nose - Jack Conte

Forrest Day

Sleepwalk

Nunemaker's Swingset

Sally's Interlude

The Dead Come Talking

y2mate.is - Moon Walker Give The People What They Want Official Visualizer -XgckPSsi7cE-192k-1696733

Cannibal

Once again, Reposting from the best underrated group. Lmk if I need to take this down waitress if you ever get a soundcloud [[insertprayer.png]]

They Can Bleed - Waitress

We Own You

Lyrics for Thermodynamic Lawyer, Esq. G.F.D. by Will Wood and the Tapeworms from Everything is a Lot omitted by request of attorney.

Thermodynamic Lawyer Esq, G.F.D.

Lyrics:

Quiet onset of a yawn
Old growth onslaught
Shallow foresight
Dawn dawns on these lawns

In a town on a mountain
Where the ghosts inhabit poisoned wooden caves
And the things they do and the things they say
Live in smaller caves
And the details of those things
Dwell in even smaller caves

A truth or two got lost
Nary a tooth got flossed

On the hearth near the mallard drake
In the entertainment center by the sliding door
On a spotlit plinth in an empty corridor
From one ear to the other
In a terracotta pot upon a bookcase
In a handcrafted cabinet of spoons

When you lose your mind
Leave those useless curios behind

Always be you
You will always be you
And I think that that's a good person to be
As long as you're doing
No harm unto others
Then you're always doing the right thing by me
You're always doing the right thing by me

But how can I do that
When I have no habitat?

When they shoot you down
To prove that they exist
Hold your ground and passively resist
Hold your ground and passively resist

Why me?
Why me?
Always bleeding in the brambles
Isn't there somebody else I could be?

Always be you
You will always be you
And I think that that's a good person to be
As long as you're doing
No harm unto others
Then you're always doing the right thing by me
You're always doing the right thing by me

Sow the seeds of peace
I agree
But also see the forest for the trees

You can spend your whole life
Planting annuals dutifully year after year
But by no small marigold patch will
An Ivory-billed Woodpecker appear

You can spend your whole life
Planting annuals dutifully year after year
But by no small marigold patch will
An Ivory-billed Woodpecker appear


Credits:
Music and lyrics - Stephan Nance
Piano, vocals, backing vocals - Stephan Nance
Banjo, guitars, keys - Josh Frigo
Backing vocals - Annie Elise
Double bass - Jeni Magana
Cello, violin, viola - Yoed Nir
Drums - Jon Truman
Percussion - Mathias Kunzli
Strings arrangement - Stephan Nance & Michelle Packman
Vocal recording engineer - Annie Elise
Mixing - Josh Frigo
Mastering - Alex Dobbert
Artwork - Rebecca DeMoss
Graphic design - Chad Lowe

Wooden

A 26-track odyssey through sin, collapse, rebirth, empire, and war.

After a month-long hiatus, AxAxC returns with the most ambitious project in our history — a violent, emotional, and mythic exploration of the human condition.
This album is built on deathcore, nu-metal, liturgy-core, and Christian rock, fused with orchestral suites, Norse epics, spoken-word interludes, and cinematic war narration.

This is an album about burning down the version of yourself that’s killing you.
It opens in the trenches of addiction and internal collapse (“By Sin and Self-Destruction,” “My Demons,” “On My Own”), descends into despair and self-destruction (“I Tried to Be Free,” “Lose It All Again”), and hits its emotional breaking point in the ritualistic centerpiece Self-Immolation Ceremony.

From there, the album rises into myth — with Norse war-cries, celestial hauntings, phoenix-like rebirth, and dirges for doubt and fear.
Then, suddenly, the horizon shifts.
The personal becomes political.
And the final arc transforms into a historical epic — a prelude to AxAxC’s upcoming projects:
The Path of War and Democracy.

“The Rise of Evil” retells the beginning of WW2 as a warning.
“Support • Defend • Democracy” declares the album’s stance.
“Dulce et Decorum” channels war poetry into a modern metal requiem.

The final track, “Lento Bliss,” returns the listener to fragile humanity —
a reminder that after war, both inner and outer…
we still have to live.

This album is a journey.
A confession.
A requiem.
A resurrection.

This is Abolition with Self-Immolation.
Burn the old self.
Rise from the ash.

© AxAxCStudios™ — All rights reserved.
DISTORT • DISTRUST • DESTROY.

#deathcore #numetal #liturgicore #christianrock #metalopera #symphonicmetal #emotionalmetal
#metalcore #ww2metal #conceptalbum #selfdestruction #addictionrecovery #innerdemons
#rebirth #phoenixcore #mythologycore #norsecore #cinematicmetal #orchestralmetal
#darkambient #ritualmetal #axaxc #axaxcstudios #untildarknessfalls #pureaddiction
#succubixinwhite #ragnarok #valhalla #epicmetal #soundtrackmetal #heavyband #metalrelease
#newalbum #metalartist #metalcommunity #metalheads #undergroundmetal #posthardcore
#epicmusic #conceptmetal #avantgardemetal #fireandashes #immolation #abolation #selfimmolationalbum

An Empire Burns

Concept
Teeth In The Dark marks the moment when the Abyss stops whispering… and starts hunting.
After the uneasy calm of The Quiet Hunger, the protagonist is thrust into a realm where the shadows themselves have bodies, the air vibrates with unseen movement, and the darkness reveals its predators. These creatures are not illusions or memories. They are the true inhabitants of the Abyss — ancient, hungry, and drawn to the scent of a living soul.
This is the first time the Abyss bares its fangs.
Sound & Atmosphere
The track blends heavy modern metal with nightmare-ambient textures to create a sense of being stalked in a world with no escape:
Deep, aggressive guitars that hit like the footsteps of something massive
Breathing bass pulses mimicking the creatures closing in
Scratching, high-pitched textures like claws against stone
Sudden drops into silence that mirror how the creatures freeze before attacking
A powerful, cinematic chorus that captures the terror and adrenaline of the hunt
The music feels tight, tense, and predatory — like a heartbeat racing in a dark forest where every branch seems alive.
Visual Concept
The cover depicts a lone figure standing beneath a shaft of blue volumetric light, surrounded by monstrous silhouettes emerging from the black. Their glowing eyes, jagged teeth, and twisting shadow-forms tell the listener exactly what this world is now:
A place where the dark is alive.
A place where the dark is hungry.
This artwork represents the moment the protagonist realizes he is prey.
Place in the Album Narrative
This track marks a turning point in THE ABYSS:
The emotional ghosts are behind him
The predators are here now
The dream has become physical
The Abyss is no longer observing — it is interacting
What happens next in the story is irreversible. Once something in the Abyss has your scent, it doesn’t stop.
For the Listener
Turn down the lights.
Turn up the volume.
Let the dark creep in around the edges.
But be careful…
Because here, in this place,
even the shadows have teeth.

Teeth In The Dark

Two years in the making. This isn't my normal style of music, but it had to be made for the lyrics.

I Survived You

Let Live & Let Ghosts

Under My Skin

WE LOST CAPTAIN SMILE TO SOUNDCLOUD 🙏😭

They Can Bleed - Waitress

[[Los Pipis Bathrug]]

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