have you ever get a candy from a stranger and the he kept giving you a candy better than a previous one? well I just did

@freybenedikt

Benedikt Frey made this amazing mix focused on a great amount of Kraut-ish material. Surely a pleasure for your senses. 
Benedikt is running the great @riolabel label from Berlin alongside @menqui & @daloworks .
All the moments we bumped into each other (I guess a few times at Digital Tsunami), were soundtracked by only good stuff.

Knekelhuis # 107 - Benedikt Frey

@freybenedikt - la Culottée @ Petit Bain 16.11.24

Benedikt Frey - la Culottée @ Petit Bain 16.11.24

Dutch synth master Legowelt here with punky synth rock, synth pop rarities, top class electro and all things synth informed. Obviously essential listening.

DUMMY MIX 022: Legowelt

Tolouse Low Trax _ ROUGH RADIO

Latest recording session from the Meyzieu studio few days ago, a selection of very nice tunes idmish, to technoish and more. Recorded the 12.01.2025 
Vinyl only.

New unrealeased Mix series #6 : The Alternate State Mix

The Inner Sound 038: Dream Software

For our 38th instalment of ‘The Inner Sound’, we invite Bristol-based multidisciplinary artist + musical platform: @dreamsoftwarecorp.

From the depths of the ethernet, Dream Software presents a utopian vision in every facet of his outputs. From releasing music that sounds far ahead of our time from up-and-coming artists such as Jon Jones, Wigs, Beltrac & a recent reissue of 90s works from Alien Signal, to collating his own vast collection and showcasing it through his many sets, online mixes, and radio guest spots.

Tap in (or out) to this 2-hour and 40-minute time frame of sonic reveries, where you’ll be taken to an oasis of mind-melting and nurturing rhythms, getting lost and far from your physical being, only to return with an expansive breath of new life.

www.daisyrecords.com.au

The Inner Sound 038: Dream Software

BRAIN WAVES #3 – Philipp Otterbach Recorded 12.03.2025)

For this edition of BRAIN WAVES, we welcomed Berlin-based artist Philipp Otterbach to Resør Listening Room. A key figure in Salon des Amateurs, with releases on Offen Music, Music From Memory, RIO and more, he delivered a deep and immersive journey.


@philipp-otterbach
@resorelectronics

BRAIN WAVES 003.2 Philipp Otterbach

Another Donkey Pâtè full of curve ball music and eccentric folk.

Here's the Òlta boys redefining what is acceptable on a dance floor around 7am........

Enjoy x

Òlta Karawane LIVE Dj cut - Donkey Pâtè @ Sameheads 22.03.2025

this mix is a tribute to overdub- a greek fanzine from the late 90’s  and early 00’s. 
Just before Internet was fully commercialised, the creatures of the underground scene could find it in specific comic, record and book stores and dig into the local and international experimentations of the time.  

All tracks come from artists that are briefly or more thoroughly mentioned on different issues of overdub. Christos Karras,  the music aficionado and editor in chief of the fanzine, initially had to send via post, introduction letters  to artists he admired, and receive tracks on cd or tape, months later, for a music compilation that he curated for every issue. Later on, email took over, Napster took over, and gradually overdub lost its precious meaning…Hopefully for some more than a few, independent music still matters. Special thanks to Aggelos Baltas for revealing to me this hidden gem. 

Anna vs June 10/05/25

"I'm an individualist." The Throbbing Gristle co-founder  on extreme experimentation, difficult women and her new album, 2t2.

As long as underground culture has existed, there have been pockets of resistance—people at the fringes who challenge societal expectations and create work that pushes against societal norms. Cosey Fanni Tutti is one of them. She's a founding member of the defunct British band Throbbing Gristle, a visual artist, pornographic model, solo musician and writer. 

Tutti, now 73, grew up in the English city of Hull, where she met like-minded performer Genesis P-Orridge. Together, they formed Throbbing Gristle and the collective COUM. Their activations and installations were, unequivocally, shocking. In one show, Tutti urinated on the audience as she swung naked across the stage. In another, the band performed alongside framed displays of her used menstrual pads. 

Throbbing Gristle's extreme experimentations flirted with the erotic and the grotesque, pushing the limits of sound and frequency. Their outsider approach to making music—and their erasure of the boundary that separates life and art—went on to influence a generation of creatives across genres, especially in early techno. 

After Throbbing Gristle disbanded, Tutti performed as synth pop duo Chris & Cosey with her husband and ex-band member, Chris Carter. Her work as a solo artist has blossomed in recent years. She published her memoir, Art Sex Music, in 2017. After turning 66, she also wrote two full-length albums and wrote another book, Re:Sisters, which explores the life and legacy of the late composer Delia Derbyshire who faced adversity as a woman in a male-dominated world, like Tutti herself.

In this Exchange with with Chloe Lula, Tutti discusses her dedication to living alternatively, expressing herself by any means possible and her forthcoming album, 2t2, composed during a time of extreme difficulty in her personal life. The underground icon also talks about mastering Mongolian throat singing and her upcoming solo art exhibition in New York, which will display the pornographic photos she took as a model in her 20s. Listen to the episode in full.

EX.767 Cosey Fanny Tutti

1 Night

For ages nighttime was said to be the time of ghosts and spirits. Creatures of the night were believed to gain special powers between 
midnight and dawn. In latin this shrouded in mystery lapse of time was called "intempesta" - time without time. 
Detlef Weinrich, alias Toulouse Low Trax, too, seems to have lingered in the irrational universe of frozen continuity quite frequently within the 
last two years. Everyone who drifts to the sound of his first solo album "Mask Talk" will soon sense the musical intensity boding a different 
dancefloor. 
Cool, atmospheric new-wave-sharpness, and a cushioned beat rate between 107 and 116 bpm call out a mechanical functionality that 
doesn't bow to any contemporary doctrine. "Mask Talk": urban music, club album. Big city lights in Africa. Chilly neon-sounds made in 
Dusseldorf. 
As a member of Kreidler, Weinrich just recently participated in the trio's newly found cosmic vibes, as well as in their album "Mosaik 
2014". Now, with his solo project, he is demonstrating that a MPC and a small synthesizer-ensemble are enough to bring alive futuristic 
dance music in the here and now. 
Bedroom-recorded under tense creative circumstances, the ten tracks invoke, mostly instrumentally, an eerie atmosphere that would fit in 
perfectly with an early John Carpenter movie. The tracks' volume sounds as if a whole band had been at work in Weinrichs own four walls. 
With plenty delay on the bass figures, compact analogue effects, percussive dabs and a rough blend of layers, Weinrich has, without any 
digital support, created quivering drum machine music, whose dancability he was able to test regularly as a resident DJ and co-owner of 
the Dusseldof-based club/ bar "Salon Des Amateurs". His new tracks breathe the hypnotic power of his DJ sets, where he arranges 
diverse rhythms between krautrock, cosmic, electronic and acid. They also remind of analogue-electronical pioneers such as Cluster or 
Peter Baumann. Also 1980s avant-gardists Cabaret Voltaire or Zazou Bikaye have left their mark, without Toulouse Low Trax explicitely 
referring to them. 
All tracks are committed to experiment. They leave room for every sound without neglecting rhythmical clarity. A dark, urban solanum, full of 
reverb, whose melodies are never prankish, but whose minimal nonchalance is sure to help not only the dark creatures through the night. 
"Form is essence brought to the surface" Victor Hugo wrote 150 years ago. "Mask Talk" is reasserting this theory as a destillate of an 
operating procedure seeking to subvert ingrained listening habits and to resharpen the contours of the audible. Electronic music beyond 
any categorisation, whose sounds and rhythmics grow to an emotional atmosphere that far exceeds the immediately hearable. 


Booking contact:
Booking Contaxct: meri@futura-artists.com

Tolouse Low Trax _ ROUGH RADIO

TOLOUSE LOW TRAX

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