From The Silver Globe - The Amber Light bonus disc, Bird Records (019EGGSCDD, 2015)
http://www.finderskeepersrecords.com/shop/jane-weaver-the-silver-globe-amber-light/
https://itunes.apple.com/gb/album/the-silver-globe/id920010385 
http://www.amazon.co.uk/The-Silver-Globe-Jane-Weaver/dp/B00MAPMACE

http://twitter.com/janelweaver
http://www.facebook.com/janeweavermusic
http://www.janeweavermusic.com/
http://www.finderskeepersrecords.com/

Released 30th March

In March, barely six months since its initial release, following tours with friend and sonic sister figure Laetitia Sadier (Stereolab) and one time backing band Black Rivers (two thirds of Doves), Jane will release an expanded edition of The Silver Globe - including a second full-length disc called The Amber Light which follows the original LP with the same dedication and adventurous zeal as its much loved synth driven sister record. With a title that alludes to the toils of trepidation and a running theme of industrial procreativity and DIY handy craft, The Amber Light carves a niche between new age motivational music, radiophonic folk and snarling krautrock echoing the kosmische stylings of The Silver Globe with the punk urgency of 80s domestic-synth pop. Featuring four brand new songs, three exclusive instrumental themes (including a commissioned theme from an American vampire film) and three new collaborative re-workings/duets based on tracks from The Silver Globe, this extensive package harbours work from Tom Furse (The Horrors), Andy Votel, Suzanne Ciani, members of Demdike Stare and original Silver Globe inhabitant Pete J. Phillipson. Substantiated by other extra format editions, including a silver vinyl version of The Silver Globe, a series of compact cassettes and a single release of standout robotic roller rink track Don’t Take My Soul (presented digitally as well as a split single with Bird Records label mate Tender Prey) Jane’s expanded Silver Globe/Amber Light project reciprocates the positive energy shared by her loyal readership and a wide host of new converts who have allowed Jane’s self-sufficient songs and synthetic soundscapes to flourish on he cusp of 2014/2015. Showing little signs of slowing down, Jane Weaver alongside her Bird Records family looks set for an airborne year. The Silver Globe is still turning and catching many a siege in its electric rays.

Jane Weaver - I Need A Connection

Key Sparrow (CCU Confusion Dub)

The second music to be shared from the forthcoming debut album by Cavern Of Anti-Matter, void beats/invocation trex, released on Duophonic as 3LP, CD & DL on 19 February 2016.

This is their first album proper following limited edition vinyl releases on Grautag, Deep Distance, Peripheral Conserve and Associated Electronic Recordings.

Features contributions from Bradford Cox (Deerhunter), Sonic Boom (Spacemen 3) & Jan St. Werner (Mouse On Mars).

"Cavern Of Anti-Matter are spectrum addicts, setting up tiny rhythmic cells and expanding on them in certain ways, splitting the melody and stretching out. The melodic movement is much slower due to the lack of words. At the moment, the Cavern sound is more what I want to do." – Tim Gane

www.cavernofantimatter.com

Tardis Cymbals

taken from the 1981 album 'Running Out Of Time' to be re-issued on URU/Lucky Number on March 18th, 2016.

Pre-order:
smarturl.it/rexy
www.roughtrade.com/albums/100400
http://www.piccadillyrecords.com/prod/REXY-RunningOutOfTimeBonusDiscEdition-LuckyNumber-107723.html

www.luckynumbermusic.com
www.uru.world

Rexy - Running Out Of Time

The issue had been forced, the cards were laid bare upon the table. They knew what they must do. The vanishing twin had left their family broken, however, the time had come to strike back and find the culprits at hand. Their small village had lived through wars, peace, and natural disaster, the wooden huts sat promptly on the hillside. Now, into the jungle they must go, to find their long lost brother, their long lost twin.

Soundway Records continue to uphold a reputation of excellence as they deliver music of superb quality time and time again. This time they have placed their faith in the recently formed group Vanishing Twin who blend traditions of English Pop alongside arkestral and world influences, a winning combination. Here is an exclusive premiere of  'Vanishing Twin Syndrome'.

PREMIERE: Vanishing Twin - Vanishing Twin Syndrome [Soundway]

The Beat Escape - Half Empty Happiness

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BEAK> - Sex Music

Exploded View's 'Summer Came Early' EP isout November 10 on Sacred Bones Records.
12" EP Preorder: https://www.sacredbonesrecords.com/products/sbr180-exploded-view-summer-came-early-ep
Digital Preorder: https://explodedview.bandcamp.com/album/summer-came-early-ep

http://explodedviewband.tumblr.com/
https://explodedview.bandcamp.com/
https://www.facebook.com/explodedviewband/
https://twitter.com/explodedviewbnd

Summer Came Early

'Traveler' is taken from The Green Child's self-titled debut album out January 12th through Upset The Rhythm.

Available to pre-order here now:
upsettherhythm.bigcartel.com/

Artist: The Green Child
Title: The Green Child

Label: Upset The Rhythm
Catalogue Number: UTR102
Release Date: Friday 12 January

Track listing:
01. Traveler
02. Her Majesty II
03. Bertha
04. New Years Eve
05. 46 Timelines
06. Walking Distance
07. Marie Elene
08. Destroyer

The Green Child is the long distance musical collaboration of Mikey Young and Raven Mahon, who met in 2013 when their bands, Total Control and Grass Widow played a show in Oakland, California. They started writing songs together in Australia in 2014 and the project has been on a slow burn since. Their self-titled debut album is the culmination of few years of putting ideas together internationally and periodically recording in Mikey's home studio. Some of the lyrical content and the band's name was inspired by Herbert Read's 1935 utopian, communist, sci-fi novel called The Green Child.

With such a choice name, it’s no surprise that The Green Child draw their sound from an illusory past as much as they stalk into pastures new. Broadly retro-futuristic in scope, verdant acres of lushly evocative synthesizers and blippy drum machines underpin most of their upbeat yet decidedly uncanny songs. Raven’s calmly scenic and measured vocal flits like a will-o’-the-wisp throughout the tracks, proffering a guiding hand as she walks us through the often eerie, electronic concoctions.

‘Traveler’ opens the album all redolent, beat-minded and labyrinthine. Twisting melody lines swirl and envelop like a sandstorm, whilst Raven coolly projects on a “solitary man” lost to “green oblivion”. Similarly, ‘Her Majesty II’ glistens with its playful yet plaintive vocal and iridescent arpeggios, whilst ‘Bertha’ slows things down with tumbling chimes and stately use of space.

The Green Child are adept at atmosphere, their songs are refined from gently unfolding ideas that never fail to realise and build to their potential. Tracks like ‘Walking Distance’ (featuring Al Montfort on saxophone) and ‘New Years Eve’ are exercises in evolved composition with ideas budding off and blossoming into truly resonant dimensions. The band’s cover of ‘Marie Elene’ (by Keith Pearson) and closing track ‘Destroyer’ are further crowning achievements, both pieces subtly handled with poise and ample melancholic grandeur. The Green Child fix their sights on the heights they want to reach within their songs and much like the project itself don’t want to rush to the finish line. When it becomes more about the unfurling journey, why not take the time to enjoy the trip and burn slower?

‘The Green Child’ is due for release on January 12th through Upset The Rhythm on 180g black vinyl, accompanied by some spirited sleeve design by James Vinciguerra.

The Green Child

The Green Child - Traveler

Anika EP (2013) | Produced by Geoff Barrow & Beak>
The record – http://stonesthrow.com/store/ep/anika/anika-ep
The video - http://stonesthrow.com/news/2013/08/anika-in-the-city

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