💥Recorded live at Bounce House on 9/7/24 between 2-4am💥

We previously wrote that this guest is a "bass wizard and sonic sorcerer" - this holds true enough, but we might need to brush up on our astrophysics to accommodate ADAB's expansive, space-time-traversing flow. A seasoned selector with an incredible range of emotive and kinetic rhythmic directions, ADAB's deft dancefloor work is trained by a zig-zagging dance music trajectory from front-of-house to behind the scenes, front door to behind the booth, from DIY corners to polished clubland. They have brought a real artist's vision to Philadelphia's roster of talent, and it's a pleasure to welcome them back.

@adab

ADAB - Live at Bounce House 9/7/24

https://www.instagram.com/claywwilson 
https://www.instagram.com/iamthespiral

SENSORIA @ The Lot Radio 02-27-2025

Epic live recording of a 12+ hour set from the Wild Wild Country of Shaniko Oregon. A two night event of wild abandon in the outer realms of society and the physical/mental plains of existence.  Part 1 starts at 10 pm on Day 2 of the festivities when everyone was already primed to go.  I ended the set around 10:30 or 11 am the next morning.

djscreendoor-live-at-club-shaniko-part1

This week's theme: French synth pop

https://www.instagram.com/alyssa_stowers/ 
https://soundcloud.com/alyssastowers



Selective Listening with Alyssa Stowers @ The Lot Radio 03-16-2025

Hot Mass and Detour have been immensely important for me over the years, in ethos, quality and love of the dance floor. With the guidance and inspiration they provide over the years, whether they know it or not, they helped inspire @headcleanercolumbus, [monthly series I co-found and run in Columbus, OH].

To be able to express what I wanted for nearly 4 hours then handing it off to Nikki Nair, was a dream come true.

As I listened through the whole mix I realized that I played more of my own music than anything, paired with music from friends and artists I have grown to love over the years. I don't think there is a better representation of who I am sonically. 

Thank you to Naeem, Alex, Gusto and the Hot Mass staff/crew for providing such an awakening experience!

Recorded Live: 06.15.24 (by @justbrenner at @Hot-mass)
Mastered By: M Parent
Artwork By: Gusto

DETOUR Podcast 31: Brenner (Live at Hot Mass)

Paquita Gordon - 05 April 2025

"There's a long chain of people who benefit from artists making records." Nabil Ayers, the US president of Beggars Group, talks about independent artistry and how we fix a broken music economy.

The independent music economy is broken. But Nabil Ayers, US President of Beggars Group—the home of independent labels 4AD, Matador Records, Rough Trade Records, XL Recordings and Young—is here to fix it. 

In this Exchange, he speaks with RA senior editor Nyshka Chandran about the primary issues plaguing the industry. But he also expertly articulates his efforts to address these shortcomings through research and policy initiatives from the top down. How can artists get paid more money in a world where music is a common good? And what is the role of an independent label in 2025 and beyond? Listen to the episode in full. -Chloe Lula

EX.760 The Economics of Independent Dance Music

An ooey gooey resurrection. And loose collection of tracks b2b from your Boo 

https://www.instagram.com/boo__lean 
https://www.soundcloud.com/boo_lean




A SOUND PLACE Stoner Girl Heaven with Boo Lean @ The Lot Radio 04-20-2025

Full tracklist: https://bleep.com/bleep-mix-300-barker

Fresh from Stochastic Drift, Barker’s buzzing second album named Bleep Record of the Month alongside an exclusive 12”, Barker sends a mix that really digs deep into the unique sonic methodology he has constructed across his solo career width a suitable breadth for what is also a milestone in the series, Bleep Mix #300.

From Debiasing to Utility to Stochastic Drift, Barker has been reimagining club music without its definitive thump, instead driven by melody and tactile synthesis, and this selection of tracks expands Barker’s soundworld with a host of artists walking a similar path. “For this mix, I picked out some of my favourite uptempo ambient tracks, recorded at home with two decks and a mixer. It’s music I've used in a lot of different contexts, as a DJ and listener, and I hope you enjoy it.”

Though the occasional dancefloor thump makes itself known, such as on Adriana Lopez’ ‘What Lies Behind’, it’s mostly in quaking subs rather than actual four to the floor, providing some ground for this mix’s airy freeform variety to fly over. We have the wooden plunks and seaspray of Afefe Iku’s Kenyan island sound, the wonky gamelan of Tyler Friedman’s maze of bells and chimes, the dense atmosphere of shaker-produced rain and electrical chirps forged deep in the ruins of The Future Sound Of London.

The midsection of this mix contains some magic in particular: the maestro of drumless trance Lorenzo Senni creates motion from pure jagged synth energy on ‘The Power of Failing’, dissolving into the aether of an unreleased Barker track, which further discharges into the kaleidoscopic stutters of Caribou’s ‘Never Come Back’ with jubilant piano chords and vocal clips wrought into a glitchy, swirling maelstrom of Koreless' prickly warmth. Digital Justice’s ‘Theme From It’s All Gone Pearshaped’ follows, a timeless staple for anyone wishing to dabble in melodic motion and synthsmithery, or any DJ set seeking to add some lift without losing momentum, of which this mix is in no short supply.

Bleep Mix #300 - Barker

DON'T CHA WANT IT

RPJR

Residing at the intersection of house and techno, DETOUR is a Pittsburgh collective that creates visually and sonically immersive experiences. DETOUR seeks to act as a junction where both seasoned and newly-interested enthusiasts of house and techno can come together for an experience of both sight and sound.

DETOUR Podcast 31: Brenner (Live at Hot Mass)

DETOUR PGH

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