Smokin' Bluntz

Keep it real

Jatos & WRC - Trumpet Dayz Feat. Dj ES

One Way

Let us present you with the debut instrumental album from two holders of the golden era hip-hop traditions - "BubbleWild" & "Jazzquarterz". Named "Spirit of the Roots" it consists of 20 boombap beats mixed with jazz, funk and soul samples, created in honor of the times long gone, stretching from the deepest roots to nowadays.

Follow @bubblewild @jazzquarterz

00:00 - 00:54 - bubblewild - hardcore
00:41 - 01:43 - bubblewild - waves
01:25 - 02:04 - bubblewild - check it out
02:04 - 02:47 - bubblewild - lifes a bitch
02:47 - 03:26 - jazzquarterz - da ruffneck
03:26 - 04:08 - jazzquarterz - astro travel
04:08 - 04:55 - jazzquarterz - daily routine
04:45 - 05:52 - jazzquarterz - fo ya mind
05:42 - 06:55 - jazzquarterz - flava
06:40 - 08:00 - bubblewild - woo
07:50 - 08:33 - bubblewild - with my crew
08:33 - 09:48 - bubblewild - streets
09:26 - 10:31 - jazzquarterz - back in the day
10:31 - 11:13 - bubblewild - moonwalker
11:13 - 12:10 - jazzquarterz - all i need
12:10 - 13:04 - jazzquarterz - organized crime
12:53 - 13:47 - bubblewild - time to wake up
13:47 - 14:34 - bubblewild - knock knock
14:28 - 15:31 - jazzquarterz - yesh yesh ya'll
15:31 - 16:18 - jazzquarterz - real proof

Mixed and mastered by IKSO

www.facebook.com/drtybeauty
www.drtybeauty.bandcamp.com

Bandcamp

BubbleWild & Jazzquarterz - Spirit Of The Roots (Cassette)

Mic Geronimo - Unstoppable (MF Eistee Remix)

Follow @flakodiablo & @knowzprod

In the course of a thorough digging on the border between Argentina and Chile we have discovered ruins of unknown origin...
After withdrawal of samples and examination: we received 40 minutes of rare material from two local underground beatmakers - Flakodiablo (Chile) and Knowz (Argentina). Present to your attention a joint cassette release called "From Da Last Corner"!

00:00 - 00:40 - flakodiablo - intro
00:35 - 01:44 - knowz - on the run
01:34 - 02:43 - knowz - microphone killaz
02:38 - 03:33 - knowz - can you dig it
03:25 - 04:13 - knowz - spacejam
04:04 - 04:53 - knowz - jazzy technics
04:53 - 05:45 - flakodiablo - combination from da mastas ft. dj jopsen @dj-jopsen
05:35 - 06:38 - flakodiablo - astronomy 
06:30 - 07:32 - flakodiablo - 90s progression
07:11 - 08:15 - flakodiablo - straight architect
08:15 - 09:30 - flakodiablo - invernal 
09:10 - 10:12 - knowz - the corner
10:07 - 11:06 - knowz - re-formation ft. dj ropo @ropo
10:56 - 11:51 - knowz - smooth ft. dj ropo @ropo
11:40 - 12:36 - flakodiablo - hellflip
12:32 - 13:21 - flakodiablo - blue moon (one4lunartapes)

www.facebook.com/drtybeauty
www.drtybeauty.bandcamp.com

Flakodiablo & Knowz - From Da Last Corner (Cassette)

- Tape and Digital Album 

- Preorder 28.06.2017

- Release    15.07.2017 

only via Bandcamp (Follow the link in the description)



Special thanks to Educut(Mixing) and Philanthrope(Snippet_Master)

Vinyl

Attacking with the smoothness SNIPPET mixed by Educut

It's been a long time maybe too long since your audio uploaded a new rap song. Enjoy!

Masta

third year anniversary of our community direction and we presentation "abstract era vol. 4"

for the fourth time a portion of analog audio, boom bap rhythms and no more. another melancholic day, tape deck and this part of series.
to be digging continue/peace/1L.

limited edition cassette, posters, t-shirts: kadv.bandcamp.com/album/the-abstract-era-vol-4

also available full series (vol. 1-4) bundle in same page for new supporters

much thanks everyone who support us all this time
stay safe and 1luv.

HEADZ:

don dose: @dondose
rotes: rotes1.bandcamp.com
kixnare: @kixnare
mook: @tha_mook
tape flip: tapeflip.bandcamp.com
dj str: @deejaystr
fin: @finhiphopnc
trend major: @trendmajor
ido33: @ido-beatmaker
nezahr: @nezahr
seize: @seizebeats-1
mike flips: @mike_flips
lowqua: instagram.com/prod.lowqua
nowædays: nowaedays.bandcamp.com
links: @linksprod

tape idea: abstractjity
instagram.com/abstractjity

mixed & mastered: kick a dope verse!

kick a dope verse! © 2020

the abstract era vol. 4

seize - on any ocasion / mike flips

Instrumental: https://soundcloud.com/tapeheadloops/lifetime-impression-instrumental

Beat, scratches, cuts, mixing and mastering by Tapehead
Visuals: https://youtu.be/zPoxbmlxVGA
Free Instrumental Download: https://tapehead.bandcamp.com/track/lifetime-impression-instrumental

All We Got Iz Us is probably my favourite Onyx album, it doesn’t have a single weak track imo, the album is just mad motivating. I think its mad underrated too, obviously its fairly well known, but cause it came out in ’94 it’s definitely been a bit overshadowed by the insane amount of classic albums that came out that year. To me this album is a classic, one of my favourites from ’94 for sure. The singles are decently known for sure, Last Dayz being the most recognizable, but the whole album doesn’t seem to get as much love as the singles, and the whole project is a must listen to me. Putting the Evil Streets acapella over this beat was one of the best decisions I’ve ever made. I fully can’t believe how well the Onyx acapella fits, its truly nuts to me, and pretty rare that something comes together this well. I’m pretty sure the hook is ‘sung’ in the same key as the sample I flipped, and all the verses fit ridiculously well, but not just the flows, the voices sound right over the beat too. 

I had to go all out when I mixed this beat. The drums are all layered so thick, there’s about 4 hi hats, 6 kicks, and 6 snares which are all mixed together to give the drums a punch which definitely matches Onyx’s style. The way I chopped this sample left some vocals in for split seconds, which sounded like scratches because of them being right at the end of a chop and cut off, like how a fader cuts out a scratch when the DJ spins a record back. I thought this sounded cool but it only happened once in each 2 bar loop of the sample, so I decided to add some of my own scratches from a few break records I have. I used ‘Super Seal’, and recorded some scratches of snares and the famous ‘yo’ sample at the BPM of the beat. Layered with the drums this sounded crazy to me, it gave the beat a different vibe, I’ve definitely said before how much I love how scratching sounds, and it was cool to incorporate it into this beat in a more permanent, less obvious way, not just something for the hook. Normally I don’t like how censored acapellas sound over beats, but I think with this one it works, because of all of the scratches and cuts that play in the beat, it sort of makes the gaps in the verses make more sense as if the record was being cut up, and then sometimes the scratch/break fills up a gap left by a word being censored, it was definitely a part of what made this acapella work so well over the beat. I also layered the sample 3 times, 2 filters, one high one low, and a standard mix, which I layered, soloed etc throughout the track. This was unbelievably long to do without quantization (which is how I flipped the sample originally), so all 3 had to perfectly match each other, which took hours to sequence. I fully kept giving up but knew the beat needed the layers on the sample to really do it justice (especially the groove that’s added by filtering the lows), so I just stuck by it, and sequenced each chop individually, so I was hitting the pad at the exact right time, which ended up with the beat sequence being 30 tracks on the MPC (they’re usually 15 or so). It was definitely necessary to do this, because the contrast of the smooth flows of the low end to the scratches and samples really gives the track variation, and gives it a lot more presence throughout, definitely was worth the time and effort.

This is by far the happiest I’ve been with a remix in time, and it’s all positive, because making this has given me an unbelievable boost in energy music wise, and I’m mad excited to make the next beat, and now for the first time I’m equally as excited about mixing and mastering, because of what I was able to achieve with this one. 
Peace.

Lifetime Impression

cookin beats since 2012
One eye of the @Silentists
for questions just hit me up on here, Insta or Facebook
DON'T USE BEATS WITHOUT MY PERMISSION

One

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