Name: Deep techno mix - DJ set by DEVIKA by Devika Keswani
Duration: 30 min 20 s
Description: Here is my DJ set with some deep techno sounds, hitting right through your soul.

Set In Stone

No new friends

No New Friends NG19

Here is my DJ set with some deep techno sounds, hitting right through your soul.

Deep techno mix - DJ set by DEVIKA

Aflevering 20 van de Coach-Radio Podcast 
Onderwerp: STRESS EN BURN OUT
Deze Podcast wordt gemaakt in opdracht van de NOBCO
Meer informatie: www.nobco.nl
Contact naar aanleiding van de podcast via podcast@nobco.nl
Aan deze aflevering werkten mee:
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Carolien Hamming (https://www.csrcentrum.nl)
Marieke van Hoffen (https://www.researchgate.net/profile/Marieke-Hoffen)
Jelle Westendorp (https://www.jellewestendorp.nl)
Geeske te Gussinklo (https://daders.org)
Presentatie: Arvid Buit (www.true-leadership.com)
Productie, Mixage en Opname: (www.voice-choice.nl)
Studio: NOBCO Content Facilities (www.nobco.nl)

Aflevering 20 - Stress en Burn Out

Track list on 1001 Track List:
www.1001tracklists.com/user/HEVILEVI/index.html

Follow HEVI LEVI:
https://hevilevi.fanlink.to/Social
Official Site: www.hevilevi.com

Official Site

Buckle Up 024 - Radio Show

Serana

lyrics:

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x2

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x8

my thoughts r more tangled than headphones in ya pocket

i feel like im sinking

uwauwauwauuwauwa

Hey People, I mix the legendary Singer Ustad Nusrat Fateh Ali Khan Saheb with the Dark Techno music. 
Let's travel together to another dimension.
Hope You People like it 

Raqs-e-Sama

Darren Tate Feat. Sxcha - Flickers

“Berlin Dark Underground” — Kellytranscend (Kelly Hector)

Credits: Songwriter · Music Composer · Creator — Kelly Hector (aka Kellytranscend), Collingwood, Melbourne, Australia.
Link: soundcloud.com/kellytranscend/berlin-dark-underground

The Bottom Line

A dark, rolling Berlin-techno cut that locks the floor with hypnotic repetition, evolving acid inflections, and zero fluff. It’s club-first music—confident, unsentimental, and built to work between 2–4 AM. If you’re into ironclad kick-and-bass, smoke-machine atmosphere, and subtle 303 talkback, this delivers.

First Impressions

Vibe: Shadowy warehouse energy—minimalist by design, tension through restraint.

Hook: The “movement” is the groove itself: incremental filter rides, percussion shifts, and acid phrases that feel alive without grandstanding.

Payoff: Breaks are measured, drops hit with weight rather than fireworks. Functional in the best sense.

Production & Mix (What’s working)

Kick/Bass Lock: Tight relationship; the groove feels welded. Good translation candidate for big systems.

Low-End Management: Sub feels disciplined—never woolly—so the mids can breathe.

Top-End Texture: Metallic hats and controlled clap reverb create a real room illusion without clutter.

Automation Details: Filter, resonance, and decay moves on the acid line keep your ear engaged over long phrases.

Songwriting & Arrangement

Structure: DJ-friendly intro/outro, purposeful build, and a central acid conversation that evolves rather than resets.

Dynamics: Micro-dynamics (mutes, rides, and FX tails) keep it human; the track “says more by saying less,” which suits Berlin aesthetics.

Standout Moments

Acid Bloom: When the 303-style line opens up and bites, it adds narrative without breaking the hypnotic spell.

Air Pocket Break: A short, pressure-drop before the main groove returns—clean, effective, mixable.

If You Like…

Think Marcel Dettmann, Ben Klock, Len Faki on the Berlin axis; with a faint nod to old-school Goa motion (the evolving 303 motifs) minus the psychedelic excess. It’s techno discipline with a hint of acid storytelling.

Constructive Suggestions (Take it from good to lethal)

Low-End Separation: Carve a narrow notch in the bass at the kick’s fundamental; keep everything ≤120 Hz mono for impeccable club translation.

Transient Balance: A touch of transient shaping on the kick and a 30–50 ms attack on bass compression can sharpen punch without chasing loudness.

Presence Pocket (2–4 kHz): Create a small pocket so acid details and percs read clearly without turning the mix edgy.

Air vs. Sizzle (6–9 kHz): If hats feel spicy on bright PAs, tame sibilance here; let “air” live 10–12 kHz instead.

Long-Form Tension: Consider one late-track “false peak” (8–16 bars) where the acid goes percussive-staccato before the final open filter—DJs love that tease.

Release/Playlist Fit

Best Use: Peak-time bridge between harder techno and acid-leaning sets.

Mix Key Friendlies: Works beautifully before/after mechanical, loopy tools; it’s a glue track for momentum.

Verdict

Rating: 8.6/10 — Peak-hour ammo.
“Berlin Dark Underground” proves Kellytranscend understands the club: restraint, architecture, and groove above gimmicks. With a touch more transient definition and a surgical presence pocket, this becomes a certified weapon on large systems.

FAQ

Is this original?
Yes—written, composed, and created by Kelly Hector (aka Kellytranscend). The aesthetic references Berlin techno, but the arrangement choices and acid phrasing feel personal.

Where does it sit genre-wise?
Straight-ahead Berlin techno with acid/Goa-tinged evolution—functional, hypnotic, and DJ-oriented.

Will it work outside the club?
It’s made for the floor. Headphone listeners still get the detail, but this shines on a big PA.

Deep techno mix - DJ set by DEVIKA

Devika Keswani

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